Upon his death, Peter Whiffle requests that Carl write the story of his life even though Peter himself considered writing as "constant definition, although it is apparent as anything can be that life, nature, art, whatever one writes about, are fluid and mutable things." Ultimately, Carl settles on writing "a sort of loose biographical form, a free fantasia in the manner of a Liszt Rhapsody."--Preface, p.3, 8.
"Upon his death, Peter Whiffle requests that Carl write the story of his life even though Peter himself considered writing as "constant definition, although it is apparent as anything can be that life, nature, art, whatever one writes about, are fluid and mutable things." Ultimately, Carl settles on writing "a sort of losoe biographical form, a free fantasia in the manner of a Liszt Rhapsody."--Preface, p.3, 8."
"Upon his death, Peter Whiffle requests that Carl write the story of his life even though Peter himself considered writing as "constant definition, although it is apparent as anything can be that life, nature, art, whatever one writes about, are fluid and mutable things." Ultimately, Carl settles on writing "a sort of loose biographical form, a free fantasia in the manner of a Liszt Rhapsody."--Preface, p.3, 8."@en
"This 1922 novel is an early example of a modern metafiction. Based on Van Vechten's own experiences in Paris, and featuring himself as first-person narrator, as well as many of his friends and acquaintances as characters, the novel revolves around an entirely fictional personage, the eponymous Peter Whiffle, a would-be writer."
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Bookbinding United States History 20th century Specimens.
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Publishers' paper bindings (Binding) United States 1922.
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