"Gothic fiction (Literary genre), English / History and criticism." . . "Gothic fiction (Literary genre), English History and criticism." . "Schrecken." . . . . "Englisch." . . "Littérature anglaise 18e siècle Histoire et critique." . . "Gewalt." . . "LITERARY CRITICISM European English, Irish, Scottish, Welsh." . . "Gothic fiction (Literary genre), English." . . "Fear in literature." . . "Other (Philosophy) in literature." . . "France" . . "1700 - 1799" . . "Terrorismus (Motiv)" . . "Angst." . . "LITERARY CRITICISM / General." . . "LITERARY CRITICISM / General" . "English literature 18th century History and criticism." . . "English fiction / 18th century / Themes, motives." . . "English fiction 18th century Themes, motives." . "English literature." . . "Gothic novel." . . "Terror in literature." . . . . . . . . . . . . . . . . . . . . . . "Criticism, interpretation, etc" . "Criticism, interpretation, etc"@en . . . . . . . . "Gothic fiction and the invention of terrorism : the politics and aesthetics of fear in the age of the reign of terror" . "Gothic fiction and the invention of terrorism : the politics and aesthetics of fear in the age of the reign of terror"@en . . . . . "\"This book examines the connections between the growth of'terror fiction' - the genre now known as 'Gothic' - in the late eighteenth century, and the simultaneous appearance of the conceptual origins of'terrorism' as a category of political action. In the 1790s, Crawford argues, four inter-connected bodies of writing arose in Britain: the historical mythology of the French Revolution, the political rhetoric of 'terrorism', the genre ofpolitical conspiracy theory, and the literary genre of Gothic fiction, known atthe time as 'terrorist novel writing'. All four bodies of writing drew heavily upon one another, in order to articulate their shared sense of the radical and monstrous otherness of the extremes of human evil, a sense which was quite newto the eighteenth century, but has remained central to the ways in which wehave thought and written about evil and violence ever since\"--" . "\"This book examines the connections between the growth of'terror fiction' - the genre now known as 'Gothic' - in the late eighteenth century, and the simultaneous appearance of the conceptual origins of'terrorism' as a category of political action. In the 1790s, Crawford argues, four inter-connected bodies of writing arose in Britain: the historical mythology of the French Revolution, the political rhetoric of 'terrorism', the genre ofpolitical conspiracy theory, and the literary genre of Gothic fiction, known atthe time as 'terrorist novel writing'. All four bodies of writing drew heavily upon one another, in order to articulate their shared sense of the radical and monstrous otherness of the extremes of human evil, a sense which was quite newto the eighteenth century, but has remained central to the ways in which wehave thought and written about evil and violence ever since\"--"@en . . "\"This book examines the connections between the growth of 'terror fiction' - the genre now known as 'Gothic' - in the late eighteenth century, and the simultaneous appearance of the conceptual origins of 'terrorism' as a category of political action. In the 1790s, Crawford argues, four inter-connected bodies of writing arose in Britain: the historical mythology of the French Revolution, the political rhetoric of 'terrorism', the genre of political conspiracy theory, and the literary genre of Gothic fiction, known at the time as 'terrorist novel writing'. All four bodies of writing drew heavily upon one another, in order to articulate their shared sense of the radical and monstrous otherness of the extremes of human evil, a sense which was quite new to the eighteenth century, but has remained central to the ways in which we have thought and written about evil and violence ever since\"--"@en . "\"This book examines the connections between the growth of 'terror fiction' - the genre now known as 'Gothic' - in the late eighteenth century, and the simultaneous appearance of the conceptual origins of 'terrorism' as a category of political action. In the 1790s, Crawford argues, four inter-connected bodies of writing arose in Britain: the historical mythology of the French Revolution, the political rhetoric of 'terrorism', the genre of political conspiracy theory, and the literary genre of Gothic fiction, known at the time as 'terrorist novel writing'. All four bodies of writing drew heavily upon one another, in order to articulate their shared sense of the radical and monstrous otherness of the extremes of human evil, a sense which was quite new to the eighteenth century, but has remained central to the ways in which we have thought and written about evil and violence ever since\"--" . "Gothic fiction and the invention of terrorism the politics and aesthetics of fear in the age of the reign of terror" . . . . . . . . . . . "Electronic books"@en . "Electronic books" . . "Terrorism in literature." . . "English literature History and criticism 18th century." . .