"Republic Pictures." . . "Western films." . . "Western films" . "Fiction." . . "RCA SelectaVision VideoDiscs (Firm)" . . "Video recordings for the hearing impaired." . . "Video recordings for the hearing impaired" . "Feature films DVD." . . "Films." . . "Pandillas Teatro." . . "Courage." . . "Paramount Home Entertainment (Australasia) Pty. Ltd." . . "Paramount Home Entertainment (Australasia) Pty., Ltd." . "Mariscales Oeste (Estados Unidos) Teatro." . . "Man-woman relationships West (U.S.) Drama." . . "Closed captioning." . . "Feature films." . . "Feature films" . "Violence." . . "Texas Country Music Hall of Fame. Tex Ritter Museum." . . "Películas austriacas Videodiscos." . . "Video recordings for the visually impaired." . . "Artisan Home Entertainment." . . "Republic Entertainment Inc." . . . . "Mariscales Teatro." . . "Verenigde Staten." . . "Republic Pictures Home Video (Firm)" . . "RKO Radio Pictures (Firm)" . . "Sonora (Calif.)" . . "1951 - 1960" . . "Vengeance Films." . . "Longs métrages États-Unis." . . "Western films [DVD]" . . "Gangs West (U.S.) Drama." . . "Marshals West (U.S.) Drama." . . "Policía Oeste (Estados Unidos) Teatro." . . "Stanley Kramer Productions." . . "Proscritos Oeste (Estados Unidos) Teatro." . . "DVD recording." . . "Courage Drama." . . "United States, West." . . "Sheriffs." . . "Violence United States Drama." . . "Action." . . "Man-woman relationships Fiction [DVD]" . . "DVDs." . . "Revenge." . . "Sheriffs Drama." . . "Feature films United States." . . "DVD" . . "Universal Pictures (Great Britain) Limited (Firm)" . . "Artisan Home Entertainment (Firma comercial)" . . "Sheriff Kane (Cooper), deserted by the townspeople and his new bride (Kelly), has to stand alone against an outlaw and his gang."@en . . . "Short films"@en . . . . "A lawman stands alone to defend a town of cowardly citizens against a gang of revenge-seeking criminals. The lawman stands to lose not only the town but his new wife."@en . "Gary Cooper in High noon"@en . . . . . . "A retired marshal's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. The townspeople refuse to help him, so he is forced to take up his badge and guns again, alienating his new bride, a Quaker who is opposed to violence."@en . "A retired marshal's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. The townspeople refuse to help him, so he is forced to take up his badge and guns again, alienating his new bride, a Quaker who is opposed to violence." . . . . . . . . . . . . . "Features" . "Features"@en . . . . . . . . . . . . . . . . "A retired marshal's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. He takes up his badge and guns again, alienating his new bridge. Also contains an 80-min. essay by UCLA film professor Howard Suber analyzing the film is included on the second analog track."@en . . "A retired marshall's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. The townspeople refuse to help him, so he is forced to take up his badge and guns again, alienating his bride, a Quaker who is opposed to violence." . "\"Le shérif d'une petite localité de l'Ouest entend se marier, renoncer à son métier et quitter la ville. Il apprend la mise en liberté d'un dangereux bandit qu'il avait capturé. Craignant de nouvelles bagarres, il demande l'aide d'honnêtes gens qui se récusent. Grâce à sa jeune femme, il viendra à bout du criminel et connaîtra enfin une vie paisible.\" [(c) Médiafilm] [SDM]." . . . . . . . . . . . . . . "A retiring sheriff feels a responsibility to an ungrateful town when challenged by a gunfighter."@en . . "High noon (Film)" . . "Video recordings for the hearing impaired" . "Video recordings for the hearing impaired"@en . . . . . . . . . . . . . . "A retired marshal's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. The townspeople refuse to help him, so he is forced to take up his badge and guns again, alienating his new bride, a Quaker who is opposed to violence. DVD."@en . . . . . . . . . . . . "12 Uhr Mittags" . . "A newly married town marshall must choose between love and his duty to protect a town from vengeful outlaws." . . "Historical films"@en . "A retired marshall's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. The marshall meets the killer and his three accomplices at high noon in one of the most suspenseful and thrilling gunfights ever filmed."@en . "A retired marshall's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. The marshall meets the killer and his three accomplices at high noon in one of the most suspenseful and thrilling gunfights ever filmed." . "A retiring lawman about to leave town with his new bride seeks allies among the fearful townspeople, and finds none, when an outlaw he put in prison returns with his gang to take revenge. Includes documentary, songs, featurettes, and more."