One hundred years of violoncello : a history of technique and performance practice, 1740-1840
This is the first book to address the full range of performance issues for the violoncello from the Baroque to the early Romantic period. The development of playing techniques and stylistic transitions is traced regionally through a comparison of Italian, French, German, English, and East European performance traits. Through a close study of contemporary violoncello methods, music, early instruments, periodicals, diaries, letters, and pictures, Dr. Walden provides a cohesive overview which examines construction methods for instruments and bows, fingering and bowing techniques, special effects and ornamentation, accompanying skills, and the stylistic preferences of the most famous soloists of the time. Richly illustrated with over 300 music examples, plates, and figures, this book allows the reader to apply the information to his or her own manner of playing period music.
"This is the first book to address the full range of performance issues for the violoncello from the Baroque to the early Romantic period. The development of playing techniques and stylistic transitions is traced regionally through a comparison of Italian, French, German, English, and East European performance traits. Through a close study of contemporary violoncello methods, music, early instruments, periodicals, diaries, letters, and pictures, Dr. Walden provides a cohesive overview which examines construction methods for instruments and bows, fingering and bowing techniques, special effects and ornamentation, accompanying skills, and the stylistic preferences of the most famous soloists of the time. Richly illustrated with over 300 music examples, plates, and figures, this book allows the reader to apply the information to his or her own manner of playing period music."
"This is the first book to address the full range of performance issues for the violoncello from the Baroque to the early Romantic period. The development of playing techniques and stylistic transitions is traced regionally through a comparison of Italian, French, German, English, and East European performance traits. Through a close study of contemporary violoncello methods, music, early instruments, periodicals, diaries, letters, and pictures, Dr. Walden provides a cohesive overview which examines construction methods for instruments and bows, fingering and bowing techniques, special effects and ornamentation, accompanying skills, and the stylistic preferences of the most famous soloists of the time. Richly illustrated with over 300 music examples, plates, and figures, this book allows the reader to apply the information to his or her own manner of playing period music."@en
"This is the first book to address the full range of performance issues for the violoncello from the Baroque to the early Romantic period. The development of playing techniques and stylistic transitions is traced regionally through a comparison of Italian, French, German, English, and East European performance traits. Through a close study of contemporary violoncello methods, music, early instruments, periodicals, diaries, letters, and pictures, Dr. Walden provides a cohesive overview which examines construction methods for instruments and bows, fingering and bowing techniques, special effects and ornamentation, accompanying skills, and the stylistic preferences of the most famous soloists of the time."@en
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Pratique de l'exécution (Musique) Histoire 18e siècle.
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Pratique de l'exécution (Musique) Histoire 19e siècle.
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Violoncelle, Musique de 18e siècle Histoire et critique.
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Violoncelle, Musique de 18e siècle Interprétation.
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Violoncelle, Musique de 19e siècle Histoire et critique.
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Violoncelle, Musique de 19e siècle Interprétation.
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Violoncello music 18th century History and criticism.
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Violoncello music 18th century Interpretation (Phrasing, dynamics, etc.)
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Violoncello music 19th century History and criticism.
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Violoncello music 19th century Interpretation (Phrasing, dynamics, etc.)
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