"Indic drama" . . "Teatr Indie 20 w." . . . . . . "Criticism, interpretation, etc" . . . "Criticism, interpretation, etc"@en . . . . . . . . . . . . . . . . . . . . . . . . "\"Imagine the patriotic camaraderie of national day parades. How does performance generate patriotic loyalty? How crucial is performance for the sustenance of the nation? The Performance of Nationalism offers a new analysis of nationalism from the perspective of performance, focusing on the manifold valences of 'mimesis': as aesthetic representation, as the constitution of a community of witnesses and as the mimetic relationality that underlies the encounter between India and Pakistan. The particular performances considered here range from Wagah border ceremonies, to the partition theatre of Asghar Wajahat, Kirti Jain, M. K. Raina and the cinema of Ritwick Ghatak and M. S. Sathyu. By pointing to the tropes of twins, doubles and doppelgangers that suffuse these performances, this study unpicks the idea of two insular, autonomous nation-states of India and Pakistan. In the process, Jisha Menon recovers mimetic modes of thinking that unsettle the reified categories of identity politics\"--" . . "History"@en . "History" . . . . . . . . . . . . "The performance of nationalism India, Pakistan, and the memory of Partition" . . . "The performance of nationalism India, Pakistan, and the memory of Partition"@en . "Electronic books" . "Electronic books"@en . . "The performance of nationalism : India, Pakistan, and the memory of partition" . . "The performance of nationalism : India, Pakistan, and the memory of partition"@en . . "\"Imagine the patriotic camaraderie of national day parades. How does performance generate patriotic loyalty? How crucial is performance for the sustenance of the nation? The Performance of Nationalism offers a new analysis of nationalism from the perspective of performance, focusing on the manifold valences of 'mimesis': as aesthetic representation, as the constitution of a community of witnesses and as the mimetic relationality that underlies the encounter between India and Pakistan. The particular performances considered here range from Wagah border ceremonies, to the partition theatre of Asghar Wajahat, Kirti Jain, M.K. Raina and the cinema of Ritwick Ghatak and M.S. Sathyu. By pointing to the tropes of twins, doubles and doppelgangers that suffuse these performances, this study unpicks the idea of two insular, autonomous nation-states of India and Pakistan. In the process, Jisha Menon recovers mimetic modes of thinking that unsettle the reified categories of identity politics\"-" . . . "The performance of nationalism : India, Pakistan, and the memory of Partition" . . . . . . . . . . . . . . . . . "Online-Publikation" . . . . "\"Imagine the patriotic camaraderie of national day parades. How does performance generate patriotic loyalty? How crucial is performance for the sustenance of the nation? The Performance of Nationalism offers a new analysis of nationalism from the perspective of performance, focusing on the manifold valences of 'mimesis': as aesthetic representation, as the constitution of a community of witnesses and as the mimetic relationality that underlies the encounter between India and Pakistan. The particular performances considered here range from Wagah border ceremonies, to the partition theatre of Asghar Wajahat, Kirti Jain, M.K. Raina and the cinema of Ritwick Ghatak and M.S. Sathyu. By pointing to the tropes of twins, doubles and doppelgangers that suffuse these performances, this study unpicks the idea of two insular, autonomous nation-states of India and Pakistan. In the process, Jisha Menon recovers mimetic modes of thinking that unsettle the reified categories of identity politics\"--" . . . . . . . . "India, Pakistan, and the memory of partition" . "The Performance of Nationalism India, Pakistan, and the Memory of Partition" . . . . "Pakistan" . . "Pakistan." . "Politische Identität." . . "Partition of India (1947)" . . . "Influence (Literary, artistic, etc.)" . . "Nationalismus." . . "India" . . "Darstellung." . . "Cinéma indien (de l'Inde)" . . "Literature" . . "Indic drama / 20th century / History and criticism." . . "Indic drama 20th century History and criticism." . "DRAMA / English, Irish, Scottish, Welsh / bisacsh." . . "Indien." . . "Motion pictures, Indic." . . "Motion pictures, Indic" . "Cambridge University Press." . . "DRAMA English, Irish, Scottish, Welsh." . . "DRAMA / English, Irish, Scottish, Welsh" . "Théâtre indien (de l'Inde) 20e siècle Histoire et critique." . . "Film." . . "Indie" . . "Drama." . . "India / History / Partition, 1947 / Influence." . . "Partitions territoriales Dans la littérature." . . "Nacjonalizm Indie." . . "1900 - 1999" . . . . "Inde" . . "Nationalisme Dans la littérature." . . "India / In motion pictures." . . "Indisch-Pakistanischer Krieg (1947-1948, Motiv)" . . "Pakistan / In literature." . . "Nationalism in literature." . . "Nationalism in literature" . "Partition, Territorial, in literature." . . "Partition, Territorial, in literature" . "Teilung." . . "Pakistan / In motion pictures." . . "Motion pictures" . . "India / In literature." . . "Nationalisme Au cinéma." . . "Nationalism in motion pictures." . . "Nationalism in motion pictures" .