Linked Data Explorer

"The story of an immensely wealthy newspaper publisher as he is remembered by his friends and former wife after his death."@en
"Citizen Kane (1941) Many critics acclaim Citizen Kane as the greatest picture of all time. Orson Welles was just 26 when he starred, directed and produced this Academy Award Winner. The story parallels the career and death of William Randolf Hearst, the Newspaper Tycoon. All is told in flashback and collated by a newsreel reporter from interviews with his closest colleagues and friends."
""La aun vigente obra maestra de Orsen Welles (encabezando en 1998 la lista de las mejores películas estadounidenses según el American Film Institute) es más que una película innovadora. Se presenta una magnifica transferencia digital en su 60 aniversario, con sonido digital revitalizado a partir de los elementos sobrevivientes de la más alta calidad. Una película entretenida, meticulosamente actuada y magistralmente dirigida por un inspirado estilo visual..."--Envase"
""Seventy-year-old newspaper tycoon Charles Foster Kane dies in his palatial Florida home, Xanadu, after uttering the single word 'Rosebud.' While watching a newsreel summarizing the years during which Kane built a dying newspaper into a major empire, married and divorced twice, ran unsuccessfully for governor and saw the collapse of his newspaper empire during the Depression, an editor decides they have not captured the essence of the controversial newspaperman and assigns reporter Jerry Thompson to discover the meaning of Kane's last word. Thompson first approaches Kane's second wife, singer Susan Alexander, in the Atlantic City nightclub where she now performs. After the drunken Susan orders Thompson to leave, the accommodating bartender reports her claim that she had never heard of Rosebud. Next, Thompson reads the unpublished memoirs of Wall Street financier Walter Parks Thatcher, Kane's guardian and trustee of the mining fortune left to Kane by his mother: Thatcher first meets young Kane in 1871 at his mother's Colorado boardinghouse. Learning that she has become wealthy from mining shares left her by a former boarder, she is determined that her son will be reared and educated in the East. As young Charlie plays outside with his sled, Mrs. Kane hands over management of the mine's returns to Thatcher, against her husband's wishes, then grants the financier guardianship over her son. Despite the boy's protests, he is sent away to live with Thatcher. When Kane turns twenty-five, he assumes control of the world's sixth largest private fortune, and while professing disinterest in most of his holdings, writes Thatcher that he intends to run The inquirer, a small, New York newspaper acquired through a foreclosure. He moves into the paper's offices and with the help of his best friend, Jedidiah Leland, who acts as the drama critic, turns it into a lively, muckraking publication, which attacks slum landlords, swindlers and big business. In 1898, The inquirer attempts to draw the United States into war with Spain. After the 1929 stock market crash, Kane relinquishes control of his empire to Thatcher's syndicate. Thompson finishes his reading of Thatcher's memoir without learning anything about Rosebud. Thompson next questions Bernstein, formerly Kane's general editor and now chairman of the board. Bernstein describes the early days of Kane's tenure at The inquirer: After Kane and Leland take over the publication in 1892, Kane prints a declaration of principles, that he will report the news honestly and will make the paper a champion of his readers' rights as citizens and as human beings. Leland senses the document's importance and keeps the handwritten declaration as a memorial. Six years later, when Kane acquires the top reporters from the rival paper, whose circulation The inquirer has surpassed, Leland worries that Kane's approach to the news will also resemble his rival's. During this period, Kane begins to collect the European statues and furniture that will later crowd the rooms of Xanadu. On one European trip, Kane meets and becomes engaged to Emily Monroe Norton, the President's niece, whom he marries in 1900. After relating these events, Bernstein suggests that Rosebud was probably something that Kane lost, perhaps a woman. Taking Bernstein's advice, Thompson visits Leland, a self-described 'disagreeable old man, ' in the hospital where he is living out his old age. Leland claims Kane believed in nothing except himself, but suggests that Kane's story is about how he lost love because he had none to give: As Kane's empire expands, his marriage to Emily deteriorates. One night in 1915, Kane encounters Susan as she is leaving a pharmacy after purchasing a toothache remedy. Susan innocently offers to let Kane, who has been spattered by mud from a passing carriage, use her apartment to clean up. Kane is at ease with Susan, who has no idea of his importance, and when he learns that her mother wanted her to become an opera singer, requests that she sing for him. In 1916, Kane runs for governor against corrupt political boss Jim Gettys. After a successful campaign speech, Emily sends their son home alone and asks Kane to accompany her to Susan's boardinghouse, where they find Gettys with Susan. Gettys admits that he forced Susan to contact Emily and tells Kane that he will reveal their relationship unless he withdraws from the campaign. Despite the hurt that scandal will bring to his family and Susan, Kane refuses, convinced that he has the love of the electorate. He is mistaken, however, and loses the race. Leland accuses Kane of treating 'the people' as if he owned them and asks to be transferred to The inquirer's Chicago branch. After Emily divorces him, Kane marries Susan and in 1919, builds the Chicago Opera House for her. Susan's voice is very poor, however, and her debut is met with ridicule, except by The inquirer critics. When Kane finds Leland slumped over his typewriter in a drunken stupor after beginning an unfavorable review of Susan's performance, he finishes the notice himself, retaining the negative viewpoint, but then fires his old friend. Thompson now returns to Atlantic City to question Susan again. She insists that it was Kane's idea that she have an operatic career and describes their tempestuous life together: During a noisy quarrel with Susan, Kane receives a special delivery from Leland, returning the $25,000 check Kane sent after firing him and including the handwritten copy of the declaration of principles, which Kane burns. When Susan begs to quit, Kane insists that he will be humiliated if she leaves the stage, and forces her to continue singing until she attempts suicide. Later, they retire to Xanadu, where a bored Susan spends her days working jigsaw puzzles. Finally fed up with his overbearing attempts to orchestrate her life, Susan reproaches Kane for trying to buy her affections with jewels and other material things. He slaps her in anger, and she leaves him. Her story finished, Susan sends Thompson to talk to Raymond, the butler at Xanadu. Thompson confesses to Susan that he feels sorry for Kane, and Susan admits that she does, too. At Xanadu, Raymond agrees to speak with Thompson for a price, then relates the events following Susan's departure: The furious Kane tears apart Susan's room, until he comes across a small glass snow globe with a tiny cabin inside. Kane picks it up, murmurs 'Rosebud' and leaves the room, seemingly unaware of the servants who surround him. Still as ignorant of the significance of Kane's dying word as when he started, Thompson prepares to leave Xanadu with the other reporters and photographers. Passing through rooms where Kane's possessions are being inventoried and crated, Thompson is now convinced that even if he had learned the meaning of Rosebud, it would not have explained the man. Unnoticed among the boxes and crates is an old child's sled. As a workman throws the sled into a furnace, the word Rosebud, painted across the top, is consumed by the flames"--AFI catalog, 1941-1950."@en
