"Translation & interpretation." . . "Translation & interpretation" . "Motion pictures Electronic books." . . "Film theory & criticism." . . "Film theory & criticism" . "Tekstning" . . "LANGUAGE ARTS & DISCIPLINES / Translating & Interpreting" . . "Performing Arts" . . "Cine Traducción" . . "Cinéma Traduction." . . "Foreign films." . . "Geschichte." . . "Motion pictures." . . "Translating and interpreting." . . . . "Cinematografia Traducció." . . "Oversættelse" . . "Fremdsprache." . . "Cinéma Interprétation." . . "Film Prevajanje." . . "Dubbing" . . . . "Translating popular film and the intercultural imagination"@en . "Translating popular film and the intercultural imagination" . . . . . . . . "Elektronisches Buch" . . . . . . . . . . . . . . . . "Electronic books"@en . . . . . . . . . . "A ground-breaking study of the roles played by foreign languages in film and television and their relationship to translation. The book covers areas such as subtitling and the homogenising use of English, and asks what are the devices used to represent foreign languages on screen? In recent years, foreign languages and subtitles have moved out of the arthouse into the multiplex, with films such as Dances With Wolves, The Last Samurai, Traffic and Inglourious Basterds. Foreign languages have always been part of popular cinema -- think of The Third Man or Treasure of the Sierra Madre -- but often foreign speech has been represented in English or reduced to the hubbub of voices in the background. This book deals with the tradition of foreign languages in the cinema, showing how a diverse range of devices and narrative conventions has evolved to represent and translate foreign languages for cinema audiences. Devices such as the translating dissolve, the close-up, the ludic subtitle and the narrational subtitle used in films from the silent period to today are analysed in the light of cinema's mission to tell stories about characters who don't share a language with the cinema audience." . . . "Translating popular film"@en . . "Translating popular film" . . . . . . . . . "Translating Popular Film" . . . . . . . . "A ground-breaking study of the roles played by foreign languages in film and television and their relationship to translation. The book covers areas such as subtitling and the homogenising use of English, and asks what are the devices used to represent foreign languages on screen?"@en . . . "In recent years, foreign languages and subtitles have moved out of the arthouse into the multiplex, with films such as Dances With Wolves, The Last Samurai, Traffic and Inglourious Basterds. Foreign languages have always been part of popular cinema ₆ think of The Third Man or Treasure of the Sierra Madre ₆ but often foreign speech has been represented in English or reduced to the hubbub of voices in the background. This book deals with the tradition of foreign languages in the cinema, showing how a diverse range of devices and narrative conventions has evolved to represent and translate foreign languages for cinema audiences. Devices such as the translating dissolve, the close-up, the ludic subtitle and the narrational subtitle used in films from the silent period to today are analysed in the light of cinema's mission to tell stories about characters who don't share a language with the cinema audience."@en . . . . "Films Titrage." . . "Film" . . "Film." .