"Architecture Europe Histoire." . . "Architecture / Europe / Histoire." . "Europa" . . "Bouwkunst." . . "Architekturtheorie." . . "Architecture Philosophie Histoire et critique." . . "Definiëring." . . "Four historical definitions of architecture" . "Four historical definitions of architecture"@en . . . . . . . . . "Geschiedenis (vorm)" . . . . . . . . . . . . . . . . . . . . . . . . . "Where does architecture belong in the larger scheme of things? Is it a liberal art? Is it related to painting, music, medicine, or horse training? Is it timeless, or does it have a beginning? To pursue such questions, Stephen Parcell investigates four historical definitions of Western architecture: as a techné in ancient Greece, a mechanical art in medieval Europe, an art of disegno in Renaissance Italy, and a fine art in eighteenth-century Europe. These definitions situated architecture within larger classifications of knowledge, establishing alliances between architecture and other disciplines. They also influenced elements of architectural practice that we now associate with three characters (designer, builder, and dweller) and three things (material, drawing, and building). Guided by current architectural questions, Parcell examines writings in these historical periods and focuses on practical implications of texts by Hugh of St Victor, Leon Battista Alberti, and Etienne-Louis Boullée. Four Historical Definitions of Architecture shows how the concept of architecture and elements of architectural practice have evolved over time. Even the word \"architecture\" has ambiguous roots." . . . . . . . . . . . "\"The dissertation examines four historical definitions of Western architecture: architecture as a techne in ancient Greece, as a mechanical art in the Middle Ages, as an art of disegno in Renaissance Italy, and as a fine art in the eighteenth century. These definitions situated architecture within larger classifications of knowledge. They established alliances between architecture and other disciplines. They also influenced elements of architectural practice: what we would associate conventionally with the designer, builder, dweller, material, drawing, and building. The dissertation reviews writings in each historical period and focuses on the practical implications of several texts: Hugh of St. Victor, Didascalicon; Leon Battista Alberti, De re aedificatoria, Book 1; and Etienne-Louis Boullee, Essai sur l'art. As a series, the four historical definitions show how the concept of architecture and the elements of architectural practice have been open to change. Even the word \"architecture\" has ambiguous roots.\" --"@en . . . . . "Electronic books"@en . . "History" . "History"@en . "Geschichte." . . "Architettura Filosofia." . . "Architecture Philosophie." . . "Architecture / Philosophie." . . . "ARCHITECTURE / History / General" . . "ARCHITECTURE / Urban & Land Use Planning" . . "1700 - 1799" . .