"Citizen Kane: An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane. The battle over Citizen Kane: looks at the lives and careers of Orson Welles and publisher William Randolph Hearst. Hearst saw the film as a thinly disguised version of his career and attempted to suppress it."
"Videorecording of Citizen Kane, the story of the rise and fall of a great man as the result of his accumulation of wealth and subsequent isolation from the world. Also includes a visual essay on the movie by "Citizen Kane" expert, Robert L. Carringer."
"Loosely based on the life of publisher, William Randolph Hearst, this film, written and directed by Orson Welles, is considered a milestone in film history. Starring Joseph Cotton, Agnes Moorehead, Everett Sloane, and Ray Collins."@en
"The story of an immensely wealthy newspaper publisher, as he is remembered by his friends and former wife after his death. Loosely based on the life of William Randolph Hearst. Frequently called the greatest film of all time."
"The story of an immensely wealthy newspaper publisher, as he is remembered by his friends and former wife after his death. Loosely based on the life of William Randolph Hearst. Frequently called the greatest film of all time."@en
"Orson Welles' first film at age 25, about the life of a powerful newspaper magnate Charles Foster Kane (loosely based on William Randolph Hearst)."
"Orson Welles' controversial film, hailed as the best American film ever made, is a portrait of Charles Foster Kane, revealing America's love of power and materialism and the resultant corruption. This cassette also contains a documentary on the making of the film; the original theatrical trailer; and is hosted by Robert Osborne."
"Le milliardaire Charles Foster Kane (Orson Welles), magnat de la presse, vient de mourir dans sa fabuleuse propriété de Xanadu en prononçant un seul mot : "Rosebud". A partir de cette maigre piste, le journaliste Thompson tente de reconstituer la vie de cet étrange personnage. Pour parvenir à ses fins, il rencontre toutes les personnes qui ont pu approcher Kane de près ou de loin. Au fil de l'enquête, il découvre la vraie personnalité de ce magnat hors du commun."
"Videorecording of Citizen Kane, the story of the rise and fall of a great man as the result of his accumulation of wealth and subsequent isolation from the world. Also included a visual essay of over 100 photographs, many never before published and a theatrical trailer, a film made by Welles from original footage not contained in the movie."@en
"Le milliardaire Charles Foster Kane, magnat de la presse, vient de mourir dans sa fabuleuse propriété de Xanadu en prononçant un seul mot : Rosebud. A partir de cette maigre piste, le reporter Thompson va tenter de reconstituer la vie de cet étrange personnage. L'un des meilleurs films de tous les temps."
"An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane. Prominant publisher, William Randolph Hearst, saw the film as a thinly disguised version of his career and attempted to suppress it."@en
"An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane. Prominant publisher, William Randolph Hearst, saw the film as a thinly disguised version of his career and attempted to suppress it."
"An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane. Prominant publisher, William Randolph Hearst, saw the film as a thinly disguised version of his career and attempted to suppress it. Documentary: Looks at the lives and careers of Orson Welles and William Randolph Hearst, and how Hearst tried to surpress the film Citizen Kane and destroy Welles."
"An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane. Prominant publisher, William Randolph Hearst, saw the film as a thinly disguised version of his career and attempted to suppress it. Documentary: Looks at the lives and careers of Orson Welles and William Randolph Hearst, and how Hearst tried to surpress the film Citizen Kane and destroy Welles."@en
"A newspaper tycoon dies, and a magazine reporter interviews his friends in an effort to discover the meaning of his last words [c.f. Halliwells, 1997 ed.]."@en
"Orson Welles's masterwork dazzles anew in a superb 70th Anniversary digital transfer. It's grand entertainment, sharply acted and directed with inspired visual flair. Chronicling the stormy life of an influential publishing tycoon, the Best Original Screenplay Academy Award winner is rooted in themes of power, corruption, and vanity: the American Dream lost in the mystery of a dying man's last word, 'Rosebud'. Special features include interviews, trailers, and documentary, and RKO 281 movie."@en
"Film critic Robert McKee takes issue with the popular notion that Citizen Kane is "the greatest film ever made." Accusing Orson Welles' creation of promoting style over substance, McKee examines the film's content, style, plot, and emotional impact. Numerous clips of the film are used as examples, and several other film critics state their views of the piece."
"A story of the rise and fall of a great man as the result of his accumulation of wealth and subsequent isolation from the world. Loosely based on the life of newspaper tycoon William Randolph Hearst."@en
"Citizen Kane: An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane. Prominent publisher, William Randolph Hearst, saw the film as a thinly disguised version of his career and attempted to suppress it."@en
"Feature film from the USA. Drama. A reporter tries to discover the significance of media magnate Kane's dying word: Rosebud."
"Orson Welles makes his feature-length directorial debut with this classic drama which often tops critics' polls of the best films of all time. In 1940, newspaper tycoon Charles Foster Kane (Welles) dies after uttering the word 'Rosebud'. An anonymous reporter (William Alland) is assigned the task of uncovering the meaning of Kane's dying word, and in the course of his enquiries he receives varying accounts of his life from former colleagues Jedediah Leland (Joseph Cotten) and Bernstein (Everett Sloan), and ex-wife Susan Alexander."
"The battle over Citizen Kane: Chronicles the battle between Orson Welles and William Randolph Hearst over Welles' Citizen Kane. Includes interviews with colleagues of both men as well as biographical information about Hearst."@en
"An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane."
"An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane."@en
"This film is based on the life of newspaper tycoon William Randolph Hearst, and is the story of one man's rise to enormous power and corruptive influence."
""Rosebud" is het laatste woord dat krantenmagnaat Charles Foster Kane uitspreekt voordat hij sterft. In een poging de betekenis van dit woord te achterhalen gaat een journalist opzoek en vindt de mensen die Kane (een figuur gebaseerd op de Amerikaanse krantenmagnaat Randolf Hearst) gekend hebben."