@en . . . . "The classic western story of a lawman (Gary Cooper) who stands alone for a cowardly town against a gang of outlaws. He won the Best Actor Academy Award for this role. The movie also won three additional Academy Awards. This is the 50th Anniversary DVD. Includes a documentary on the making of the film." . "Videos" . . . . . . "The \"classic tale of a lawman who stands alone to defend a town of cowardly citizens against a gang of revenge-seeking criminals.\"--Container." . . . . "12 Uhr mittags" . . . . . . . . . "High Noon, by Carl Foreman" . . . . . . . . . . . "A retired marshal's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge." . "A retired marshal's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge."@en . . . . . . . . . . . . . . . . . "Le shérif d'une petite localité de l'Ouest entend se marier, renoncer à son métier et quitter la ville. Il apprend la mise en liberté d'un dangereux bandit qu'il avait capturé. Craignant de nouvelles bagarres, il demande l'aide d'honnêtes gens qui se récusent. Grâce à sa jeune femme, il viendra à bout du criminel et connaîtra enfin une vie paisible." . . . . . . . . "History"@en . . . . . . . . . . . . . . . . "Town marshal Will Kane faces four professional killers alone, after being abandoned to his fate by the gutless townspeople." . "Town marshal Will Kane faces four professional killers alone, after being abandoned to his fate by the gutless townspeople."@en . . . "Legendary western drama about a crisis of conscience. A retired marshal's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. The townspeople refuse to help him, so he is forced to take up his badge and guns again, alienating his new bride, a Quaker who is opposed to violence." . . . . . . "A civic-minded marshal, on the verge of retirement, faces a revengeful killer in a gun duel after indifferent townspeople refuse to assist him. Includes an audio essay on the film by Howard Suber."@en . . . "\"Classic tale of a lawman who stands alone to defend a town of righteous cowards.\"--Container."@en . "DVDR 5150 High noon"@en . "Documentary films"@en . . "Drama"@en . . "Drama" . . . . . "Fiction"@en . . "A marshal gets no help when he determines to defend his town against a revengeful badman."@en . . . . . . . . "Starring ... Grace Kelly, Gary Cooper." . . . . . . . . . . . . . . "Westerns" . "Westerns"@en . . . . . . . . . "Home use only."@en . . "On the morning of his wedding day, Marshal Will Kane learns that convicted murderer Frank Miller will be arriving on the noon train to exact his revenge against the marshal for putting him in prison. With no one in town willing to help him stand up to Miller and his henchmen, Kane alone must face this deadly gang."@en . "On the morning of his wedding day, Marshal Will Kane learns that convicted murderer Frank Miller will be arriving on the noon train to exact his revenge against the marshal for putting him in prison. With no one in town willing to help him stand up to Miller and his henchmen, Kane alone must face this deadly gang." . . . . . . . . "Videodiscs"@en . . . . . . . . . . . . . . . . "High noon"@en . . . . . . . . . . . . . . . . . . . . . . "A retiring lawman, about to leave town with his new bride, seeks allies among the fearful townspeople and finds none when an outlaw he put in prison returns with his gang to take revenge."@en . . . "A lawman stands alone to defend a town of righteous cowards."@en . . . . "\"Alors qu₂il vient de se marier et va devoir rendre son étoile de shérif le soir même, Will Kane apprend l₂imminent retour en ville de Frank Miller, un homme qu₂il avait jadis arrêté et qui, condamné à la pendaison, avait juré de se venger. Miller doit arriver par le train de midi où trois de ses complices l₂attendent. Malgré les supplications de sa femme, Kane décide de rester et tente de recruter des hommes. Mais, par lâcheté, intérêt, ou amitié pour le bandit, tous se dérobent. C₂est donc seul qu₂il devra livrer le combat.\"--Site web Wikipedia." . "Fiction. Classique du cinéma western. Le shérif d'une petite localité de l'Ouest entend se marier, renoncer à son métier et quitter la ville. Il apprend la mise en liberté d'un dangereux bandit qu'il avait capturé. Craignant de nouvelles bagarres, il demande l'aide d'honnêtes gens qui se récusent. Grâce à sa jeune femme, il viendra à bout du criminel et connaîtra enfin une vie paisible. Gary Cooper, Grace Kelly, Thomas Mitchell, Lloyd Bridges, Katy Jurado, Otto Kruger, Lon Chaney, Henry Morgan, Lee Van Cleef." . . . . . . . . . . . . . . . . . . . . . . "Films for the hearing impaired"@en . . . "A retired marshal's wedding is interrupted, when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. The marshall meets the killer and his three accomplices at high noon in one of the most suspenseful and thrilling gun fights ever filmed."