. . . "Compact discs"@en . . . . . . . . . . "Jacqueline Susann's Shadow of the dolls" . "Middle-aged entertainers divide their free time between sex, drugs, and cosmetic surgery as they are plagued with insecurity, overindulgence, and raw ambition."@en . "Jacqueline Susann's Shadow of the dolls"@en . "Audiobooks"@en . . . . . . "Jacqueline Susann's Shadow of the dolls [a novel]"@en . . "Jacqueline Susann's Shadow of the Dolls" . . . "Shadow of the dolls"@en . "Shadow of the dolls" . . . . "Nova Audio Books presents Jacqueline Susann's Shadow of the dolls" . . "Continues the stories of Anne Welles, Neely O'Hara, and Lyon Burke as they face difficulties and unhappiness while pursuing their dreams."@en . . . . . . "Rae Lawrence turns Susann's draft into the continuing story of Anne Welles, Neely O'Hara and Lyon Burke. The characters are placed in the late '80's and carried into the present, adjusting their ages a bit. Neely's golden voice has brought her fame but she craves acceptance in social circles where success means nothing and Anne and Lyon look for happiness apart from each other."@en . "Rae Lawrence turns Susann's draft into the continuing story of Anne Welles, Neely O'Hara and Lyon Burke. The characters are placed in the late '80's and carried into the present, adjusting their ages a bit. Neely's golden voice has brought her fame but she craves acceptance in social circles where success means nothing and Anne and Lyon look for happiness apart from each other." . . . "Jacqueline Susann's Shadow of the dolls a novel"@en . "Jacqueline Susann's Shadow of the dolls a novel" . . . . . "Rae Lawrence turns Susann's draft into the continuing story of Anne Welles, Neely O'Hara and Lyon Burke. The characters are placed in the late '80's and carried into the present, adjusting their ages a bit. Neely's golden voice has brought her fame but she craves acceptance where success means nothing and Anne and Lyon look for happiness apart from each other." . . . "Love stories" . "Love stories"@en . . "Fiction"@en . "Fiction" . . . .