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The fall of Arthur

The first publication of a previously unknown narrative poem by J.R.R. Tolkien, which begins the extraordinary story of the final days of England's legendary hero, King Arthur, and includes text regarding the great quantity of drafting and experimentation in verse left by Tolkien.

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  • "The first publication of a previously unknown narrative poem by J.R.R. Tolkien, which begins the extraordinary story of the final days of England's legendary hero, King Arthur, and includes text regarding the great quantity of drafting and experimentation in verse left by Tolkien."
  • "The first publication of a previously unknown narrative poem by J.R.R. Tolkien, which begins the extraordinary story of the final days of England's legendary hero, King Arthur, and includes text regarding the great quantity of drafting and experimentation in verse left by Tolkien."@en
  • "Das grosse Epos um Arthur erzählt, wie der tapfere König sich zum Waffengang ostwärts in ferne, heidnische Länder begibt. Während der König ausser Landes kämpft, verliebt sich der Ritter Lancelot in Arthurs Frau Guinever und schafft damit einen unüberwindlichen Konflikt. Als auch noch der verräterische Mordred die Macht an sich zu reissen versucht, treibt die Handlung einem Abgrund entgegen ... (Quelle: Klappentext recto)."
  • "Det hidtil ukendte fortællende digt af J. R. R. Tolkien, der fortæller den usædvanlige historie om Englands legendariske helt Kong Arthurs sidste dage."
  • "The Fall of Arthur, the only venture by J.R.R. Tolkien into the legends of Arthur King of Britain, may well be regarded as his finest and most skilful achievement in the use of the Old English alliterative metre, in which he brought to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful nature of all that is told: of Arthur's expedition overseas into distant heathen lands, of Guinevere's flight from Camelot, of the great sea-battle on Arthur's return to Britain, in the portrait of the traitor Mordred, in the tormented doubts of Lancelot in his French castle. Unhappily, The Fall of Arthur was one of several long narrative poems that he abandoned in that period. In this case he evidently began it in the earlier nineteen-thirties, and it was sufficiently advanced for him to send it to a very perceptive friend who read it with great enthusiasm at the end of 1934 and urgently pressed him 'You simply must finish it!' But in vain: he abandoned it, at some date unknown, though there is some evidence that it may have been in 1937, the year of the publication of The Hobbit and the first stirrings of The Lord of the Rings. Years later, in a letter of 1955, he said that 'he hoped to finish a long poem on The Fall of Arthur'; but that day never came. Associated with the text of the poem, however, are many manuscript pages: a great quantity of drafting and experimentation in verse, in which the strange evolution of the poem's structure is revealed, together with narrative synopses and very significant if tantalising notes. In these latter can be discerned clear if mysterious associations of the Arthurian conclusion with The Silmarillion, and the bitter ending of the love of Lancelot and Guinevere, which was never written."
  • "The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the extraordinary story of the final days of England's legendary hero, King Arthur. The Fall of Arthur, the only venture by J.R.R. Tolkien into the legends of Arthur King of Britain, may well be regarded as his finest and most skilful achievement in the use of the Old English alliterative metre, in which he brought to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful nature of all that is told: of Arthur's expedition overseas into distant heathen lands, of Guinevere's flight from Camelot, of the great sea-battle on Arthur's return to Britain, in the portrait of the traitor Mordred, in the tormented doubts of Lancelot in his French castle. Unhappily, The Fall of Arthur was one of several long narrative poems that he abandoned in that period. In this case he evidently began it in the earlier nineteen-thirties, and it was sufficiently advanced for him to send it to a very perceptive friend who read it with great enthusiasm at the end of 1934 and urgently pressed him 'You simply must finish it!' But in vain: he abandoned it, at some date unknown, though there is some evidence that it may have been in 1937, the year of the publication of The Hobbit and the first stirrings of The Lord of the Rings. Years later, in a letter of 1955, he said that 'he hoped to finish a long poem on The Fall of Arthur'; but that day never came. Associated with the text of the poem, however, are many manuscript pages: a great quantity of drafting and experimentation in verse, in which the strange evolution of the poem's structure is revealed, together with narrative synopses and very significant if tantalising notes. In these latter can be discerned clear if mysterious associations of the Arthurian conclusion with The Silmarillion, and the bitter ending of the love of Lancelot and Guinevere, which was never written."@en
  • "The first publication of a previously unknown narrative poem by J.R.R. Tolkien, which tells the extraordinary story of the final days of England's legendary hero, King Arthur."@en
  • "FANTASY. THE FALL OF ARTHUR recounts in verse the last campaign of King Arthur who, even as he stands at the threshold of Mirkwood is summoned back to Britain by news of the treachery of Mordred. Already weakened in spirit by Guinevere's infidelity with the now-exiled Lancelot, Arthur must rouse his knights to battle one last time against Mordred's rebels and foreign mercenaries. Powerful, passionate and filled with vivid imagery, THE FALL OF ARTHUR reveals Tolkien's gift for storytelling at its brilliant best. Originally composed by J.R.R. Tolkien in the 1930s, this work was set aside for THE HOBBIT and has lain untouched for 80 years. Now it has been edited for publication by Tolkien's son, Christopher, who contributes three illuminating essays that explore the literary world of King Arthur, reveal the deeper meaning of the verses and the painstaking work that his father applied to bring it to a finished form."

http://schema.org/genre

  • "Quelle"
  • "Commentaren (vorm)"@en
  • "Poezja angielska"@pl
  • "Gedichten (teksten)"@en
  • "Electronic books"@en
  • "Livres numériques"
  • "Adaptations"
  • "Criticism, interpretation, etc"
  • "Poetry"
  • "Poetry"@en
  • "Adaptations"@en
  • "Criticism, interpretation, etc"@en
  • "Legendy arturiańskie"@pl
  • "Fiction"@en
  • "Fiction"
  • "Arthurian romances"@en
  • "Arthurian romances"
  • "Epic poetry"@en
  • "Fantasy"
  • "Fantasy poetry"@en

http://schema.org/name

  • "Fall of arthur"
  • "La chute d'Arthur [poésie]"
  • "The fall of Arthur"
  • "The fall of Arthur"@en
  • "La caída de Arturo"@es
  • "Upadek króla Artura"
  • "Upadek króla Artura"@pl
  • "The Fall of Arthur"
  • "La chute d'Arthur"
  • "König Arthurs Untergang"