Anti-entropy as it applies to art - think of it as a sort of explosion in reverse - results, ultimately, in the annihilation of creativity because each step toward the completion of a project rules out more and more of the random possibilities of what that project otherwise might have been. "The infinite becomes finite," says Kentridge in this lecture, as he seeks an answer to the question "Can we avoid the end of all potentiality?" A partial performance of his work The Refusal of Time offers signs of hope.
"Anti-entropy as it applies to art - think of it as a sort of explosion in reverse - results, ultimately, in the annihilation of creativity because each step toward the completion of a project rules out more and more of the random possibilities of what that project otherwise might have been. "The infinite becomes finite," says Kentridge in this lecture, as he seeks an answer to the question "Can we avoid the end of all potentiality?" A partial performance of his work The Refusal of Time offers signs of hope."@en
"Anti-entropy as it applies to art - think of it as a sort of explosion in reverse - results, ultimately, in the annihilation of creativity because each step toward the completion of a project rules out more and more of the random possibilities of what that project otherwise might have been. "The infinite becomes finite," says Kentridge in this lecture, as he seeks an answer to the question "Can we avoid the end of all potentiality?" A partial performance of his work The Refusal of Time offers signs of hope."
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