"Dreamfilm." . . "Portrait & Cie." . . "Council of Europe." . . "Producteurs et réalisateurs de cinéma Italie Entretiens." . . "Portrait & compagnie (Firm)" . . . . . . . "Documentary films" . . "Federico Fellini - Ich bin ein großer Lügner" . "Federico Fellini sono un gran bugiardo = Federico Fellini : I'm a born liar" . . . . . . . . . "Sono un gran bugiardo" . "Biography" . "Interviews" . . "Nonfiction films" . . . . . . . . . . . . "Biography of Italian filmmaker Federico Fellini." . . . . "Federico Fellini Sono un gran bugiardo = I'm a born liar" . . . . . "Federico Fellini, I'm a born liar" . . "Biogaphy of Italian filmmaker Federico Fellini. Laced with interviews and classic clips, the filmliterally retraces Fellini's footsteps dramatizing Fellini's vision and the same world minus that vision." . . . . "Frederico Fellini, sono un gran bugiardo" . "Fellini" . . "Criticism, interpretation, etc" . "Vidéo" . . "What sets Fellini: I'm a born liar apart from other portraits of Fellini is that Pettigrew -- who got to know Fellini fairly well after meeting him in 1983 --was afforded a lengthy, privileged, unprecedented access to the man himself. Novelist Italo Calvino illuminates the boundaries Fellini mapped between illusion and reality. Lifelong friens give insight into Fellini's boyhhod, as well as his great creative marriage with actress Giulietta Masina. Screenwriter Tullio Pinelli (whose credits include La Strada, La Dolce Vita, 8 1/2 and The Voice of the Moon), cameraman Giuseppe Rotunno (who photographed Roma, Amarcord, Casanova, City of Women, And the Ship Sails On, among others), actors Donald Sutherland and Terence Stamp earch contribute valuable insight into the Maestro's working methods, and madness. --Conteneur." . . . . . . "Federico Fellini" . . "Federico Fellini sono un gran bugiardo" . . . "Feature films" . "I'm a born liar" . . "Fellini I'm a born liar" . "\"Delves into the dynamic world of renowned Italian filmmaker Federico Fellini. The film is based on Federico Fellini's last confessions, documents the famous Italian director's unorthodox working methods, conscience and philosophy by looking at the legacy of the films he left behind. It uses excerpts and behind-the-scenes material from famous Fellini films like 8 1/2 , Juliet of the Spirits, Histoires Extraordinaires, Satyricon, Fellini's Casanova and City of Women; and contains footage of interviews with Roberto Benigni, Terence Stamp and Donald Sutherland among other notable Fellini collaborators\"--SBS website." . . . "Federico Fellini sono un gran bugiardo = I'm a born liar" . . . . . . . . . . . . . . "\"What sets Fellini: I'm a Born Liar apart from other portraits of Fellini is that Pettigrew -- who got to know Fellini fairly well after meeting him in 1983 -- was afforded a lengthy, privileged, unprecendented access to the man himself.\"--Container." . . "Laced with interviews and classic clips, the film literally retraces Fellini's footsteps dramatizing Fellini's vision and the same world minus that vision. What results is no mere portrait, but an energetic, philosophical inquiry." . . . "Fellini, i'm a born liar = Frderico Fellini, sono un gran bugiardo" . . "Federico Fellini - Sono un gran bugiardo Federico Fellini - Ich bin ein großer Lügner" . . "Federico Fellini sono un gran bugiardo = I'm a big liar" . . . . . . "First Look Home Entertainment (Firm)," . . "Cinéma Italie." . . "Scottish Screen National Lottery." . . "Dreamfilm (Firm)" . . "Cinéma Production et réalisation." . . "Longs métrages Italie 21e siècle." . .