"Throughout the 20th century, exchanges between North America and Europe were vital to the development of musical life on both sides of the Atlantic, shifting from a postcolonial imbalance of cultural power at the opening of the century to an increasing sense of encounters between equals. There were productive exchanges of all sorts and in both directions, with ever-shifting dynamics over time. American musicians studied in Europe; European musicians visited the U.S. or were driven into exile there, orchestras and soloists crisscrossed the ocean to give concert tours; music festivals attracted an international clientele; and printed music, recordings, journalism, radio, and eventually the internet flowed freely within a transatlantic circuit. This volume, based on the papers presented at an international conference held at Harvard University and the University of Munich (2008/2009), explores how music and musicians - both Europeans and Americans - have moved across cultures, creating mutual benefit as well as occasional misunderstanding."
"Crosscurrents : American and European music in interaction, 1900-2000"@en
"Crosscurrents : American and European music in interaction, 1900-2000"
"Crosscurrents : american and European music in interaction, 1900-2000"@en
"Crosscurrents American and European music in interaction, 1900-2000"
"Crosscurrents : american and european music in interaction, 1900-2000"
"Crosscurrents : American and European music in interaction, 1900-2000 ; [based on the international conference "Crosscurrents: American and European music in interaction, 1900-2000", Harvard University, Cambridge, Massachussetts, USA, 30 October - 1 November 2008, Ludwig-Maximilians-Universität, Munich, Germany, 7-9 May 2009]"
"Crosscurrents. American and European music in interaction, 1900-2000"@en
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Crosscurrents: American and European music in interaction, 1900-2000 (07-05-2009 - 09-05-2009 : Munich)
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Crosscurrents, American and European music in interaction, 1900-2000 (2008 : Harvard University)
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Crosscurrents, American and European music in interaction, 1900-2000 (2009 : Universität München)
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Crosscurrents: American and European music in interaction, 1900-2000 (30-10-2008 - 01-11-2008 : Cambridge, MA)
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Music Europe 20th century History and criticism Congresses.
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Music United States 20th century History and criticism.
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Music United States 20th century History and criticism Congresses.
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Musique États-Unis 20e siècle Histoire et critique.
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