"The battle over Citizen Kane: Examines the lives of William Randolph Hearst, the powerful newspaper magnate, and director/actor, Orson Welles as they clashed over Welles first film: "Citizen Kane". Hearst's reaction upon learning about the film, which portrayed him unfavorably, was to work to suppress it and destroy Welles. Major movie theater chains refused to show "Citizen Kane", and Welles' masterpiece virtually disappeared for almost 25 years. Never again would Orson Welles gain control of a major Hollywood production."@en
"Citizen Kane: Following the death of a publishing tycoon, news reporters scramble to discover the meaning of his final utterance. The battle over Citizen Kane: American experience documentary about the making of Citizen Kane and Orson Welles estate. RKO 281: Orson Welles produces his greatest film, Citizen Kane, despite the opposition of the film's de facto subject, William Randolph Hearst."@en
"Multimillionaire newspaper tycoon Charles Foster Kane dies alone in his extravagant mansion, Xanadu, speaking a single word: "Rosebud". In an attempt to figure out the meaning of this word, a reporter tracks down the people who worked and lived with Kane; they tell their stories in a series of flashbacks that reveal much about Kane's life but not enough to unlock the riddle of his dying breath."
"Orson Welles' controversial film, hailed as the best American film ever made, is a portrait of newspaper tycoon Charles Foster Kane, revealing America's love of power and materialism and the resultant corruption. The film earned eight Academy Award nominations and won the Oscar for best screenplay."@en
"The story of Charles Foster Kane, a newspaper tycoon whose life is investigated by a magazine reporter trying to discover the meaning of Kane's dying word: "Rosebud"."
"The story of Charles Foster Kane, a newspaper tycoon whose life is investigated by a magazine reporter trying to discover the meaning of Kane's dying word: "Rosebud"."@en
"A story of the rise and fall of a great man as the result of his accumulation of wealth and subsequent isolation from the world."
"All-powerful press magnate Kane dies in his fabulous castle Xanadu, his last word being 'Rosebud', leading a reporter to seek the meaning behind the word and find the meaning of Kane. Prominent publisher William Randolph Hearst saw the film as a thinly disguished version of his career and attempted to suppress it."@en
"Orson Welles' controversial film, hailed as the best American film ever made, is a portrait of Charles Foster Kane, revealing America's love of power and materialism and the resultant corruption. The film earned eight Academy Award nominations and won the Oscar for best screenplay."@en
"The famous production by Orson Welles of a psychological study of a powerful newspaper publisher, which follows an exploration of the private life of a public figure as told by those who knew him best."@en
"The story of Charles Foster Kane, a newspaper tycoon whose life is investigated by a magazine reporter trying to discover the meaning of Kane's dying word: "Rosebud.""@en
"The battle over Citizen Kane: Looks at the lives and careers of Orson Welles and William Randolph Hearst, and how Hearst tried to suppress the 1941 film Citizen Kane and destroy Welles."@en
"Het verhaal gaat over de handel en wandel van een uitgever van een krant (gebaseerd op het leven van Randolf Hearst), die zelfs een oorlog ontketent om zo nieuws te kunnen maken."
"Orson Welles' controversial film, hailed as the best American film ever made, is a portrait of Charles Foster Kane, revealing America's love of power and materialism and the resultant corruption (119 min). Includes a documentary on the making of the film, hosted by Robert Osborne, and the original theatrical trailer (22 min.)."@en
"Orson Welles' controversial film, hailed as the best American film ever made, is a portrait of Charles Foster Kane, revealing America's love of power and materialism and the resultant corruption (119 min). Includes a documentary on the making of the film, hosted by Robert Osborne, and the original theatrical trailer (22 min.)."
"Donated."
"Study of the corruption of power, a story of Charles Foster Kane, a newspaper tycoon with rather pointed parallels to the life of William Randolph Hearst. Introduces cinematic techniques of overlapping dialogue, special wide-angle, deep-focus photography and the dialogue track to span a long period of time."@en
"In May of 1941, RKO Radio Pictures released a controversial film by a 25-year-old, first-time director. That premiere of Orson Welles' Citizen Kane was to have a profound and lasting effect on the art of modern motion pictures. Through its unique jigsaw puzzle storyline, inventive cinematography, brilliant ensemble acting and directions by Welles, the story of Charles Foster Kane is a fascinating portrait of America's love of power and materialism and the corruption it sometimes fosters. Like all great films, Citizen Kane is a memorable fusion of cinematic art and marvellous entertainment, winning an Oscar for Best Screenplay."
"Le vidéodisque présente 29 extraits thématiques du film Citizen Kane. La dernière partie se nomme The legacy of Citizen Kane. Il s'agit d'un documentaire présentant 36 interviews avec les directeurs, les cinématographes, les collaborateurs de Kane et les associés de Welles."
"A study of a powerful newspaper publisher told by those who knew him best or thought they did."@en
"Fiction. Drame psychologique. Charles Foster Kane vient de mourir dans son château. Bien que très populaire de son vivant, la foule n'a guère connu de lui que le côté public de sa vie. C'est pourquoi personne n'est en mesure d'expliquer sa dernière parole: "Rosebud". Un reporter entreprend d'élucider ce mystère en interrogeant tous ceux qui ont particulièrement connu Kane. Et nous découvrons progressivement avec eux ce que fut la véritable personnalité de cet homme. Le dernier mot "Rosebud" n'était simplement - aveu de l'échec de sa vie - que le nom de son traîneau d'enfant, symbole de tout ce qui avait manqué au bonheur de son existence. Avec Orson Welles, Joseph Cotten, Dorothy Comingore, Agnes Moorehead."
"A study of a powerful newspaper publisher as told by those who knew him best, or thought they did."@en
"On the death of a newspaper tycoon, a magazine reporter interviews his friends in an effort to discover the meaning of his last words."@en
"RKO Studios hired Orson Welles in 1939 hoping he could repeat on film the same kind of success he had demonstrated on his radio programs. Welles allegedly accepted the job because his Mercury Theater needed financing in order to produce a number of Shakespeare's plays. When Citizen Kane was released, there was immediate controversy over both the content of the film and the cinematic innovations Welles utilized to bring the story of newspaper publisher William Randolph Hearst to the screen. Hearst was so upset by Welles' portrayal of him on film that he attempted to stop the film's production and when that failed made sure that the film received scathing reviews in the press. Welles' innovative use of flashback and a narrative told from multiple points of view made the film a cinematic classic, but ultimately contributed to the film's mediocre box office when it was released. Before making Citizen Kane, Welles had studied film prints preserved at the Museum of Modern Art in NYC. With Citizen Kane, he refined and adapted the techniques he saw in these films, emphasizing depth of field, low angle shots and creative set design, to tell his highly subjective story of the life of Charles Foster Kane."@en
