"Electronic books." . . "Electronic books" . "PERFORMING ARTS Reference." . . "Motion picture actors and actresses United States Biography." . . "Motion picture actors and actresses" . . "Motion picture actors and actresses." . . . "Maureen O'Hara : the biography"@en . "Maureen O'Hara : the biography" . . "Livres électroniques" . . . "From her first appearances on the stage and screen, Maureen O'Hara (b. 1920) commanded attention with her striking beauty, radiant red hair, and impassioned portrayals of spirited heroines. Whether she was being rescued from the gallows by Charles Laughton (The Hunchback of Notre Dame, 1939), falling in love with Walter Pidgeon against a coal-blackened sky (How Green Was My Valley, 1941), learning to believe in miracles with Natalie Wood (Miracle on 34th Street, 1947), or matching wits with John Wayne (The Quiet Man, 1952), she charmed audiences with her powerful presence and easy confidenc..." . "Electronic books"@en . . "Chronicles the life of the actress who rose to prominence just after films began being produced in color and was featured in such movies as \"Miracle on 34th Street,\" \"How Green Was My Valley,\" and \"The Quiet Man.\"" . "Biographie" . . . . "Maureen O'Hara the biography" . . . . . . "Online-Publikation" . . . . "From her first appearances on the stage and screen, Maureen O'Hara (b. 1920) commanded attention with her striking beauty, radiant red hair, and impassioned portrayals of spirited heroines. Whether she was being rescued from the gallows by Charles Laughton (The Hunchback of Notre Dame, 1939), falling in love with Walter Pidgeon against a coal-blackened sky (How Green Was My Valley, 1941), learning to believe in miracles with Natalie Wood (Miracle on 34th Street, 1947), or matching wits with John Wayne (The Quiet Man, 1952), she charmed audiences with her powerful presence and easy confidenc."@en . "Biography"@en . . . "Biography" . . "Maureen O'Hara The Biography" . . . . . "United States" . . "United States." . . . "PERFORMING ARTS Film & Video History & Criticism." . .