"Art Political aspects Great Britain History 17th century." . . "Geschichte 1620-1628." . . "Geschichte 1620-1628" . "Great Britain" . . "Great Britain." . "Malerei." . . "Malerei" . "Geschichte 1603-1635." . . "Geschichte 1603-1635" . "hofkultur" . . "herskere. ikonografi" . . "Kings and rulers" . . "Power (Social sciences) Great Britain History 17th century." . . "Mäzenatentum." . . "Mäzenatentum" . "anno 1600-1699" . . "Painting Private collections Great Britain." . . "Portrait painting 17th century." . . "Bildprogramm." . . "Bildprogramm" . . . "Portrait painting." . . "Art patronage." . . "Buckingham, George Villiers, Duke of, 1628-1687 Art collections." . . "ART / Subjects & Themes / Human Figure" . . "Bildnismalerei." . . "Bildnismalerei" . "kunstmæcener" . . "Grande-Bretagne" . . "Masques, English History and criticism." . . "Rois et souverains Grande-Bretagne Dans l'art 17e siècle." . . "Great Britain History Charles I, 1625-1649." . . "1600 - 1699" . . "Great Britain History James I, 1603-1625." . . "Art Political aspects." . . "Electronic books." . . "Electronic books" . "Courts and courtiers." . . "Courts and courtiers" . "kunst og kongemagt" . . "Höfische Kunst." . . "Höfische Kunst" . "England." . . "England" . "George Villiers, erster Herzog von Buckingham, war als Vertrauter und Günstling gleich zweier englischer Könige - James' I. und seines Sohnes Charles' I. - politisch so einflussreich und umstritten wie im Europa des beginnenden 17. Jahrhunderts sonst vielleicht nur Kardinal Richelieu. Peter Paul Rubens und Anthonis van Dyck erhielten die Aufträge zu einer Folge von Portraits, mit welchen der Herzog dieser Wahrnehmung ein selbstgeschaffenes Bild seiner Person entgegenzusetzen suchte. Mit diesem Band nimmt die Autorin erstmals eine zusammenhängende Betrachtung der intensiven Sammler- und Auftrag."@en . "History"@en . "History" . . . . . . . "Visions of the Courtly Body The Patronage of George Villiers, First Duke of Buckingham, and the Triumph of Painting at the Stuart Court" . . . . . . "Criticism, interpretation, etc" . . "Visions of the Courtly Body the Patronage of George Villiers, First Duke of Buckingham, and the Triumph of Painting at the Stuart Court"@en . . . . . . . . "Visions of the courtly body. The patronage of George Villiers, first Duke of Buckingham, and the triumph of painting at the Stuart Court" . . "Visions of the courtly body : the patronage of George Villiers, First Duke of Buckingham, and the triumph of painting at the Stuart Court"@en . "\"As the first comprehensive study of Buckingham's patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new grammar in the competing rhetorics of bodily self-fashioning, this recast notion of portraiture contributed to an epistemological change in perceptions of visual representation at the early modern English court, in the course of which painting advanced to the central art form in the aesthetics of kingship.\" (cover - p. 4)" . . . . . . . . "Electronic books" . "Electronic books"@en . . . . "Visions of the Courtly Body : the patronage of George Villiers, first Duke of Buckingham, and the Triumph og painting at the Stuart Court" . . . . . "Portraits" . "Portraits"@en . . . . . . . . . . . . "Livres électroniques" . "Visions of the courtly body the patronage of George Villiers, first Duke of Buckingham, and the triumph of painting at the Stuart Court" . . "\"As the first comprehensive study of Buckingham's patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new grammar in the competing rhetorics of bodily self-fashioning, this recast notion of portraiture contributed to an epistemological change in perceptions of visual representation at the early modern English court, in the course of which painting advanced to the central art form in the aesthetics of kingship.\" (cover - p. 4)." . "\"As the first comprehensive study of Buckingham's patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new grammar in the competing rhetorics of bodily self-fashioning, this recast notion of portraiture contributed to an epistemological change in perceptions of visual representation at the early modern English court, in the course of which painting advanced to the central art form in the aesthetics of kingship.\" (cover - p. 4)."@en . . . "Visions of the Courtly Body : the Patronage of George Villiers, first Duke of Buckingham, and the Triumph of Painting at the Stuart Court" . . . . . . . . . "Visions of the courtly body : the patronage of George Villiers, first Duke of Buckingham, and the triumph of painting at the Stuart Court" . . . . . . . . . . . . . "Power (Social sciences)" . . "Storbritannien" . . "Masques, English" . . "Portraits Grande-Bretagne 17e siècle." . .