""A dozen sharp new stories by one of contemporary fiction's acknowledged masters"--"
""A. L. Kennedy's latest collection of stories is an investigation of "certain types of threat and the odder edges of sweet things"--another intense and luscious feast of language from the author of The Blue Book and Paradise. "I want to describe my genuine circumstances on the occasion in question, but I can't," confesses the narrator of "Baby Blue," who finds herself "somewhere like a very big grocers. a supermarket full of sex." Kennedy hilariously explores the comic possibilities of fake genitalia before landing on a heartbreaking note. In "Takes You Home," a man tries to sell his apartment, the emptiness of the rooms. It's a journey to the interior that is both harrowing and humorous, as he considers the benefit of showing off the old kitchen rather than renovating--it "only quietly asks to be replaced and will shrug when it's knocked to pieces and hauled away and not take it personally one bit." Swarming with memory and moments of grace, All the Rage is Kennedy at her inimitable best"--"
"A. L. Kennedy erzählt von Paaren, die sich nichts zu sagen haben - und damit nicht aufhören können. Die sich verachten, betrügen, verlassen. Die die Liebe suchen und im Sex versanden, oder umgekehrt. Die Autorin aus Schottland hat einen Blick für das Skurrile und Absurde der Liebe: Die Frau, die endlich ihren Freund verlassen hat und dann wie betäubt durch eine fremde Stadt irrt, bis sie hilflos in einem Sex-Shop landet. Die beiden, die sich völlig entfremdet haben, und nach dem Essen plötzlich einen Kuss geben, der umso leidenschaftlicher ist, da sie sich im Grunde gar nicht kennen. Kennedys Erzählungen sind schmerzhaft und zärtlich zugleich. Und wie in der Liebe selbst, will man immer mehr davon."
""A. L. Kennedy's latest collection of stories is an investigation of "certain types of threat and the odder edges of sweet things"--Another intense and luscious feast of language from the author of The Blue Book and Paradise. "I want to describe my genuine circumstances on the occasion in question, but I can't," confesses the narrator of "Baby Blue," who finds herself "somewhere like a very big grocers. a supermarket full of sex." Kennedy hilariously explores the comic possibilities of fake genitalia before landing on a heartbreaking note. In "Takes You Home," a man tries to sell his apartment, the emptiness of the rooms. It's a journey to the interior that is both harrowing and humorous, as he considers the benefit of showing off the old kitchen rather than renovating--it "only quietly asks to be replaced and will shrug when it's knocked to pieces and hauled away and not take it personally one bit." Swarming with memory and moments of grace, All the Rage is Kennedy at her inimitable best"--"
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