Building the operatic museum : eighteenth-century opera in fin-de-siècle Paris
Focusing on the operas of Mozart, Gluck, and Rameau, this book examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works became central exhibits in what William Gibbons calls the Operatic Museum-a simultaneously physical and conceptual space in which great masterworks from the past could entertain audiences while educating them in their own history and national identity. 'Building the Operatic Museum' explores how this seemingly simple idea represented a fundamental shift in how French audiences, critics, and compo.
"Focusing on the operas of Mozart, Gluck, and Rameau, this book examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works became central exhibits in what William Gibbons calls the Operatic Museum-a simultaneously physical and conceptual space in which great masterworks from the past could entertain audiences while educating them in their own history and national identity. 'Building the Operatic Museum' explores how this seemingly simple idea represented a fundamental shift in how French audiences, critics, and compo."@en
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Gluck, Christoph Willibald Ritter von 1714-1787 Criticism and interpretation.
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Mozart, Wolfgang Amadeus 1756-1791 Criticism and interpretation.
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Opéra Production et mise en scène France Paris (France) 1870-1914.
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Rameau, Jean-Philippe 1683-1764 Criticism and interpretation.
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