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@prefix discovery: .
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a schema:Topic ;
schema:name "Race in literature." .
a schema:Topic ;
schema:name "Noirs américains Statut juridique Histoire." .
a schema:Topic ;
schema:name "Ethnische Identität." .
a schema:Place ;
schema:name "USA." .
a schema:Topic ;
schema:name "African Americans Legal status, laws, etc. History." .
a schema:Book , schema:CreativeWork ;
schema:about , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ;
schema:creator ;
schema:description "\"In Legal Fictions, Karla FC Holloway both argues that U.S. racial identity is the creation of U.S. law and demonstrates how black authors of literary fiction have engaged with the law's constructions of race since the era of slavery. Exploring the resonance between U.S. literature and U.S. jurisprudence, Holloway reveals Toni Morrison's Beloved and Charles Johnson's Middle Passage as stories about personhood and property, David Bradley's The Chaneysville Incident and Ralph Ellison's Invisible Man as structured by evidence law, and Nella Larsen's Passing as intimately related to contract law.\"--Publisher description."@en , "La 4e de couverture indique : \"In Legal Fictions, Karla FC Holloway both argues that U.S. racial identity is the creation of U.S. law and demonstrates how black authors of literary fiction have engaged with the law's constructions of race since the era of slavery. Exploring the resonance between U.S. literature and U.S. jurisprudence, Holloway reveals Toni Morrison's Beloved and Charles Johnson's Middle Passage as stories about personhood and property, David Bradley's The Chaneysville Incident and Ralph Ellison's Invisible Man as structured by evidence law, and Nella Larsen's Passing as intimately related to contract law.\"" , "In Legal Fictions, Karla FC Holloway both argues that U.S. racial identity is the creation of U.S. law and demonstrates how black authors of literary fiction have engaged with the law's constructions of race since the era of slavery. Exploring the resonance between U.S. literature and U.S. jurisprudence, Holloway reveals Toni Morrison's Beloved and Charles Johnson's Middle Passage as stories about personhood and property, David Bradley's The Chaneysville Incident and Ralph Ellison's Invisible Man as structured by evidence law, and Nella Larsen's Passing as intimately related to contract law. H."@en ;
schema:genre "Electronic books"@en , "History" , "History"@en , "Criticism, interpretation, etc" , "Criticism, interpretation, etc"@en ;
schema:name "Legal fictions : constituting race, composing literature" , "Legal fictions : constituting race, composing literature"@en , "Legal fictions constituting race, composing literature" , "Legal Fictions Constituting Race, Composing Literature"@en ;
schema:workExample , , , , .
a schema:Topic ;
schema:name "Gesetzgebung." .
a schema:Place ;
schema:name "United States." .
a schema:Topic ;
schema:name "Schwarze." .
a schema:Topic ;
schema:name "Literatur." .
void:inDataset ;
schema:about .
a schema:Topic ;
schema:name "American literature African American authors History and criticism." .
a schema:Topic ;
schema:name "Race discrimination Law and legislation." .
a schema:Topic ;
schema:name "American literature African American authors." .
a schema:Topic ;
schema:name "Rassendiskriminierung." .
a schema:Event ;
schema:name "Geschichte 1800-2013." .
a schema:Topic ;
schema:name "Discrimination raciale Droit États-Unis Histoire." .
a schema:Topic ;
schema:name "Race Dans la littérature." .
a schema:Topic ;
schema:name "Race discrimination Law and legislation United States History." .
a schema:Topic ;
schema:name "Littérature américaine Auteurs noirs américains Thèmes, motifs." .
a schema:Topic ;
schema:name "African Americans Legal status, laws, etc." .