Study of the British playwright, Howard Barker which arose from Lamb's idea that current performance theories and production techniques do not work with Barker's plays. Lamb sets Barker's work against those ideas expounded by Edward Bond and the world of deconstruction and postmodern thought. Nine of Barker's drawings are also reproduced.
"Study of the British playwright, Howard Barker which arose from Lamb's idea that current performance theories and production techniques do not work with Barker's plays. Lamb sets Barker's work against those ideas expounded by Edward Bond and the world of deconstruction and postmodern thought. Nine of Barker's drawings are also reproduced."@en
"This work presents a study of British playwright Howard Barker. The author begins by comparing Barker to Edward Bond with the aim of revealing what he perceives as being their diametrically opposed concepts about the function of drama. This book also looks at Barker against the world of deconstructive and postmodern thought, which leads to the author's "Theory of Seduction", in which Barker's plays are considered from an angle derived from Baudrillard's ideas about seduction."
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