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<http://experiment.worldcat.org/entity/work/data/16047245.nt> <http://schema.org/about> <http://worldcat.org/entity/work/id/16047245> .
<http://worldcat.org/entity/work/id/16047245> <http://schema.org/about> <http://worldcat.org/entity/person/id/2632267748> .
<http://worldcat.org/entity/work/id/16047245> <http://schema.org/workExample> <http://www.worldcat.org/oclc/55480841> .
<http://worldcat.org/entity/work/id/16047245> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://www.productontology.org/id/Thesis> .
<http://worldcat.org/entity/work/id/16047245> <http://schema.org/about> <http://worldcat.org/entity/person/id/2634469361> .
<http://worldcat.org/entity/work/id/16047245> <http://schema.org/name> "An analysis of selected plays of Edward Albee, Jack Gelber, and Arthur L. Kopit in the light of Martin Esslin's study of The theatre of the absurd"@en .
<http://worldcat.org/entity/work/id/16047245> <http://schema.org/about> <http://worldcat.org/entity/person/id/2634527650> .
<http://worldcat.org/entity/work/id/16047245> <http://schema.org/about> <http://worldcat.org/entity/person/id/2634121451> .
<http://worldcat.org/entity/work/id/16047245> <http://schema.org/creator> <http://worldcat.org/entity/person/id/2681427634> .
<http://worldcat.org/entity/work/id/16047245> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://schema.org/CreativeWork> .
<http://worldcat.org/entity/work/id/16047245> <http://schema.org/about> <http://worldcat.org/entity/person/id/2644851444> .