"Dance Social aspects" . . "Danse Région caraïbe Influence africaine." . . "SOCIAL SCIENCE / Anthropology / Cultural." . . "SOCIAL SCIENCE / Anthropology / Cultural" . "SOCIAL SCIENCE Anthropology Cultural." . . . "Dance Anthropological aspects Caribbean Area." . . "Danse Région caraïbe Influence européenne." . . "Dance Social aspects Caribbean Area." . . "Dance Anthropological aspects" . . "Dance Caribbean Area." . . "Danse Aspect social Région caraïbe." . . "Tanz." . . "Karibik." . . . . . . . . "Livres électroniques" . . "Caribbean and Atlantic diaspora dance : igniting citizenship" . . . . . . . "Caribbean and Atlantic diaspora dance igniting citizenship"@en . "Caribbean and Atlantic diaspora dance igniting citizenship" . . . . . . . . . "\" In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas, rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de man̕. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism\"--Provided by publisher." . . . . . "Caribbean and Atlantic Diaspora Dance. ; Igniting Citizenship" . . . . . . "\"In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas, rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de man̕. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism\"--Provided by publisher."@en . . . . . . . . . . . "Electronic books"@en . . . . . . . "Diaspora." . . "Dance Caribbean Area European influences." . . "HISTORY / Caribbean & West Indies / General." . . "HISTORY / Caribbean & West Indies / General" . "HISTORY Caribbean & West Indies General." . "Atlantischer Raum." . . "Afrikaner." . . "Dance African influences" . . "Caraïbisch gebied" . . "Danse Région caraïbe." . . "Dance" . . "PERFORMING ARTS / Dance / Folk." . . "PERFORMING ARTS / Dance / Folk" . "PERFORMING ARTS Dance Folk." . "Dance Caribbean Area African influences." . .