Linked Data Explorerhttp://worldcat.org/entity/work/id/17155937
Drawing the line which everything comes from
This program explains the importance of drawing to different artistic disciplines as it addresses ongoing debates surrounding the representation of space. Drawing tools and materials are presented, and special attention is given to the application of geometry, the principal science of image construction. Classical and Renaissance theories of perspective are considered, as is the progressive disintegration of these theories by artists of the 19th and 20th centuries.
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http://schema.org/about
- http://experiment.worldcat.org/entity/work/data/17155937#Topic/peinture_technique
- http://id.worldcat.org/fast/897757
- http://id.loc.gov/authorities/subjects/sh85039408
- http://id.loc.gov/authorities/subjects/sh2010104858
- http://id.loc.gov/authorities/subjects/sh85100171
- http://experiment.worldcat.org/entity/work/data/17155937#Topic/dessin_technique
- http://experiment.worldcat.org/entity/work/data/17155937#Topic/perspective
- http://id.worldcat.org/fast/897725
- http://id.worldcat.org/fast/1050624
- http://id.loc.gov/authorities/subjects/sh85039423
- http://experiment.worldcat.org/entity/work/data/17155937#Topic/drawing
- http://id.loc.gov/authorities/subjects/sh85096675
- http://id.loc.gov/authorities/subjects/sh2009123802
- http://id.worldcat.org/fast/1058877
http://schema.org/contributor
- http://experiment.worldcat.org/entity/work/data/17155937#Organization/films_for_the_humanities_&_sciences_firme
- http://id.loc.gov/authorities/names/no2006086058
- http://worldcat.org/entity/person/id/2638105786
- http://experiment.worldcat.org/entity/work/data/17155937#Organization/france_5
- http://id.loc.gov/authorities/names/no2005057562
- http://experiment.worldcat.org/entity/work/data/17155937#Organization/centre_national_de_la_cinematographie_france
- http://viaf.org/viaf/154341629
- http://experiment.worldcat.org/entity/work/data/17155937#Organization/films_for_the_humanities_&_sciences_firm
- http://viaf.org/viaf/124420454
- http://viaf.org/viaf/149284014
- http://experiment.worldcat.org/entity/work/data/17155937#Organization/musee_du_louvre
- http://id.loc.gov/authorities/names/no2011014312
- http://viaf.org/viaf/312732035
- http://viaf.org/viaf/123359842
- http://experiment.worldcat.org/entity/work/data/17155937#Organization/palette_production
- http://worldcat.org/entity/person/id/2641217567
- http://id.loc.gov/authorities/names/n81052587
- http://worldcat.org/entity/person/id/2735636469
- http://id.loc.gov/authorities/names/n86111247
- http://experiment.worldcat.org/entity/work/data/17155937#Organization/shopware_firme
- http://viaf.org/viaf/165358187
- http://experiment.worldcat.org/entity/work/data/17155937#Organization/cambridge_educational_firme
- http://experiment.worldcat.org/entity/work/data/17155937#Organization/cnrs_images_media_femis_cict
- http://experiment.worldcat.org/entity/work/data/17155937#Organization/films_for_the_humanities_firm
http://schema.org/description
- "This program concentrates on the importance of drawing to the different artistic disciplines as it addresses ongoing debates surrounding the representation of space. Drawing tools and materials are presented, and special attention is given to the application of geometry, the principal science of image construction. Classical and Renaissance theories of perspective are considered, as is the progressive disintegration of these theories by artists of the 19th and 20th centuries."
- "This program explains the importance of drawing to different artistic disciplines as it addresses ongoing debates surrounding the representation of space. Drawing tools and materials are presented, and special attention is given to the application of geometry, the principal science of image construction. Classical and Renaissance theories of perspective are considered, as is the progressive disintegration of these theories by artists of the 19th and 20th centuries."
- "This program explains the importance of drawing to different artistic disciplines as it addresses ongoing debates surrounding the representation of space. Drawing tools and materials are presented, and special attention is given to the application of geometry, the principal science of image construction. Classical and Renaissance theories of perspective are considered, as is the progressive disintegration of these theories by artists of the 19th and 20th centuries."@en
- "Examines the history of drawing, including Classical and Renaissance theories of perspective and their progressive disintegration during the 19th and 20th centuries. Also presents the relationship of drawing to various disciplines, drawing tools, the application of geometry, and the ongoing debates surrounding the representation of space."@en