"historie" . . "Frankrijk." . . "beklædning" . . "Biografier" . . "1900 - 1999" . . "1900-1999" . . . "Dezainā." . . "デザイナー" . "haute couture Dior, Christian." . . "Metropolitan Museum of Art" . . "Moda França S. XX." . . "Biography"@en . "Biography" . . . . . . . . . "Tentoonstellingscatalogi (vorm)" . "Christian Dior : [exhibition], The Metropolitan Museum of Art, New York, [12.12.1996-23.03.1997]" . "History" . "History"@en . . . . . . . . . "Le 12 février 1947, Christian Dior entre dans la postérité en imposant une nouvelle silhouette : ce \"new look\" de l'après-guerre ressuscita l'art de vivre. Premier couturier à fonder l'industrie de luxe, son nom symbolise le goût et l'élégance propre à la culture française." . . . "Exhibition catalogs" . "Exhibition catalogs"@en . . . . . . . . . . "Christian Dior"@en . "Christian Dior" . . . . . . . . . "Dior"@ja . . . . . . . . "Christian Dior : [in conjunction with the exhibition \"Christian Dior\", held at the Metropolitian Museum of Art from December 12, 1996 through March 23, 1997]" . . . . . . . "Exposition" . . . . . "Dior's career came at the fulcrum of the twentieth century. He successfully combined the historicism of the late-nineteenth-century Belle Epoque with the aesthetic and technical innovations of his own time. In Dior's works, what outwardly seems sheer romance and poetry is strengthened by structural underpinnings that demonstrate deep knowledge of craft. And while each collection is individualized even by name, the overall work created during the eleven years Dior built his art can be seen as a unit of interwoven development. From the inception of The New Look on February 12, 1947, until the designer's death in 1957, Dior was the definitive force in fashion. In addition, his corpus was to become an overriding influence on subsequent fashion."@en . . "Dior's career came at the fulcrum of the twentieth century. He successfully combined the historicism of the late-nineteenth-century Belle Epoque with the aesthetic and technical innovations of his own time. In Dior's works, what outwardly seems sheer romance and poetry is strengthened by structural underpinnings that demonstrate deep knowledge of craft. And while each collection is individualized even by name, the overall work created during the eleven years Dior built his art can be seen as a unit of interwoven development. From the inception of The New Look on February 12, 1947, until the designer's death in 1957, Dior was the definitive force in fashion. In addition, his corpus was to become an overriding influence on subsequent fashion." . . . "Dior" . "Dior"@en . "Dior"@ja . . . . . . . . . . . . "Traces the rise to fame of Christian Dior and illustrates the development of the style and designs that were characteristic of his work." . . . . . . . . . . . . . . . . . . . . "Fukushoku." . . "服飾" . "Mode Création France." . . "Fasshon." . . "ファッション" . "Designer de mode." . . "Fashion Exhibitions History 20th century France." . . "Robe." . . "Moda." . . "Fotografia de moda." . . "modeskabere" . . "Modeontwerpers." . . "Metropolitan Museum of Art (New York, City)" . . "Couturiers (Créateurs de mode) France Biographies." . . "Exhibition \"Christian Dior\" (1996.12.12- 1997.03.23 New York)" . . . "Mode." . . "Fashion design Exhibitions History 20th century France." . . "Dissenyadors de moda França." . . "Mode Geschichte 20. Jh Ausstellungskatalog." . .