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http://worldcat.org/entity/work/id/114026259

Five 5 long takes dedicated to Yasujiro Ozu

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type

about

alternateName

http://schema.org/alternateName

  • "Making of 5"
  • "5"
  • "5 long takes dedicated to Yasujiro Ozu"
  • "Around 5"
  • "Five long takes dedicated to Yasujiro Ozu"
  • "Five dedicated to Yasujiro Ozu"
  • "Five dedicated to Ozu"
  • "Making of Five"
  • "Around five: Abbas Kiarostami's reflections on film and the making of Five"
  • "Abbas Kiarostami's reflections on film and the making of Five"

contributor

description

http://schema.org/description

  • "En hommage au cinéaste japonais Yasujirō Ozu, le cinéaste iranien Abbas Kiarostami présente cinq vues statiques de la mer Caspienne et de ses plages."
  • ""Acclaimed Iranian filmmaker Abbas Kiarostami (A taste of cherry, Through the olive trees) pays homage to Yasujiro Ozu, the brilliant Japanese filmmaker whose spare but evocative style has been a major influence on Kiarostami's work. Canny and sublime, the 74-minute film is comprised of five long, apparently single takes of a beach on the Caspian Sea, all focusing on the ocean, comprised of virtually no camera movement and enveloped in rapturous natural sound. Richly poetic and shot on a hand-held DV camera, the film features five extended, apparently single-take sequences. One. The camera accompanies a piece of wood with which the waves are toying at the beach. Two. People are walking along by the seaside. Older people stop, look at the waves, then walk away. Three. Indistinct shapes on a beach in winter. A group of dogs. A love story. Four. Ducks noisily cross the frame in one direction, then the other. Five. A pond; nighttime; frogs; a chorus of sounds, then a storm, and finally dawn."--Container."
  • "Acclaimed Iranian filmmaker Abbas Kiarostami pays homage to Yasujiro Ozu, the brilliant Japanese filmmaker whose spare but evocative style has been a major influence on Kiarostami's work. Canny and sublime, the film is comprised of five long, apparently single takes of a beach on the Caspian Sea, all focusing on the ocean, comprised of virtually no camera movement and enveloped in rapturous natural sound. Richly poetic and shot on a hand-held DV camera, the film features five extended, apparently single-take sequences."
  • ""Acclaimed Iranian filmmaker Abbas Kiarostami (A taste of cherry, Through the olive trees) pays homage to Yasujiro Ozu, the brilliant Japanese filmmaker whose spare but evocative style has been a major influence on Kiarostami's work. Canny and sublime, the 74-minute film is comprised of five long, apparently single takes of a beach on the Caspian Sea, all focusing on the ocean, comprised of virtually no camera movement and enveloped in rapturous natural sound. Richly poetic and shot on a hand-held DV camera, the film features five extended, apparently single-take sequences. One. The camera accompanies a piece of wood with which the waves are toying at the beach. Two. People are walking along by the seaside. Older people stop, look at the waves, then walk away. Three. Indistinct shapes on a beach in winter. A group of dogs. A love story. Four. Ducks noisily cross the frame in one direction, then the other. Five. A pond; nighttime; frogs; a chorus of sounds, then a storm, and finally dawn."--Container."
  • "Five sequences : 1. A piece of driftwood on the seashore, carried about by the waves -- 2. People walking on the seashore. The oldest ones stop by, look at the sea, then go away -- 3. Blurry shapes on a winter beach. A herd of dogs. A love story -- 4. A group of loud ducks cross the image, in one direction then the other -- 5. A pond, at night. Frogs improvising a concert. A storm, then the sunrise."

genre

http://schema.org/genre

  • "Films expérimentaux"
  • "Feature films"
  • "Foreign films"
  • "Documentaires"
  • "Short films"
  • "Experimental films"
  • "Documentary films"
  • "Nonfiction films"

name

http://schema.org/name

  • "Five 5 long takes dedicated to Yasujiro Ozu"

workExample