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http://worldcat.org/entity/work/id/1176987243

Semiotics of classical music how Mozart, Brahms and Wagner talk to us

Music intrudes to our most intimate subjectivity, thus making it a privileged field to which so-called ""existential semiotics"", a new theory and philosophy developed by the author himself, may be applied. Using new semiotic methods and analyses as the fulcrum of its approaches, the volume aims to clarify why great classical composers from Mozart and Beethoven to Brahms and Wagner fascinate music listeners and lovers from all cultures of the world.

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  • "Music intrudes to our most intimate subjectivity, thus making it a privileged field to which so-called "existential semiotics", a new theory and philosophy developed by the author himself, may be applied. Using new semiotic methods and analyses as the fulcrum of its approaches, the volume aims to clarify why great classical composers from Mozart and Beethoven to Brahms and Wagner fascinate music listeners and lovers from all cultures of the world."
  • "Music intrudes to our most intimate subjectivity, thus making it a privileged field to which so-called ""existential semiotics"", a new theory and philosophy developed by the author himself, may be applied. Using new semiotic methods and analyses as the fulcrum of its approaches, the volume aims to clarify why great classical composers from Mozart and Beethoven to Brahms and Wagner fascinate music listeners and lovers from all cultures of the world."@en
  • "Main description: Music intrudes to our most intimate subjectivity, thus making it a privileged field to which so-called "existential semiotics", a new theory and philosophy developed by the author himself, may be applied. Using new semiotic methods and analyses as the fulcrum of its approaches, the volume aims to clarify why great classical composers from Mozart and Beethoven to Brahms and Wagner fascinate music listeners and lovers from all cultures of the world."
  • "Music intrudes to our most intimate subjectivity, thus making it a privileged field to which so-called 'existential semiotics', a new theory and philosophy developed by the author himself, may be applied. Using new semiotic methods and analyses as the fulcrum of its approaches, the volume aims to clarify why great classical composers from Mozart and Beethoven to Brahms and Wagner fascinate music listeners and lovers from all cultures of the world. Eero Tarasti, University of Helsinki, Finland."

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  • "Online-Publikation"
  • "Electronic books"
  • "Electronic books"@en
  • "Ressources Internet"

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  • "Semiotics of classical music how Mozart, Brahms and Wagner talk to us"@en
  • "Semiotics of classical music how Mozart, Brahms and Wagner talk to us"
  • "Semiotics of Classical Music"
  • "Semiotics of Classical Music How Mozart, Brahms and Wagner Talk to Us"
  • "Semiotics of Classical Music How Mozart, Brahms and Wagner Talk to Us"@en
  • "Semiotics of classical music : how Mozart, Brahms and Wagner talk to us"

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