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http://worldcat.org/entity/work/id/1100057277

Technologies of enchantment? : exploring Celtic art : 400 BC to AD 100

"Celtic art includes some of the most famous archaeological artefacts in the British Isles, such as the Battersea shield or the gold torcs from Snettisham. However, this body of material has usually been considered from an art historical point of view. Technologies of Enchantment? Exploring Celtic Art attempts to resituate Celtic art back within its archaeological context, looking at how it was made, used, and deposited. Based on the first comprehensive database of Celtic art objects in Britain, the book brings together current theories concerning the links between people and artefacts found in many areas of the social sciences with one of the richest archaeological datasets in prehistoric Britain. The authors argue that Celtic art was deliberately complex and ambiguous, being used to negotiate social position and relations in an inherently unstable later Iron Age world, and to develop new forms of identity and resistance with the coming of the Romans."--Jacket.

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  • ""Celtic art includes some of the most famous archaeological artefacts in the British Isles, such as the Battersea shield or the gold torcs from Snettisham. However, this body of material has usually been considered from an art historical point of view. Technologies of Enchantment? Exploring Celtic Art attempts to resituate Celtic art back within its archaeological context, looking at how it was made, used, and deposited. Based on the first comprehensive database of Celtic art objects in Britain, the book brings together current theories concerning the links between people and artefacts found in many areas of the social sciences with one of the richest archaeological datasets in prehistoric Britain. The authors argue that Celtic art was deliberately complex and ambiguous, being used to negotiate social position and relations in an inherently unstable later Iron Age world, and to develop new forms of identity and resistance with the coming of the Romans."--Jacket."@en
  • "While Celtic art includes some of the most famous archaeological artefacts in the British Isles, such as the Battersea shield or the gold torcs from Snettisham, it has often been considered from an art historical point of view. Technologies of Enchantment? Exploring Celtic Art attempts to connect Celtic art to its archaeological context, looking at how it was made, used, and deposited. Based on the first comprehensive database of Celtic art, it brings together currenttheories concerning the links between people and artefacts found in many areas of the social sciences. The authors argue that Celtic art was deliberately complex and ambiguous so that it could be used to negotiate social position and relations in an inherently unstable Iron Age world, especially in developing newforms of identity with the coming of the Romans.Placing the decorated metalwork of the later Iron Age in a long-term perspective of metal objects from the Bronze Age onwards, the volume pays special attention to the nature of deposition and focuses on settlements, hoards, and burials -- including Celtic art objects' links with other artefact classes, such as iron objects and coins. A unique feature of the book is that it pursues trends beyond the Roman invasion, highlighting stylistic continuities and differences in the nature and use offine metalwork."@en

http://schema.org/genre

  • "Electronic books"@en

http://schema.org/name

  • "Technologies of enchantment ? exploring Celtic Art : 400 BC to AD 100"
  • "Technologies of enchantment? : exploring Celtic art : 400 BC to AD 100"@en
  • "Technologies of enchantment? : exploring Celtic art: 400 Bc to Ad 100"
  • "Technologies of enchantment? : exploring Celtic art: 400 BC to AD 100"
  • "Technologies of Enchantment? : Exploring Celtic Art: 400 Bc to Ad 100"
  • "Technologies of enchantment? exploring Celtic art : 400 BC to AD 100"@en