@en . "Newly married town marshall must choose between his bride and the ungrateful town he works for." . . "A retired marshal's wedding is interrupted, when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. The marshall meets the killer and his three accomplices at high noon in one of the most suspenseful and thrilling gun fights ever filmed." . . . . "Video recordings" . . . "Books"@en . . . . . "Western films" . "Western films"@en . . . . . . . . . . . "Fiction films" . "This is the classic tale of a lawman who stands alone to defend a town of cowardly citizens against a gang of revenge-seeking criminals. In the greatest showdown in the history of cinema, the lawman stands to lose not only the town but his new wife."@en . "This is the classic tale of a lawman who stands alone to defend a town of cowardly citizens against a gang of revenge-seeking criminals. In the greatest showdown in the history of cinema, the lawman stands to lose not only the town but his new wife." . "Fiction films"@en . . . . "Zwölf Uhr mittags" . "A classsic tale of an aging lawman who stands alone to defend a town of righteous cowards. This special release also features the original \"coming attractions\" preview and \"The Making of High Noon\", a look behind-the-scenes at the making of this motion picture. Stanley Kramer, Fred Zinnemann, Lloyd Bridges and others contribute to this documentary, hosted by Leonard Maltin."@en . "Un sheriff en el día de su boda ha de enfrentarse en solitario con un grupo de forajidos, capitaneados por un asesino a quien hace años dicho sheriff mandó a la cárcel." . . . . . . . . "On the day of his marriage to a strict Quaker and his retirement as Marshall of a small frontier town, Will Kane is warned that a band of outlaws, who have previously terrorized the community, will return on the noon train. The local worthies refuse to support Kane and he must face the danger alone. The theme of the maverick who must confront cowardice and peril unaided provided an allegory for the troubling manifestations of the McCarthy era. (Does not circulate)."@en . . . . . "An ageing sheriff makes his last stand at high noon. This acclaimed and controversial genre piece encloses an archetypal western in a real time frame and seems to inflect classic situations with weighty contemporary meaning. It was claimed by the filmmakers to be an anti-McCarthy parable. At least one commentator points out that its implications are very similar to those of Dirty Harry (1971). It was intensely disliked by such leading practitioners of the genre as Howard Hawks, Anthony Mann and Delmar Daves; Hawks made Rio Bravo as a rejoinder."@en . . . . . . . . . "A retired marshall's wedding is interrupted, when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. The marshall meets the killer and his three accomplices at high noon in one of the most suspenseful and thrilling gun fights ever filmed."@en . . . . . "In High noon, a retired marshal's wedding is interrupted when he learns a killer he sent to jail will return to town on the noon train to seek revenge. In The making of High noon, Leonard Maltin gives a behind-the-scenes look at the making of a classic film."@en . . . "Feature films" . . "Feature films"@en . "\"A retired marshall's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. The marshall meets the killer and his three accomplices at high noon in one of the most suspenseful and thrilling gunfights ever filmed.\" OCLC."@en . "high noon" . . "12 UHR MITTAGS ; Regie: Fred Zinnenmann. Mit Gary Cooper, Thomas Mitchell (I), Lloyd Bridges, Katy Jurado, Grace Kelly, u.a. Musik: Dimitri Tiomkin" . . . . . . . . . . "A retired marshal's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. He takes up his badge and guns again, alienating his new bride."@en . "A retired marshal's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. He takes up his badge and guns again, alienating his new bride." . "Točno opoldne" . . . . "\"At 10:30 on a quiet morning in 1870, three outlaws ride into the western town of Hadleyville just as its marshal, Will Kane, is being married to a pretty Quaker named Amy Fowler. To please Amy, Will resigns his post immediately after the ceremony, but he is troubled because the new marshal has not arrived to take his place. Suddenly the station master rushes in with the terrible news that Frank Miller, a wild outlaw whom Will had arrested for murder five years earlier, recently received a pardon and is due to arrive in Hadleyville on the noon train. The three outlaws, Jack Colby, Ben Miller and James Pierce, have ridden to the station and are awaiting Miller's arrival. Alarmed, the wedding guests urge Will and Amy to leave town immediately, but after only a few moments on the road, Will turns the wagon around and heads back. 