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Pop Idols and Pirates Mechanisms of Consumption and the Global Circulation of Popular Music

The music industry has been waging significant battles in recent years, reacting to numerous inter-related crises provoked by globalization, digitalization and the ever more extensive commercialization of public culture. This book presents two inter-related cases of crisis and opportunity: the music industry's epic struggle over piracy and the 'Idol' phenomenon. Both are explicit attempts to control and justify the particular ways in which the music industry makes money from popular music through specific kinds of relationships with consumers. When understood in specific relation to the battle.

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  • "The music industry has been waging significant battles in recent years, reacting to numerous inter-related crises provoked by globalization, digitalization and the ever more extensive commercialization of public culture. This book presents two inter-related cases of crisis and opportunity: the music industry's epic struggle over piracy and the 'Idol' phenomenon. Both are explicit attempts to control and justify the particular ways in which the music industry makes money from popular music through specific kinds of relationships with consumers. When understood in specific relation to the battle."@en
  • "The music industry has been waging some very significant battles in recent years, reacting to numerous inter-related crises provoked by globalization, digitalization and the ever more extensive commercialization of public culture. The battles currently being fought by the music industry are about nothing less than its continued ability to create and maintain specific kinds of profitable relationships with consumers. This book presents two inter-related cases of crisis and opportunity: the music industry's epic struggle over piracy and the 'Idol' phenomenon. Both are explicit attempts to control and justify the particular ways in which the music industry makes money from popular music through specific kinds of relationships with consumers. When understood in specific relation to the battle against piracy, Fairchild's analysis of 'Idol' and the emerging promotional cultures of the music industry it exhibits shows how multiple sites of consumption, and attempts to mediate and control the circulation of popular music, are being used to combat the foundational challenges facing the music industry."@en

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  • "Computer network resources"@en
  • "Electronic resource"@en
  • "Livres électroniques"
  • "Electronic books"
  • "Electronic books"@en

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  • "Pop Idols and Pirates Mechanisms of Consumption and the Global Circulation of Popular Music"@en
  • "Pop idols and pirates mechanisms of consumption and the global circulation of popular music"
  • "Pop idols and pirates mechanisms of consumption and the global circulation of popular music"@en
  • "Pop idols and pirates : mechanisms of consumption and the global circulation of popular music"

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