"Amerika in den 1920er Jahren: Charles Foster Kane herrscht über eine Vielzahl von Zeitungen und Radiostationen, doch sein Erfolg hat ihn grössenwahnsinnig gemacht. In völliger Einsamkeit stirbt er schliesslich auf seinem riesigen Schloss Xanadu. Ein Journalist versucht das Rätsel um sein letztes Wort "Rosebud" zu lüften und kommt einem faszinierenden Leben auf die Spur. (Quelle: cover)."
"Orson Welles' film portrait of newspaper tycoon Charles Foster Kane, hailed by critics as the number one American film of all time. The film won the oscar for best screenplay."@en
"Multimillionaire newspaper tycoon Charles Foster Kane dies alone in his extravagant mansion, Xanadu, speaking a single word: "Rosebud". In an attempt to figure out the meaning of this word, a reporter tracks down the people who worked and lived with Kane; they tell their stories in a series of flashbacks that reveal much about Kane's life but not enough to unlock the riddle of his dying breath - IMDB."
"A newspaper tycoon dies and a magazine reporter interviews his friends in an effort to discover the meaning of his last words. Starring Joseph Cotten, Dorothy Comingore, Ray Collins, George Coulouris, Agnes Moorehead."@en
"Citizen Kane: Un journaliste tente de découvrir ce qui se cache derrière les dernières paroles d'un magnat de la presse. -- Documentaire: Regards sur les vies et les carrières de Orson Welles (1915-1985), William Randolph Hearst (1863-1951) et sa maîtresse, l'actrice Marion Davies, et la façon dont Hearst s'y est pris pour tenter de faire interdire le film et détruire la carrière de Orson Welles, y voyant une réplique déguisée de sa propre carrière."
"When a newspaper tycoon dies, a magazine reporter interviews his friends in an effort to discover the meaning of his last words."@en
"An American tragedy of a newspaper tycoon, from his humble beginnings to the solitude of his final years. Nominated for nine Academy Awards including Best Picture and Director. Bonus features include commentary by Roger Ebert. 2011 digital transfer: Restored in 4K resolution from original nitrate elements and remastered."
"The story of an immensely wealthy newspaper publisher, as he is remembered by his friends and former wife after his death. Loosely based onthe life of William Randolph Hearst. Frequently called the greatest film of all time."@en
"En Xanadu, su paraíso, acaba de fallecer Charles Foster Kane. Un noticiario da cuenta de la personalidad del multimillonario, de su imperio económico, su cadena de diarios, emisoras y fábricas. De sus ambiciones políticas, finalmente frustradas. De su vida sentimental con Emily Norton, sobrina del presidente de los Estados Unidos con la que se casó. Y de su idilio con una atractiva cantante, para quien construyó un teatro de la ópera. Todo se sabe de Kane menos una cosa ¿qué significa "Rosebud", la palabra que pronunció justo antes de morir? Un periodista inicia una investigación al respecto, entrevistado a todas aquellas personas allegadas al fallecido."
"This film depicts the controversial life of an influential publishing tycoon. It is rooted in themes of power, corruption, vanity - the American dream lost in the mystery of a dying man's last word. 'The battle over Citizen Kane' is a documentary that chronicles the titanic clash between Welles, RKO Studios and publishing magnate William Randolph Hearst, whose life and accomplishments reportedly inspired 'Citizen Kane'."
"Le milliardaire Charles Foster Kane, magnat de la presse américaine, vient de mourir dans sa fabuleuse propriété de Xanadu. Un reporter de magazine interroge ses amis pour découvrir le sens de son dernier mot "Rosebud"."
"Citizen Kane: Following the death of a publishing tycoon, news reporters scramble to discover the meaning of his final utterance."@en
"A story of the rise and fall of a powerful newspaper publisher as the result of his accumulation of wealth and subsequent isolation from the world."@en
"Citizen Kane (1941, 119 min.): Chronicling the stormy life of an influential publishing tycoon, the Best Original Screenplay Academy Award winner is rooted in themes of power, corruption, and vanity: the American Dream lost in the mystery of a dying man's last word, 'Rosebud'."
"The story of a powerful newspaper publisher, told by those who knew him best - or thought they did."
"A newspaper tycoon dies, and a magazine reporter interviews his friends in an effort to discover the meaning of his last words."
"A newspaper tycoon dies, and a magazine reporter interviews his friends in an effort to discover the meaning of his last words."@en
"Le milliardaire Charles Foster Kane (Orson Welles), magnat de la presse, vient de mourir dans sa fabuleuse propriété de Xanadu en prononçant un seul mot : "Rosebud". A partir de cette maigre piste, le journaliste Thompson tente de reconstituer la vie de cet étrange personnage. Pour parvenir à ses fins, il rencontre toutes les personnes qui ont pu approcher Kane de près ou de loin. Au fil de l'enquête, il découvre la vraie personnalité de ce magnat hors du commun..."
"Friends and foes of a wealthy newspaper tycoon reminisce about the complex man after his death."
"Orson Welles stars in this epic loosely based on the life of newspaper magnate, William Randolp Hearst. This film is considered to be one of the greatest over produced."@en
"Although based on the life of newspaper tycoon William Randolph Hearst, the movie was deemed so controversial that it was not released until after Hearst's death. It introduced many original and revolutionary techniques that have since been adopted as film standards."@en
"Orson Welles' controversial film, hailed as best American film ever made, is a portrait of Charles Foster Kane, revealing America's love of power and materialism and the resultant corruption. The film earned eight Academy Award nominations and won the Oscar for best screenplay."@en
""A newspaper tycoon dies, and a magazine reporter interviews his friends in an effort to discover the meaning of his last words."
"Study of the corruption of power, a story of Charles Foster Kane, a newspaper tycoon with rather pointed parallels to the life of William Randolph Hearst."@en
"Study of the corruption of power, a story of Charles Foster Kane, a newspaper tycoon with rather pointed parallels to the life of William Randolph Hearst."
"Chronicling the stormy life of an influential publishing tycoon, the Best Original Screenplay Academy Award winner is rooted in themes of power, corruption, and vanity: the American Dream lost in the mystery of a dying man's last word, 'Rosebud'."@en
"Antes de morir, el controvertido politico y magnate de la prensa, Charles Foster Kane, musita la palabra Rosebud. El productor de un noticiero de cine evnia a un reportero a descifrar el misterio. La vida del millonario va surgiendo de los recuerdos y testimonios de distintas personas que lo conocieron. Amigos, enemigos, su viuda, un criado y otros dan su version, con lo que se conforma una imagen compleja de este hombre di mulitples facetas."@en