'I expect he'll come looking for me, ' Will replies when Amy asks for an explanation. Will's young wife begs him to leave with her, and when he protests that he has never run from anyone, she threatens to leave on the train whether or not he accompanies her. Will hurriedly begins to make plans for the town's defense, and is surprised when Judge Percy Mettrick, who had sentenced Miller to be hanged, packs his belongings and flees. Will is relieved to see Harvey Pell, his deputy, still in town, but Harvey, angry that an outsider was hired to replace the retiring marshal, agrees to stay only if Will promises to support his bid for the post. Will refuses, whereupon Harvey removes his guns and walks out. Will visits his old flame, businesswoman Helen Ramirez, who had formerly been Miller's mistress. Will warns Helen about Frank, and she admits that she has sold her store and plans to depart on the noon train. In the saloon, men who enjoyed the rowdy times when Frank and his henchmen controlled the town celebrate his imminent return and refuse Will's request for help. Will then visits the home of his friend, Sam Fuller, but as Sam listens from the next room, his wife tells Will that he is not at home. Next, Will interrupts the church service to ask for deputies. Although several of the townspeople proclaim that it is Will who has made their town safe and decent, many of them also argue that Miller's impending arrival is not their problem. Finally, Mayor Jonas Henderson declares that a gunfight would hurt the town's image and that Will should have left when he had the chance. Stunned, Will leaves the church and asks his mentor, Martin Howe, for help. Howe, once the marshal himself, has become cynical, however, and after Will exits his home, he mumbles, 'It's all for nothing, Will.' Harvey, now drunk, tries to force Will to leave town, but Will refuses, and the two men fight until the marshal knocks his former deputy unconscious. As noon approaches, Amy visits Helen, who assures her that there is no longer anything between herself and Will. She also reproaches the young wife for not defending her husband, but softens after Amy reveals that both her father and brother were killed in a gunfight. In Will's office, the only citizen who had willingly pinned on a deputy's badge now backs out and goes home, leaving the marshal utterly alone. Will writes his last will and testament, then enters the deserted street as Amy and Helen drive a wagon toward the train station. The train arrives, and as Miller disembarks, the two women get on board. Miller straps on his gun, and the four outlaws walk toward the center of town, where Will awaits them. When one of the outlaws breaks a window, Will is able to duck inside a building and shoot him. Hearing the shot, Amy gets off the train and runs back to town. Will kills another of his attackers and takes cover in the livery stable, which the two remaining outlaws set on fire. As the frightened horses charge out, Will leaps on one and makes his escape, but falls after being shot in the arm. Amy shoots one of the gunmen in the back before he can shoot Will, but is captured by Miller, who uses her as a hostage. In response to Miller's threats, Will faces him in the street, but Amy pushes the outlaw, giving Will the chance to shoot him dead. Amy and Will embrace, and the townspeople rush into the street. Disgusted by the cowardice of his former friends, Will tosses his tin star in the dirt at their feet, then leaves with Amy\"--AFI catalog, 1951-1960."@en . . . . . . . . . "A retired marshal's wedding is interrupted when he learns that an outlaw he helped send to jail will return to town on the noon train to seek revenge. The townspeople are unwilling to help the marshal, so, reluctantly, he takes up his badge and guns again. This alienates his new bride, a Quaker woman who is opposed to any kind of violence."@en . . . . . . . . . . . . . "Retired marshal's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. The townspeople refuse to help him, so he is forced to take up his badge and guns again, alienating his new bride, a Quaker who is opposed to violence." . . . . . . . . . "High noon [video]" . . "A retired marshal's wedding is interrupted when he learns a killer he sent to jail will return to town on the noon train to seek revenge. The townspeople refuse to help him, so he is forced to take up his badge and guns again, alienating his new bride, a Quaker who is opposed to violence."@en . . "A civic-minded marshal must choose between the wishes of his new bride, fear, and his duty to an ungrateful town when a gang of killers returns to the town on the day of his retirement."@en . . . . . "Quand le train sifflera trois fois" . . "When a killer he had sent to jail vows revenge, a retired marshal takes up his badge and guns again, alienating his new Quaker bride."@en . "When a killer he had sent to jail vows revenge, a retired marshal takes up his badge and guns again, alienating his new Quaker bride." . . . . . "A newly-married town marshall must choose between love and his duty to protect a town from vengeful outlaws."