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http://worldcat.org/entity/work/id/1020537924

I Belong to This Band, Hallelujah! Community, Spirituality, and Tradition Among Sacred Harp Singers

The Sacred Harp choral singing tradition originated in the American South in the mid-nineteenth century, spread widely across the country, and continues to thrive today. Sacred Harp isn't performed but participated in, ideally in large gatherings where, as the a cappella singers face each other around a hollow square, the massed voices take on a moving and almost physical power. I Belong to This Band, Hallelujah! is a vivid portrait of several Sacred Harp groups and an insightful exploration of how they manage to maintain a sense of community despite their members' often profound differences. Laura Clawson's research took her to Alabama and Georgia, to Chicago and Minneapolis, and to Hollywood for a Sacred Harp performance at the Academy Awards, a potent symbol of the conflicting forces at play in the twenty-first-century incarnation of this old genre. Clawson finds that in order for Sacred Harp singers to maintain the bond forged by their love of music, they must grapple with a host of difficult issues, including how to maintain the authenticity of their tradition and how to carefully negotiate the tensions created by their disparate cultural, religious, and political beliefs [Publisher description].

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http://schema.org/description

  • "The Sacred Harp choral singing tradition originated in the American South in the mid-nineteenth century, spread widely across the country, and continues to thrive today. Sacred Harp isn't performed but participated in, ideally in large gatherings where, as the a cappella singers face each other around a hollow square, the massed voices take on a moving and almost physical power. I Belong to This Band, Hallelujah! is a vivid portrait of several Sacred Harp groups and an insightful exploration of how they manage to maintain a sense of community despite their members' often profound differences. Laura Clawson's research took her to Alabama and Georgia, to Chicago and Minneapolis, and to Hollywood for a Sacred Harp performance at the Academy Awards, a potent symbol of the conflicting forces at play in the twenty-first-century incarnation of this old genre. Clawson finds that in order for Sacred Harp singers to maintain the bond forged by their love of music, they must grapple with a host of difficult issues, including how to maintain the authenticity of their tradition and how to carefully negotiate the tensions created by their disparate cultural, religious, and political beliefs [Publisher description]."@en
  • "The Sacred Harp choral singing tradition originated in the American South in the mid-nineteenth century, spread widely across the country, and continues to thrive today. Sacred Harp isn't performed but participated in, ideally in large gatherings where, as the a cappella singers face each other around a hollow square, the massed voices take on a moving and almost physical power. I Belong to This Band, Hallelujah! is a vivid portrait of several Sacred Harp groups and an insightful exploration of how they manage to maintain a sense of community despite their members' often profound differences. L."@en

http://schema.org/genre

  • "Electronic books"@en
  • "Electronic books"
  • "Academic dissertations"@en

http://schema.org/name

  • "I Belong to This Band, Hallelujah! Community, Spirituality, and Tradition Among Sacred Harp Singers"@en
  • "I Belong to This Band, Hallelujah!"
  • ""I belong to this band, hallelujah" : community, spirituality, and tradition among Sacred Harp singers"@en
  • "I belong to this band, hallelujah! : community, spirituality, and tradition among sacred harp singers"@en
  • "I belong to this band, hallelujah! community, spirituality, and tradition among sacred harp singers"
  • "I belong to this band, hallelujah! : community, spirituality, and tradition among sacred harp singers"