"RKO 281: Dramatizes Orson Welles battle to produce Citizen Kane, despite the opposition of the film's de facto subject, William Randolph Hearst."@en
"SUMMARY: 'Videorecording of Citizen Kane, the story of the rise and fall of a great man as the result of his accumulation of wealth and subsequent isolation from the world.'"
"A wealthy newspaper publisher achieves tremendous social and political power, but fails to overcome the loneliness which plagues him throughout his life."
"The study of a powerful newspaper publisher told by those who knew him best or thought they did."@en
"An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane. Prominant publisher, William Randolph Hearst, saw the film as a thinly disguised version of his career and attempted to suppress it. DVD."
"The story of Charles Foster Kane, a newspaper tycoon, whose life is examined by a magazine reporter trying to discover the meaning of the mysterious "Rosebud.""@en
"Battle over Citizen Kane: A documentary examining the lives and careers of Orson Welles and William Randolph Hearst, and efforts by Hearst to surpress the film Citizen Kane and destroy Welles' career."
"Presents a study of corruption of power in the story of Charles Foster Kane, a newspaper tycoon whose life rather paralled that of William Randolph Hearst."@en
"Regarded as one of the finest films ever made, Citizen Kane tells the story of idealism corrupted by wealth. Prominant publisher, William Randolph Hearst, saw the film as a thinly disguised version of his career and attempted to suppress it. The controversy has faded, but not the film's power and brilliance."@en
"Feature film: An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane. Prominant publisher, William Randolph Hearst, saw the film as a thinly disguised version of his career and attempted to suppress it. Documentary: Looks at the lives and careers of Orson Welles and William Randolph Hearst, and how Hearst tried to surpress the film Citizen Kane and destroy Welles."@en
"Feature film: An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane. Prominant publisher, William Randolph Hearst, saw the film as a thinly disguised version of his career and attempted to suppress it. Documentary: Looks at the lives and careers of Orson Welles and William Randolph Hearst, and how Hearst tried to surpress the film Citizen Kane and destroy Welles."
"The rise of an American publishing tycoon to prominence and power hides the story of lost idealism and a childhood that cannot be recaptured. Initially seen as a thinly disguised biography of William Randolf Hearst, the film has come to be viewed as one of the cornerstones of American cinema."@en
"Following the death of a publishing tycoon, news reporters scramble to discover the meaning of his final utterance."
"This story looks at America's love of power and materialism and all the corruption it sometimes fosters."
"Amerika in den 20er Jahren: Charles Foster Kane herrscht über unzählige Zeitungen und Radiostationen, doch der Erfolg hat ihn grössenwahnsinnig gemacht. In völliger Einsamkeit stirbt er schliesslich auf seinem monströsen Schloss Xanadu. Ein Journalist versucht das Rätsel um sein letztes Wort "Rosebud" zu lüften und kommt einem faszinierenden Leben auf die Spur. Das Regiedebüt des damals 25-jährigen Orson Welles, in dem er den Mythos des amerikanischen Traums entlarvt, setzte durch seine Vielschichtigkeit Massstäbe. Bis heute gilt dieses faszinierende multiperspektivische Filmpuzzle als eines der besten Werke der Kinogeschichte. (Quelle: Umschlag)."
"The story of a powerful publisher, told by those who thought they knew best."
"Orson Welles' controversial film, hailed as best American film ever made, is a portrait of Charles Foster Kane, revealing America's love of power and materialism and the resultant corruption."
"Portrait of Charles Foster Kane, a wealthy newspaper publisher, as he is remembered by his friends and former wife after his death. Loosely based on the life of William Randolph Hearst. Frequently called the greatest film of all time."
"Regarded as one of the finest films ever made, Citizen Kane tells the story of idealism corrupted by wealth. Prominent publisher, William Randolph Hearst, saw the film as a thinly disguised version of his career and attempted to suppress it. The controversy has faded, but not the film's power and brilliance. Based on the life of newspaper tycoon William Randolph Hearst, it provoked everything from legends to songs. The movie was deemed so controversial that is was recalled from distribution and was not released until after Hearst's death."@en
"The study of a powerful newspaper publisher, told by those who knew him best, or thought they did."@en
"The study of a powerful newspaper publisher, told by those who knew him best, or thought they did."
"Based on the life of newspaper tycoon William Randolph Hearst, the film was deemed so controversial that it was not released until after Hearst's death. It introduced many original and revolutionary techniques that have since been adopted as film standards."@en
"The study of a powerful newspaper publisher, told by those who knew him best, or thought they did. Orson Welles' controversial film, hailed as best American film ever made, is a portrait of Charles Foster Kane, revealing America's love of power and materialism and the resultant corruption. The film earned eight Academy Award nominations and won the Oscar for best screenplay."
"A newspaper tycoon dies, and a magazine reporter interviews his friends in an effort to discover the meaning of his last words (c.f. Halliwells, 1997 ed.)."@en
"Dramatization loosely based on the life of William Randolph Hearst, telling the story of an immensely wealthy newspaper publisher as he is remembered by his friends and former wife after his death, plus a documentary on the making of the film."@en
"A faceless journalist sets out to investigate the life of media magnate and failed politician Charles Foster Kane. He seeks to uncover the meaning of 'rosebud', Kane's last utterance. In turn satire, tragedy and gothic comedy, Citizen Kane is a triumph of disjointed, non-linear narrative in which the form becomes the theme, an ironic reflection upon the success ethic and the crushing weight of materialism. In drawing upon the tradition of classical narrative, while at the same time violating some of the expectations in the viewer's reception of such narrative, Welles ultimately assured Citizen Kane of its place as a watershed in modern cinema."@en
"Based on the life of newspaper tycoon William Randolph Hearst, the movie was deemed so controversial that it was recalled from distribution and not released until after Hearst's death. It introduced many original and revolutionary techniques that have since been adopted as film standards."@en
"Amerika in den 1920er Jahren: Charles Foster Kane herrscht über eine Vielzahl von Zeitungen und Radiostationen, doch sein Erfolg hat ihn grössenwahnsinnig gemacht. In völliger Einsamkeit stirbt er schliesslich auf seinem riesigen Schloss Xanadu. Ein Journalist versucht das Rätsel um sein letztes Wort "Rosebud" zu lüften und kommt einem faszinierenden Leben auf die Spur."
"The story of an immensely weathly newspaper publisher, as he is remembered by his friends and former wife after his death."@en