@en . . . . . . . . . . . . . . . . . . . . "Will Kane, shérif d'une petite bourgade, se marie. Il compte partir en voyage de noces avec sa femme Amy, et prendre sa retraite. Or, Frank Miller, un bandit qu'il avait naguère arrêté, se fait annoncer: il arrivera par le train de midi dans le but de se venger. Trois complices l'attendent déjà à la gare. Le shérif ne peut plus partir, son successeur ne devant prendre ses fonctions que le lendemain. Il essaie de lever une milice, mais n'y parvenant pas, il devra affronter seul les quatre hors-la-loi." . . . . "HIGH NOON" . "A civic-minded marshall, on the verge of retirement, faces a revengeful killer in a gun duel after the indifferent townspeople refuse to assist him."@en . . . . "DVD" . "High noon (Motion picture : 1952)"@en . . . . . . "Film adaptations" . "Film adaptations"@en . . "A newly-married sheriff searches desperately for support against a revenge-bent gang of outlaws."@en . . . . . . "In one of the first revisionist westerns to question conventional representations of heroism, Gary Cooper stars as a newly married marshal about to retire from his post who is forced into a last showdown with a murderous outlaw. As the clock ticks in real time toward the fateful confrontation, the marshal must face his nemesis alone, his most trusted allies in the town having dismissed his cause as futile. Abandoned by his fellow citizens, he is forced to take up his badge and guns again, alienating his new bride, a Quaker who is opposed to violence. Screenwriter Carl Foreman was blacklisted not long after the films release, and his script directly reflects the rising tide of distrust in Hollywood caused by Senator Joseph McCarthy and the HUAC hearings."@en . . . . "A retired marshal's wedding is interrupted when he learns a killer he has sent to jail will return to town on the noon train to seek revenge."@en . . . . . . . . . . . "High noon"@en . "High noon" . . . "A retired marshal's wedding is interrupted when he learns a killer he had sent to jail will return to town on the noon train to seek revenge. When the townspeople refuse to help him, he is forced to take up his badge and guns again, alienating his new bride, a Quaker who is opposed to violence."@en . . . . . "Le train sifflera trois fois" . . . . "A civic-minded marshal, on the verge of retirement, faces a revengeful killer in a gun duel after the indifferent townspeople refuse to assist him."@en . . . . . . . . . . . "High Noon"@en . . "High Noon" . "Academy Award films"@en . "Western"@en . . . "ZWÖLF UHR MITTAGS ; Regie: Fred Zinnemann. Mit Gary Cooper, Thomas Mitchell, Lloyd Bridges, Katy Jurado, Grace Kelly, Otto Kruger, Lon Chaney Jr., u.a. Musik: Dimitri Tiomkin" . . . . . "Train sifflera trois fois" . . . . . . "Just-married lawman Will Kane is about to retire as a small-town sheriff and begin a new life with his bride when he learns that gunslinger Frank Miller is due to arrive at high noon to settle an old score. Kane seeks assistance from deputies and townsfolk but soon realizes he'll have to stand alone in his showdown with Miller and his henchmen."@en . . . . . "Just-married lawman Will Kane is about to retire as a small-town sheriff and begin a new life with his bride when he learns that gunslinger Frank Miller is due to arrive at high noon to settle an old score. Kane seeks assistance from deputies and townsfolk but soon realizes he'll have to stand alone in his showdown with Miller and his henchmen." . . . . . "A retired marshal's wedding is interrupted when he learns that a killer he had sent to jail will return to town on the noon train to seek revenge. Includes documentary, \"The Making of High noon\", hosted by Leonard Maltin."@en . . . . "The classic tale of an aging lawman who stands alone to defend a town of righteous cowards in one of the greatest showdowns in the history of cinema."@en . . . . . . . . . . "High noon (Motion picture)" . . . . "High noon (Motion picture)"@en . . . . . . . "Outlaws." . . "Revenge West (U.S.) Drama." . . "Films de gangsters." . . "Man-woman relationships." . . "Outlaws West (U.S.) Drama." . . "Western." . . "Sheriffs West (U.S.) Drama." . . "Sheriffs West (U.S.) Drama" . "Cine del Oeste Videodiscos." . . "United Artists Corporation." . . "Western plays." . . "Westerns." . . "Gunfights West (U.S.) Drama." . . "Drama." . . "Film adaptations." . . "Republic Pictures Corporation." . . "Películas cinematográficas Videodiscos." . . "Proscritos Teatro." . . "Western Stories." . . "Olive Films." . . "Western films-videocassettes." . . "Outlaws Drama." . . "High noon (Motion picture)" . . "Newlyweds West (U.S.) Drama." . . "Artisan Home Entertainment (Firme)" . . "United States." . . "Closed captioning for the hearing impaired." . . "High noon (Motion picture : 1952)" . . "Closed captioned." . . "West (U.S.)" . . "Republic Pictures (Firm)." . . "United Artists (Firme)" . . "Revenge Drama." . . "Republic Entertainment (Firm)." . .