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Bellissima

"Italian master director Luchino Visconti (The Leopard, Rocco and His Brothers) directs this searing critique of celebrity culture in post war Italy. Maddalena (Anna Magnani - Open City, The Rose Tattoo, Mamma Roma) is an impoverished screen struck mother convinced of her daughter Maria's star potential when auditions are called for a child actor role at Cincetta studios. Dreaming of a better life as she struggles in working class Rome Maddalena invests everything including her last penny into the dream her daughter will be discovered"--Container.

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  • "Schönste"
  • "Bellissima <risorsa elettronica&gt"@it
  • "Bellissimma"
  • "Beautiful"
  • "Bellissima <film ; 1951&gt"@it
  • "Bellissima"@it
  • "Bellisima"

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http://schema.org/description

  • ""Italian master director Luchino Visconti (The Leopard, Rocco and His Brothers) directs this searing critique of celebrity culture in post war Italy. Maddalena (Anna Magnani - Open City, The Rose Tattoo, Mamma Roma) is an impoverished screen struck mother convinced of her daughter Maria's star potential when auditions are called for a child actor role at Cincetta studios. Dreaming of a better life as she struggles in working class Rome Maddalena invests everything including her last penny into the dream her daughter will be discovered. But Maddalena receives a gradual and cruel awakening about the myths and lies of the film business. This tragicomic tale of hope, dreams and betrayal is Visconti's searing self-portrait of the cinema"--Container."
  • "A mother struggles to get a part in a film for her 7-year-old daughter."
  • ""Italian master director Luchino Visconti (The Leopard, Rocco and His Brothers) directs this searing critique of celebrity culture in post war Italy. Maddalena (Anna Magnani - Open City, The Rose Tattoo, Mamma Roma) is an impoverished screen struck mother convinced of her daughter Maria's star potential when auditions are called for a child actor role at Cincetta studios. Dreaming of a better life as she struggles in working class Rome Maddalena invests everything including her last penny into the dream her daughter will be discovered"--Container."@en
  • ""Film director Blasetti is looking for a little girl for his new movie. Along with other mothers, Maddelena takes her daughter to Cinecitta, hoping she'll be selected and become a star. She is ready to sacrifice anything for little Maria, even if her husband would prefer they save their little money for the rent, instead of paying teachers, hairdressers or bribes for her illusions"--IMBD."
  • "Per Maddalena Cecconi, la figlia Maria è semplicemente bellissima. Quando una società di produzione cinematografica bandisce un concorso tra le bambine di Roma, Maddalena non esita ad accompagnare la piccola, certa del suo successo. Ma ..."@it
  • "A movie-struck mama puts on a frantic campaign to get her little girl into the movies."
  • "Yönetmen Luchino Visconti ne zaman çocuk rolleri için seçim yapmaya kalksa, çocukları için "Güzel!" çığlıkları atarak onun dikkatini çekmeye çalışan anneler tarafından kuşatıldığından yakınır. Annelerin attıkları bu çığlığı filmine isim olarak veren Visconti, yaşadığı bu deneyimleri sanata dökerken Cinecitta stüdyolarını da fon olarak kullanmaktadır. Maddalena (Anna Magnani), kızı Maria'nın (Tina Apicella) bir yıldız potansiyeli taşıdığına inandırılmış sinema aşığı bir annedir. Ailesi için daha iyi bir yaşam sağlamak adına her şeyi yapıp, kızının oyuncu seçmelerinde keşfedileceğini düşünerek son kuruşuna kadar harcar."
  • "A poignant tale about a movie-struck mother who puts on a frantic campaign to get her little girl into the movies. The story gives an unexpected realism about movies and the people who want to get into them."
  • "Stage mother Anna Magnani pushes her reluctant daughter into the movies."
  • "Dreaming of a better life for her family, a star struck mother invests everything, including her last penny, into the dream that her daughter will be discovered at an open casting."
  • "Extrait du résumé figurant sur la jaquette :Une femme pauvre de Rome rêve pour sa fille d'une étincelante et lucrative carrière au cinéma. Elle n'hésite pas à dépenser les maigres économies de son ménage, et même l'harmonie familiale, pour que sa fille soit choisie parmi des centaines d'autres pour être la vedette du prochain film d'Alessandro Blasetti. Mais après un certain nombre de désillusions, ses yeux vont s'ouvrir sur la réalité du monde du spectacle..."
  • ""Film director Blasetti is looking for a little girl for his new movie. Along with other mothers, Maddelena takes her daugther to Cinecitta, hoping she'll be selected and become a star. She is ready to sacrifice anything for little Maria, even if her husband would prefer they save their little money for the rent, instead of paying teachers, hairdressers or bribes for her illusions."--IMBD."