"Citizen Kane: An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane. Prominant publisher, William Randolph Hearst, saw the film as a thinly disguised version of his career and attempted to suppress it."
"Citizen Kane: An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane. Prominant publisher, William Randolph Hearst, saw the film as a thinly disguised version of his career and attempted to suppress it."@en
"All-powerful press magnate Kane dies in his fabulous castle Xanadu, his last word being 'Rosebud', leading a reporter to seek the meaning behind the word and find the meaning of Kane."@en
"The story of an immensely wealthy newspaper publisher, as he is remembered by his friends and former wife after his death. Loosely based on the life of William Randolph Hearst. Voted the greatest film of all time by AFI and BFI."@en
"RKO 281: The battle between Orson Welles and Wm. Randolf Hearst over Citizen Kane is the stuff of legend, rich with tales of sexual blackmail, money and threats behind closed doors."@en
"Although based on the life of newspaper tycoon William Randolph Hearst, the movie was deemed so controversial that it was recalled from distribution and not released until after Hearst's death. It introduced many original and revolutionary techniques that have since been adopted as film standards."@en
"This is a study of the corruption of power, a study of the life of Charles Foster Kane, a newspaper tycoon. There are rather pointed parallels between the fictitious Kane and William Randolph Hearst."@en
"A fascinating portrait of America's love of power and materialism and the corruption it sometimes fosters."
"DVD special features include an audio commentary by Ken Burns; 'Anatomy of a classic' presented by Barry Norman; 'Welles off screen'; two radio dramas including 'War of the worlds' and 'The happy prince'; 'What Kane cost'; photo gallery; cast and crew profiles; trailer; restoration comparison."
"Orson Welles' controversial film, hailed as the best American film ever made, is a portrait of Charles Foster Kane, revealing America's love of power and materialism and the resultant corruption."@en
"Orson Welles' controversial film, hailed as the best American film ever made, is a portrait of Charles Foster Kane, revealing America's love of power and materialism and the resultant corruption."
"Citizen Kane (119 min.): An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane. The battle over Citizen Kane (113 min.): Looks at the lives of and careers of Orson Welles and William Randolph Hearst. Prominant publisher, William Randolph Hearst, saw the film as a thinly disguised version of his career, and attempted to suppress the film and destroy Welles."@en
"Un reporter entreprend d'élucider le mystère que laissent percer les dernières paroles d'un millionnaire décédé."
"Summary: The study of a powerful newspaper publisher, told by those who knew him best, or thought they did."
"A faceless journalist sets out to investigate the life of media magnate and failed politician Charles Foster Kane. He seeks to uncover the meaning of r̀osebud,' Kane's last utterance. In turn satire, tragedy and gothic comedy, Citizen Kane is a triumph of disjointed, non-linear narrative in which the form becomes the theme, an ironic reflection upon the success ethic and the crushing weight of materialism."
"An all-powerful press magnate, Charles Foster Kane, dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning in Kane's life. Prominant publisher, William Randolph Hearst, saw the film as a thinly disguised version of his career and attempted to suppress it."
"A fictionalized biography patterned on the life of William Randolph Hearst, here called Charles Foster Kane. Following his death, a reporter seeks to find the meaning behind Kane's last word "Rosebud" and in the process cronicles Kane's rise to power in the."
"Battle over Citizen Kane (1996, 113 min.): Looks at the lives and careers of Orson Welles and William Randolph Hearst, and how Hearst tries to suppress the 1941 film Citizen Kane and destroy Welles."
"'Videorecording of Citizen Kane, the story of the rise and fall of a great man as the result of his accumulation of wealth and subsequent isolation from the world.'"@en
"An all-powerful press magnate, Kane, dies in his fabulous castle Xanadu, his last word being "rosebud." A newsreel leads a reporter to seek the meaning behind the word and perhaps to find the meaning of Kane. Thatcher's memories about Kane evoke images of Kane's youth and his mother. The journalist also questions Bernstein, now an old man, who tells how Kane ran his newspaper and fomented the war with Cuba (1897). Then old Leland recounts Kane's marriage to a president's niece, his meeting with his mistress, and his disastrous foray into politics, where his affair was revealed to the public. The reporter questions the second wife, Susan, in a nightclub. She tells of her usless attempts, forced by Kane, to become an opera singer, and of her retreat with him to Xanadu. At the end, as some of Kane's belongings are burned, we see among them the sled, Rosebud, which he had loved as a child."@en
""The film was scheduled to have its premiere on 14 Feb 1941 at Radio City Music Hall, but complications set in after a screening given on 9 Jan 1941 for Louella Parsons, motion picture editor of the Hearst papers. According to [Daily variety], Parsons insisted on a screening after an article about the film appeared in Friday, in which Welles ridiculed her for previously praising him and stated, 'Wait until the woman finds out that the picture is about her boss.' Friday subsequently allowed Welles space to deny that he ever spoke the quote, but meanwhile, Hearst editors were ordered to keep publicity, advertisements and reviews of all RKO films out of their newspapers. Parsons threatened RKO president George J. Schaefer that Hearst would bring a great deal of pressure on the motion picture industry if the film were released. According to [the New York times], Louis B. Mayer of M-G-M and Harry M. Warner of Warner Bros. were then contacted, and Hearst representatives began investigating the 'alien' situation in Hollywood, 'something about which the industry is most sensitive.' Adela Rogers St. John, a Hearst columnist, began gathering information for a story on Welles's romantic adventures, and a Congressional investigation of Hollywood was hinted at by Senator Burton K. Wheeler. In a statement printed in [the New York times] in Jan 1941, Welles contended that the film 'is not based upon the life of Mr. Hearst or anyone else. On the other hand, had Mr. Hearst and similar financial barons not lived during the period we discuss, Citizen Kane could not have been made.' In the previously quoted statement on the intent of the film, found in the RKO story files at UCLA, Welles noted that in order to show the many divergent opinions concerning one individual, he decided that his character should be 'an extremely public man.' He considered using a fictitious president, but 'deciding against this, I could find no other position in public life beside that of a newspaper publisher in which a man of enormous wealth exercises what might be called real power in a democracy ... The history of the newspaper business obviously demanded that Kane be what is generally referred to as a yellow journalist.' Welles wrote that once he chose his subject, 'it was impossible for me to ignore American history ... My