Linked Data Explorerhttp://worldcat.org/entity/work/id/1152203126
Photographic storytelling
This program examines how photographers work with images to communicate stories and ideas and how viewers interpret those images. Message manipulation deriving from point of view, context, editing, superimposing, cropping, recoloring, and captioning are discussed. In addition, selective perception-seeing pictures through the filters of values and prejudices-is studied. Commentary is provided by Doug Nickel, curator of photography at the San Francisco Museum of Modern Art; Joel Slayton, of the CADRE Laboratory for New Media at San Jose State University; Shanto Iyengar, director of the Political Communication Lab at Stanford University; and others.
Open All Close All
http://schema.org/about
- http://id.loc.gov/authorities/subjects/sh85143926
- http://id.worldcat.org/fast/815447
- http://id.loc.gov/authorities/subjects/sh85101288
- http://id.worldcat.org/fast/869562
- http://id.loc.gov/authorities/subjects/sh85101269
- http://id.worldcat.org/fast/1062022
- http://id.loc.gov/authorities/subjects/sh85143917
- http://id.loc.gov/authorities/subjects/sh85029405
- http://id.loc.gov/authorities/subjects/sh85101206
- http://id.loc.gov/authorities/subjects/sh85101274
- http://id.worldcat.org/fast/1168036
- http://id.worldcat.org/fast/1061964
- http://id.loc.gov/authorities/subjects/sh85007980
- http://id.worldcat.org/fast/1168008
- http://id.worldcat.org/fast/1061714
- http://id.worldcat.org/fast/1168049
- http://id.loc.gov/authorities/subjects/sh85143923
- http://id.worldcat.org/fast/871774
http://schema.org/alternateName
- "Language of photography"
- "Language of photography"@en
http://schema.org/contributor
- http://id.loc.gov/authorities/names/no2005057562
- http://worldcat.org/entity/person/id/2634787315
- http://worldcat.org/entity/person/id/2640188120
- http://worldcat.org/entity/person/id/2643003341
- http://worldcat.org/entity/person/id/2634331366
- http://worldcat.org/entity/person/id/2631883048
- http://viaf.org/viaf/148872109
- http://worldcat.org/entity/person/id/2640185402
- http://experiment.worldcat.org/entity/work/data/1152203126#Organization/films_for_the_humanities_&_sciences_firm
- http://viaf.org/viaf/149284014
- http://id.loc.gov/authorities/names/n80050316
- http://worldcat.org/entity/person/id/2638810700
http://schema.org/description
- "This program examines how photographers work with images to communicate stories and ideas and how viewers interpret those images. Message manipulation deriving from point of view, context, editing, superimposing, cropping, recoloring, and captioning are discussed. In addition, selective perception-seeing pictures through the filters of values and prejudices-is studied. Commentary is provided by Doug Nickel, curator of photography at the San Francisco Museum of Modern Art; Joel Slayton, of the CADRE Laboratory for New Media at San Jose State University; Shanto Iyengar, director of the Political Communication Lab at Stanford University; and others."@en
- "This program examines how photographers work with images to communicate stories and ideas and how viewers interpret those images. Message manipulation deriving from point of view, context, editing, superimposing, cropping, recoloring, and captioning are discussed. In addition, selective perception-seeing pictures through the filters of values and prejudices-is studied. Commentary is provided by Doug Nickel, curator of photography at the San Francisco Museum of Modern Art; Joel Slayton, of the CADRE Laboratory for New Media at San Jose State University; Shanto Iyengar, director of the Political Communication Lab at Stanford University; and others. (27 minutes)."@en
- "The program explains how photographers work to communicate stories and ideas and how viewers interpret their images. Covers point of view, context, editing, superimposting, cropping, recoloring, and captioning. Also studies "selective perception"--Seeing pictures through the filters of values and prejudices. Commentary is provided by Doug Nickel, curator of photography at the San Francisco Museum of Modern Art; Joel Slayton, of the CADRE Laboratory for New Media at San Jose State University; Shanto lyengar, director of the Political Communication Lab at Stanford University; and others."@en
- "The program explains how photographers work with images to communicate stories and ideas and how viewers interpret those images. Message manipulation deriving from point of view, context, editing, superimposing, cropping, recoloring, and captioning is discussed. Selective perception--seeing pictures through the filters of values and prejudices--is studied."@en
- "Explains how photographers work to communicate stories and ideas and how viewers interpret their images. Covers point of view, context, editing, superimposing, cropping, recoloring, and captioning. Also studies "selective perception"--seeing pictures through one's own values and prejudices."@en
- "Explains how photographers work to communicate stories and ideas and how viewers interpret their images. Covers point of view, context, editing, superimposing, cropping, recoloring, and captioning. Also studies "selective perception"--Seeing pictures through one's own values and prejudices."@en
- "The program explains how photographers work to communicate stories and ideas and how viewers interpret their images. Covers point of view, context, editing, superimposting, cropping, recoloring, and captioning. Also studies "selective perception"--Seeing pictures through the one's own values and prejudices."
http://schema.org/workExample
- http://www.worldcat.org/oclc/593482465
- http://www.worldcat.org/oclc/55521108
- http://www.worldcat.org/oclc/51560660
- http://www.worldcat.org/oclc/700403506
- http://www.worldcat.org/oclc/607129306
- http://www.worldcat.org/oclc/51908070
- http://www.worldcat.org/oclc/695005037
- http://www.worldcat.org/oclc/463921155
- http://www.worldcat.org/oclc/707972640