  • "Oscar? winner Anna Magnani (The Rose Tattoo) stars as a screen-struck mother, convinced that her daughter's star potential is her ticket to a better life, in a performance that Hollywood legend Bette Davis called "brilliant, uninhibited and full of volcanic, earthy power." Risking everything in pursuit of her dream, Maddalena (Magnani) finally arranges a screen test for her child, only to realize the cruel reality beneath the shimmering veneer of the filmmaking industry."
  • "Maddalena Cecconi, moglie d'un capomastro, ha un'unica figlia, Maria, una bimba di otto anni, che adora. Maria non è bella ma agli occhi della madre è bellissima e Maddalena vorrebbe per lei uno splendido avvenire. Quando la Stella Film bandisce a Cinecittà un concorso tra le bimbe di Roma per l'interpretazione di un nuovo film, Maddalena decide di far partecipare al concorso la sua Maria e sacrifica tempo e denaro per prepararla degnamente. A Cinecittà, mentre cerca affannosamente Maria che si è smarrita nel labirinto delle costruzioni e degli uffici, s'imbatte in un tale Annovazzi, un aiutante del regista, che in cambio del suo aiuto, riesce a cavarle le ultime cinquantamila lire. Finalmente arriva il momento del provino, ma quando nella sala viene proiettata l'immagine della piccola Maria, il regista e gli aiutanti, nel vederla così imbarazzata e goffa, scoppiano in una risata. Maddalena che vede tutto dalla cabina dell'operatore, arde di sdegno e, dopo aver fatto una violenta scenata, si porta via la bambina. Invano il regista, che ha scoperto nella bimba doti espressive non comuni, le sottopone un vantaggioso contratto. Le illusioni sono ormai cadute e Maddalena fa cacciare l'intruso. Terrà la sua bambina per sé e per suo marito."@it
  • "Maddalena Cecconi è una popolana romana che sogna per la sua bambina un avvenire da star e per ottenerlo è disposta a ogni sacrificio, anche a mettere in crisi il matrimonio. L'impatto col mondo dello spettacolo, dove un trafficone con la scusa di aiutarla le ruba tutti i risparmi, le farà cambiare idea. (Mereghetti)."@it
  • "Maddalena Cecconi glaubt, ihre kleine Tochter Maria sei zum Filmstar berufen und hofft, mit der Karriere der Kleinen zu einem glanzvollen Leben aufsteigen zu können."
  • ""Film director Blasetti is looking for a little girl for his new movie. Along with other mothers, Maddelena takes her daughter to Cinecitta, hoping she'll be selected and become a star. She is ready to sacrifice anything for little Maria, even if her husband would prefer they save their little money for the rent, instead of paying teachers, hairdressers or bribes for her illusions."--IMBD."
  • "When casting children's roles, director Luchino Visconti (The Leopard; Death in Venice) is said to have been besieged by clamouring mothers, each trying to attract his attention to their child with cries of "Bellissima!". In his film of the same name, Visconti turned his experiences into art, with the famous Cinecittà studios as backdrop. Maddalena (Anna Magnani) is a screenstruck mother convinced of her daughter Maria's (Tina Apicella) star potential. Dreaming of a better life for her family she invests everything, including her last penny, into the dream that her daughter will be discovered at an open casting. -- Container."
  • "Film director Blasetti is looking for a little girl for his new movie. Along with other mothers, Maddelena takes her daugther to Cinecitta, hoping she'll be selected and become a star. She is ready to sacrifice anything for little Maria, even if her husband would prefer they save their little money for the rent, instead of paying teachers, hairdressers or bribes for her illusions."
  • "Film director Blasetti is looking for a little girl for his new movie. Along with other mothers, Maddelena takes her daugther to Cinecittà, hoping she'll be selected and become a star. She is ready to sacrifice anything for little Maria, even if her husband would prefer they save their little money for the rent, instead of paying teachers, hairdressers or bribes for her illusions."
  • ""Film director Blasetti is looking for a little girl for his new movie. Along with other mothers, Maddelena takes her daugther to Cinecitta, hoping she'll be selected and become a star. She is ready to sacrifice anything for little Maria, even if her husband would prefer they save their little money for the rent, instead of paying teachers, hairdressers or bribes for her illusions"--IMBD summary."

http://schema.org/genre

  • "Drammatico (Genere)"@it
  • "Speelfilm"
  • "Feature films"
  • "Film de fiction (Descripteur de forme)"
  • "Néo-réalisme (cinéma)"
  • "Fiction films"
  • "Italian language films"
  • "Videokassette"
  • "Cinéma"
  • "Features"
  • "Video recordings"
  • "Italian films"
  • "Fiction"
  • "fiction dramatique (fiction)"
  • "Drame psychologique"
  • "Films dramatiques"
  • "Comédies dramatiques (cinéma)"
  • "Vidéocassette"
  • "Drama"
  • "Foreign language films"

http://schema.org/name

  • "bellissima"
  • "Bellissima [Beautiful]"
  • "Bellissima"@en
  • "Bellissima"
  • "Bellissima"@it
  • "Bellissima (Film)"
  • "Bellissima (Motion picture)"

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