picture could not begin the career of such a man in 1890 and take it to 1940 without presenting the man with the same problems which presented themselves to his equivalents in real life.' In the foreword to a memoir by Marion Davies, Hearst's mistress, Welles notes that everything in Citizen Kane was invented except for the telegram Kane orders to be sent to his reporter in Cuba ('You provide the prose poems, I'll provide the war'), which was based on the well-known wire Hearst sent to illustrator Frederick Remington ('You make the pictures, I'll make the war') and Kane's 'crazy art collection.' While acknowledging parallels, Welles points out that Hearst was born rich and was the 'pampered son of an adoring mother, ' whereas Kane was born poor and reared by a bank. Welles states, 'It was a real man who built an opera house for the soprano of his choice, and much in the movie was borrowed from that story, but the man was not Hearst.' Others have speculated that Kane is not so much a portrayal of Hearst as a composite of a number of powerful men of the time, including Samuel Insull, Joseph Pulitzer, Charles A. Dana, Joseph Medill Patterson, James Gordon Bennett II, Frank A. Munsey, Harold Fowler McCormick and Colonel Robert McCormick. Indeed, on 8 Nov 1940, photographs of a number of famous publishers including Hearst, Pulitzer, McCormick, Patterson, Lord Northcliffe, Lord Beaverbrook, Bonfils and Sommes were ordered for the film to be reproduced for the 'News on the march' sequence. Welles contended that Susan Alexander 'bears no resemblance at all' to Marion Davies, whom he calls 'one of the most delightfully accomplished comediennes in the whole history of the screen.' Some modern sources claim that Hearst's pet name for Marion Davies' genitalia was 'Rosebud' and that Hearst threatened to expose details of the sexual lives of personages in Hollywood if the film were released. According to [the Hollywood reporter], Hearst saw the film's script in Sep 1940 and 'shot it back without a word.' As Kane's dying word 'Rosebud' was in the script at that time, it is unclear why, if the story about 'Rosebud' was true, he took no action until the film was completed. (In Mar 1941, in Welles's New York production of Native son, a child's sled bearing the name 'Rosebud' was used as a prop, according to [the Hollywood reporter].) According to an 8 Mar 1941 memo, Schaefer wanted a clearance title attached to the film. Two possible clearance titles suggested on 3 Apr 1941 were: 'This is not the story of any man, be he living or dead. Kane, and all other characters involved in this picture are wholly imaginary' and 'Citizen Kane is not the story of the life of any man. It is the story of the forces that move in the lives of many great men, as seen through the eyes of lesser men.' According to a modern source, Welles objected and wrote his own clearance title, which was added to the film and later deleted. It read, 'Citizen Kane is an examination of the personal character of a public man, a portrait according to the testimony of the intimates of his life. These, and Kane himself, are wholly fictitious.' According to [Daily variety], the Hearst ban on mentioning or advertising RKO product ended on 30 Jan 1941 for all RKO films except Citizen Kane. Hearst's forces tried a number of tactics to stop its release, including, according to [Daily variety], stirring up the American Legion, Veterans of Foreign Wars and other patriotic groups; sending photographers to get 'personal' pictures of Welles while he was at Palm Springs; and persistently inquiring at the draft board as to the reason Welles was not drafted. Welles, in a later interview, stated that he was warned one evening by a policeman not to return to his hotel room because an underaged, undressed girl and photographers had been sent there as a setup, a situation that could have resulted in a jail sentence. In Apr 1941, after a radio broadcast of His Honor, the Mayor, written and narrated by Welles, the Hearst papers launched an attack on The free company series, of which the broadcast was a part, and on Welles himself, whom they labeled Communistic and un-American. Welles replied in a statement to newspapers that the attack was unfounded and based solely on Hearst's displeasure with Citizen Kane. In Feb 1941, [Daily variety] reported that a rift had occurred in RKO's board regarding whether the film should be released, and that Welles, who had 25% interest in the film, privately threatened to take legal steps if the release was delayed. After Radio City Music Hall declined to premiere the film, [Hollywood reporter] reported a rumor that Henry Luce, publisher of Time, offered one million dollars for the negative, intending to release it. Modern sources cite rumors that Louis B. Mayer, worried about Hearst's threats against the industry, tried to buy the negative from RKO in order to destroy it. By Mar 1941, after a number of special screenings, [Hollywood reporter] reported that 'the guess of 98 percent of those who have seen the picture is that it will never be released, can't be released other than under a threat of suits that Mr. W.R. Hearst will level against any theatre showing the film.' On 11 Mar, Welles threatened to sue RKO for breach of contract and to attempt to obtain a court order to guarantee the picture's release if he did not receive proof within twenty-four hours that RKO would give the film an early release. Welles himself offered to buy the film, but RKO, after a preview to the trade press in Hollywood and New York on 9 Apr, scheduled the world premiere at the Palace Theatre in New York on 1 May. Subsequently, the film had its Hollywood premiere at the El Capitan on 8 May 1941"--AFI catalog, 1941-1950."@en
"Citizen Kane: The story of Charles Foster Kane, a newspaper tycoon whose life is investigated by a magazine reporter trying to discover the meaning of Kane's dying word: "Rosebud.""@en
"Original actors, editors, and experienced directors and producers come forth to present their reflections on the 1941, RKO Radio Pictures feature release of Citizen Kane. The film showcased the directorial debut of Orson Welles and went on to earn eight Academy Award nominations. It won the Oscar for Best Screenplay."@en
"Study of the corruption of power, a story of Charles Foster Kane, a newspaper tycoon with rather pointed parallels to the life of William Randolph Hearst. Kane dies in his fabulous castle Xanadu, his last word being "Rosebud", which leads a reporter to seek the meaning behind the word and find the meaning of Kane."@en
""Orson Welles masterwork dazzles anew in a superb 70th anniversary high-definition digital transfer. It is grand entertainment, sharply acted and directed with inspired visual flair. Chronicling the stormy life of an influential publishing tycoon, this Best Original Screenplay Academy Award winner is rooted in themes of power, corruption, vanity the American Dream lost in the mystery of a dying mans last world: Rosebud"--Container."
"The life and character of a newspaper tycoon are reconstructed by a newspaper reporter interviewing Kane's friends and associates as he tries to decipher the meaning of Kane's dying word."
"Le magnat de la presse Charles Foster Kane vient de mourir dans sa fabuleuse propriété de Xanadu en prononçant un seul mot : Rosebud... Un des plus grands films de tous les temps..."

