Der Kampf mit dem Dämon : Hölderlin, Kleist, Nietzsche
The Struggle with the Daemon is a brilliant analysis of the European psyche by the great novelist and biographer Stefan Zweig. Zweig studies three giants of German literature and thought: Friedrich Hölderlin, Heinrich von Kleist and Friedrich Nietzsche - powerful minds whose ideas were at odds with the scientific positivism of their age; troubled spirits whose intoxicating passions drove them mad but inspired them to great works. In their struggle with their inner creative force, Zweig reflects the conflict at the heart of the European soul - between science and art, reason and inspiration.
"The Struggle with the Daemon is a brilliant analysis of the European psyche by the great novelist and biographer Stefan Zweig. Zweig studies three giants of German literature and thought: Friedrich Hölderlin, Heinrich von Kleist and Friedrich Nietzsche - powerful minds whose ideas were at odds with the scientific positivism of their age; troubled spirits whose intoxicating passions drove them mad but inspired them to great works. In their struggle with their inner creative force, Zweig reflects the conflict at the heart of the European soul - between science and art, reason and inspiration."@en
"S'attachant aux destinées fulgurantes et sombres de Kleist, Hölderlin et Nietzsche, Stefan Zweig, en romancier, rapproche ici ces figures animées par un même mouvement intérieur. Pour ces errants, la pensée ou la création ne peuvent naître que dans le corps à corps avec un démon intérieur qui fait d'eux les fils de Dionysos, déchiré par ses chiens [Memento]."
""Der Kampf mit dem Dämon. Hölderlin - Kleist - Nietzsche" ist Stefan Zweigs zweiter Teil der Trilogie "Baumeister der Welt" und stellt hier drei Autoren (Kleist, Hölderlin und Nietzsche) vor, die sich selbst in ihrem Werk verbrannt haben und vom Dämon besessen, vollends in ihm aufgegangen und mit ihm untergegangen sind. Aus dem Buch: "... In dem vorliegenden Werke sind wie in der vorangegangenen Trilogie 'Drei Meister' abermals drei Dichterbildnisse im Sinn einer inneren Gemeinschaft vereinigt; aber diese innere Einheit soll nicht mehr sein als eine Begegnung im Gleichnis. Ich suche keine Formeln des Geistigen, sondern ich gestalte Formen des Geistes. Und wenn ich in meinen Büchern immer mehrere solcher Bilder bewusst zusammenrücke, so geschieht dies einzig in der Art eines Malers, der seinen Werken gerne den richtigen Raum sucht, wo Licht und Gegenlicht wirkend gegeneinanderströmen und durch Pendants die erst verborgene, nun aber offenbare Analogie des Typus in Erscheinung tritt. Vergleich scheint mir immer ein förderndes, ja ein gestaltendes Element, und ich liebe ihn als Methode, weil er ohne Gewaltsamkeit angewendet werden kann. Er bereichert in gleichem Masse, als die Formel verarmt, er erhöht alle Werte, indem er Erhellungen durch unerwartete Reflexe schafft und eine Tiefe des Raums wie einen Rahmen um das abgelöste Bildnis stellt. Dieses plastische Geheimnis kannte schon der früheste Porträtist des Wortes, Plutarch, und in seinen 'Vergleichenden Lebensdarstellungen' bildet er immer gleichzeitig einen griechischen und römischen Charakter in analoger Darstellung, damit hinter der Persönlichkeit ihr geistiger Schlagschatten, der Typus, besser deutlich werde. ...""
"In dem vorliegenden Werk sind drei Dichterbildnisse im Sinn einer inneren Gemeinschaft vereinigt. Die drei heroischen Gestalten Hölderlins, Kleistens und Nietzsches haben eine sinnfällige Gemeinsamkeit schon im äussern Lebensschicksal: sie stehen gleichsam unter demselben horoskopischen Aspekt. Alle drei werden sie von einer übermächtigen, gewissermassen überweltlichen Macht aus ihrem eigenen warmen Sein in einen vernichtenden Zyklon der Leidenschaft gejagt und enden vorzeitig in einer furchtbaren Verstörung des Geistes, einer tödlichen Trunkenheit der Sinne, in Wahnsinn oder Selbstmord."
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German literature 19th century Criticism and interpretation.
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German literature 19th century History and criticism.
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Littérature allemande 19e siècle Histoire et critique.
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