Following his magisterial To the End of the Land, the universally acclaimed Israeli author brings us an incandescent fable of parental grief''concise, elemental, a powerfully distilled experience of understanding and acceptance, and of art's triumph over death. In Falling Out of Time, David Grossman has created a genre-defying drama''part play, part prose, pure poetry''to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son. The man''called simply Walking Man''paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net-Mender, the Midwife, the Elderly Math Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory' Is it possible, even for a fleeting moment, to call to the dead and free them from their death' Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death's hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossman's storytelling''a realm where loss is not merely an absence but a life force of its own. From the Hardcover edition.
"Following his magisterial To the End of the Land, the universally acclaimed Israeli author brings us an incandescent fable of parental grief''concise, elemental, a powerfully distilled experience of understanding and acceptance, and of art's triumph over death. In Falling Out of Time, David Grossman has created a genre-defying drama''part play, part prose, pure poetry''to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son. The man''called simply Walking Man''paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net-Mender, the Midwife, the Elderly Math Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory' Is it possible, even for a fleeting moment, to call to the dead and free them from their death' Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death's hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossman's storytelling''a realm where loss is not merely an absence but a life force of its own. From the Hardcover edition."@en
"Announcing I have to go, a grief-stricken Israeli villager takes leave of his bewildered wife, embarking on a journey to there -- an impossibly undefined place where he hopes to find and to speak with his dead son. As he sets out walking, in ever-widening circles around his village, the Walking Man becomes a Pied Piper of Bereavement."@en
"Announcing I have to go, a grief-stricken Israeli villager takes leave of his bewildered wife, embarking on a journey to there -- an impossibly undefined place where he hopes to find and to speak with his dead son. As he sets out walking, in ever-widening circles around his village, the Walking Man becomes a Pied Piper of Bereavement."
"In this book, the Israeli author has created a genre-defying drama, part play, part prose, pure poetry, to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village in Israel, where a man announces to his wife that he is leaving, embarking on a journey in to an undefined place where he hopes to find and to speak to their dead son. The man, called simply Walking Man, paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net-Mender, the Midwife, the Elderly Math Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? The answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death's hermetic separateness."
"In 'Falling Out of Time', David Grossman has created a genre-defying story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son. The man - called simply the 'Walking Man' - paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the net mender, the midwife, the elderly maths teacher and even the duke), each enduring his or her own loss."@en
"David Grossman, a writer whose exceptional humanity, grace, and sheer brilliance as a storyteller have earned him acclaim around the world, has created an inspiring, compassionate, and genre-defying drama -- part play, part prose, and a fable of pure poetry -- to tell the story of bereaved parents setting out to reach their beloved lost children."@en
"In Falling Out of Time, David Grossman has created a genre-defying drama, part play, part prose, pure poetry - to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son. The man, called simply Walking Man, paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net-Mender, the Midwife, the Elderly Math Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death's hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossman's storytelling, a realm where loss is not merely an absence but a life force of its own."
"Following his magisterial To the End of the Land, the universally acclaimed Israeli author brings us an incandescent fable of parental grief--concise, elemental, a powerfully distilled experience of understanding and acceptance, and of art's triumph over death. In Falling Out of Time, David Grossman has created a genre-defying drama--part play, part prose, pure poetry--to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son. The man--called simply Walking Man--paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net-Mender, the Midwife, the Elderly Math Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death's hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossman's storytelling--a realm where loss is not merely an absence but a life force of its own. From the Hardcover edition."
"Following his magisterial To the End of the Land, the universally acclaimed Israeli author brings us an incandescent fable of parental grief--concise, elemental, a powerfully distilled experience of understanding and acceptance, and of art's triumph over death. In Falling Out of Time, David Grossman has created a genre-defying drama--part play, part prose, pure poetry--to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son. The man--called simply Walking Man--paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net-Mender, the Midwife, the Elderly Math Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death's hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossman's storytelling--a realm where loss is not merely an absence but a life force of its own. From the Hardcover edition."@en
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