director

http://schema.org/director

editor

http://schema.org/editor

genre

http://schema.org/genre

"Film noir"@en
"Film excerpts"@en
"Fiction films"@en
"Fiction films"
"Documentary films"@en
"Feature"
"Journalism films"@en
"Made-for-TV movies"@en
"Portuguese language materials"@en
"Criticism, interpretation, etc"
"Films for the hearing impaired"@en
"Biographical films"@en
"Films dramatiques"
"Video recordings"@en
"Mystery films"
"Trailers and promo's"
"Trailers and promo's"@en
"Video recordings for the hearing impaired"
"Video recordings for the hearing impaired"@en
"Videocasetes"
"Fiction"
"Fiction"@en
"Drames (cinéma)"
"Motion pictures"@en
"French language materials"@en
"Documentaries and factual films and video"
"Documentaries and factual films and video"@en
"Academy Award films"@en
"History"@en
"History"
"Detective and mystery films"@en
"Detective and mystery films"
"DVDs"
"Documentary television programs"
"Documentary television programs"@en
"Vidéo"
"Features"
"Features"@en
"Suspense"
"Trials, litigation, etc"
"Trials, litigation, etc"@en
"DVD-Video discs"@en
"DVD-Video discs"
"Nonfiction films"@en
"Largometrajes"
"Biographies"@en
"Historical films"@en
"fiction dramatique (fiction)"
"DVD-Video"
"Feature films"
"Feature films"@en
"Videodiscs"@en
"Spanish language materials"@en
"Drama"
"Drama"@en
"amerikanske film"

musicBy

http://schema.org/musicBy

name

http://schema.org/name

"Citizen Kane (video recording)"@en
"Citizen Kane (classic)"
"Citizen Kane [videocassette]"
"Citizen Kane [ video]"
"Citizen Kane [DVD]"@en
"Citizen Kane"@en
"Citizen Kane"
"Orson Welles Citizen Kane"
"Citizen Kane [70th anniversary edition]"@en
"Citizen Kane (Pel·lícula cinematogràfica)"
"Citizen kane"
"Citizen Kane (Film)"
"Citizen Kane (film)"
"Citizen Kane [Quarto potere]"
"Citizen Kane a critical analysis"
"Citizen Kane (Excerpt : [1941?])"@en
"Citizen Kane (Motion picture)"@en
"Citizen Kane (Motion picture)"
"Citizen Kane El Ciudadano Kane"@en
"Citizen Kane (Motion picture : 1941)"@en
"Citizen Kane (Motion picture : 1941)"
"Citizen kane an RKO Radio Picture ; a Mercury production by Orson Welles ; original screen play, Herman J. Mankiewiez, Orson Welles ; direcdtor-producer, Orson Welles"
"Citizen KANE"
"Citizen Kane : [Film und Geschichte]"
"Citizen Kane El ciudadano Kane"

Linked Data Explorer

Turtle N-Triple JSON-LD RDF/XML HTML Contact Us Home

http://worldcat.org/entity/work/id/1110806742

Citizen Kane (video recording)

The story of an immensely wealthy newspaper publisher as he is remembered by his friends and former wife after his death.

Open All Close All

type

http://www.w3.org/1999/02/22-rdf-syntax-ns#type

about

http://schema.org/about

actor

http://schema.org/actor

alternateName

http://schema.org/alternateName

author

http://schema.org/author

byArtist

http://schema.org/byArtist

contributor

http://schema.org/contributor

creator

http://schema.org/creator

description

http://schema.org/description

director

http://schema.org/director

editor

http://schema.org/editor

genre

http://schema.org/genre

musicBy

http://schema.org/musicBy

name

http://schema.org/name

performer

http://schema.org/performer

producer

http://schema.org/producer

workExample

http://schema.org/workExample