Linked Data Explorerhttp://worldcat.org/entity/work/id/133600815
A day on the Grand Canal with the emperor of China
David Hockney; takes us on a pictorial journey through two notable Chinese scrolls, T̀he Kongxi Emperor's southern inspection tour', and T̀he Quinlong Emperor's southern inspection tour'
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http://schema.org/description
- "David Hockney; takes us on a pictorial journey through two notable Chinese scrolls, T̀he Kongxi Emperor's southern inspection tour', and T̀he Quinlong Emperor's southern inspection tour'"@en
- "World famous artist David Hockney invites the viewer to join him on a magical journey down a 72-foot-long 17th-century Chinese scroll. Hockney traces the Emperor Kangxi's grand tour of his southern domains. As Hockney compares this masterpiece to a Canaletto painting, he teaches us the differences between Western and Eastern artistic perspective."
- "World famous artist David Hockney invites the viewer to join him on a magical journey down a 72-foot-long 17th-century Chinese scroll. Hockney traces the Emperor Kangxi's grand tour of his southern domains. As Hockney compares this masterpiece to a Canaletto painting, he teaches us the differences between Western and Eastern artistic perspective."@en
- "Contemporary artist David Hockney narrates this journey through a masterful 17th-century Chinese scroll by Wang Hui depicting an inspection tour by the Emperor of China in 1689. Hockney acts as a kind of tour guide unfolding the scroll's richly detailed panorama of 17th-century Chinese life. Drawing comparisons with a later scroll in which Western influences are apparent and a canvas by Canaletto, the artist offers a multi-layered discourse on the differences between Eastern and Western perception, the nature of space and narrative, and the metaphysical and ideological implications of the Western "vanishing point" perspective."
- "David Hockney invites the viewer to join him on a journey down the 24-metre length of a 17th century Chinese scroll, which tells the story of the Emperor Kangxi's tour of his southern domains. As he unscrolls the narrative painting, Hockney brings to life the streets and waterfront of old China and the human face of the Emperor."
- ""World famous artist David Hockney invites the viewer to join him on a magical journey down a 72-foot-long legendary 17th-century Chinese scroll. Hockney traces the Emperor Kangxi's grand tour of his southern domains"--Container."@en
- "Discusses the Kangxi emperor's southern inspection tour, a 72-foot-long scroll by Wang Hui, and compares it with a later scroll by Xu Yang and a painting by Canaletto."@en
- "David Hockney takes us on a pictorial journey through two notable Chinese scrolls: The Kangxi Emperor's southern inspection tour (ca. 1698), and The Qianlong Emperor's southern inspection tour (1770)"
- ""World-famous artist David Hockney gives a discourse on eastern and western perspective and their relationship to his own artistic vision. He uses as examples a 72-foot long legendary 17th-century Chinese scroll which traces the Emperor Kangxi's grand tour of his southern domains comparing it with a Canaletto painting of the Grand Canal of Venice.""
- "David Hockney invites the viewer to accompany him on a journey down a 72-foot long legendary Chinese scroll, tracing the Emperor Kangxi's grand tour of his southern domains. A dazzling discourse on eastern and western perspectives and their relationship to his own artistic vision."@en
- "Artist David Hockney takes the viewer on a journey through two Chinese scroll paintings and a western painting of the Grand Canal in Venice by the artist Canaletto. The first Chinese scroll, from a private Canadian collection, is 72 feet long and was painted ca. 1698. It depicts a river voyage by the Emperor of China through his domain by barge in 689 A.D. It is painted using traditional Chinese painting techniques and multi-focus perspective. The second Chinese scroll, from the Metropolitan Museum of Art was painted in 1770 and shows the influence of western painting techniques including the same western one-point linear perspective that Canaletto uses in his painting of Venice. Hockney compares and contrasts the two different types of perspective, examines Chinese attitudes to time and space as they are seen in the scroll paintings and theorizes that how we see and depict space conditions how we behave in it."
- "David Hockney invites the viewer to join him on a magical journey down a 72-foot long legendary 17th-century Chinese scroll. As he unrolls the richly detailed painting, Hockney traces the Emperor Kangxi's grand tour of his southern domains."
- "Compares a Chinese scroll from 1698, The Kangsi emperor's inspection tour of the South, with a Chinese scroll from 1770 and a painting by Canaletto from 1763. Demonstrates the difference between the Eastern and Western illustration of time and space."
- "Artist David Hockney takes viewers on a journey of discovery as he discourses on a 72-ft. 17th century Chinese scroll comparing it with a Canaletto painting and a later Chinese scroll."
http://schema.org/name
- "A Day on the Grand Canal with the Emperor of China, or Surface is illusion but so is depth"
- "A day on the grand canal with the emperor of China surface is illusion but so is depth"
- "A day on the grand canal with the Emperor of China, or, Surface is illusion but so is depth a film"
- "A day on the Grand Canal with the emperor of China"@en
- "A Day on the Grand Canal with the emperor of China, or, Surface is illusion but so is depth"@en
- "A Day on the Grand Canal with the Emperor of China, or, Surface is illusion but so is depth"
- "A day on the grand canal with the Emperor of China or surface is illusion but so is depth"
- "A day on the Grand Canal with the emperor of China, or, Surface is illusion but so is depth a film"@en
- "A day on the Grand Canal with the Emperor of China"
- "A day on the Grand Canal with the Emperor of China"@en
- "A day on the Grand Canal with the emperor of China, or, Surface is illusion but so is depth"
- "A day on the Grand Canal with the emperor of China, or, Surface is illusion but so is depth"@en
- "A day on the Grand Canal with the Emperor of China, or, Surface is illusion but so is depth"
- "A Day on the Grand Canal with the emperor of China or, Surface is illusion but so is depth"@en
- "A Day on the Grand Canal with the Emperor of China"
- "A day on the Grand Canal with the Emperor of China or, Surface is illusion but so is depth"
- "A day on the Grand Canal with the Emperor of China or Surface is illusion but so is depth"
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