. . . . . . . . . . . . "Interviews" . . . . . . . . "The future that was: We sit at the end of a cycle. The new age of Modernism that began with this century is now the establishment, as are its consequences." . . . . . . . "Documentary films" . . "The Shock of the new. Volumes 7 & 8" . "The Shock of the new. Parts 7-8" . . . . . . "Culture as nature: In the mid-20th century, symbols of modern culture reflecting the power of mass media, advertising, radio and television, became subjects for artists. Pop art exploded onto the scene. The future that was: We sit at the end of a cycle. The new age of modernism that began with this century is now the establishment, as are its consequences." . . . . . . . . . "The shock of the new. Volumes 7-8" . . . . . "Culture as nature: In the mid-20th century, symbols of modern culture reflecting the power of mass media, advertising, radio and television, became subjects for artists. Pop art exploded onto the scene." . "The Future that was: The new age of Modernism that began with this century is now the establishment, as are its consequences. Looks at the current nature of modern art, which is evolving away from an organized system of dealers and museums into such expressions as conceptual art, earthworks and body art." . . . "The Shock of the new. 7-8" . . . . . . . . . . . . . . . "Culture as nature: In the mid-20th century, symbols of modern culture reflecting the power of mass media, advertising, radio and television, became subjects for artists. Pop art exploded onto the scene. The Future that was: We sit at the end of a cycle. The new age of Modernism that began with this century is now the establishment, as are its consequences." . . . "1900 - 1999" . .