"Literatura angielska 17 w. historia i krytyka." . . "Gesellschaft." . . "Literatura angielska 16 w. historia i krytyka." . . "England." . . "Renesans Wielka Brytania Anglia." . . "Criticism." . . "1500 - 1700" . . "Criticism, interpretation, etc" . "Criticism, interpretation, etc"@en . . . . . . "Reading Class Through Shakespeare, Donne, and Milton"@en . . . . . "Through detailed readings of six canonical Renaissance works, this book shows the unique ability of literary criticism to describe class."@en . . "\"Why study Renaissance literature? Reading Class through Shakespeare, Donne, and Milton examines six canonical Renaissance works to show that reading literature also means reading class. Warley demonstrates that careful reading offers the best way to understand social relations and in doing so he offers a detailed historical argument about what class means in the seventeenth century. Drawing on a wide range of critics, from Erich Auerbach to Jacques Rancière, from Cleanth Brooks to Theodor Adorno, from Raymond Williams to Jacques Derrida, the book implicitly defends literary criticism. It reaffirms six Renaissance poems and plays, including poems by Donne, Shakespeare's Hamlet, and Milton's Paradise Lost, as the sophisticated and moving works of art that generations of readers have loved. These accessible interpretations also offer exciting new directions for the roles of art and criticism in the contemporary, post-industrial world\"--" . "\"Why study Renaissance literature? Reading Class through Shakespeare, Donne, and Milton examines six canonical Renaissance works to show that reading literature also means reading class. Warley demonstrates that careful reading offers the best way to understand social relations and in doing so he offers a detailed historical argument about what class means in the seventeenth century. Drawing on a wide range of critics, from Erich Auerbach to Jacques Rancière, from Cleanth Brooks to Theodor Adorno, from Raymond Williams to Jacques Derrida, the book implicitly defends literary criticism. It reaffirms six Renaissance poems and plays, including poems by Donne, Shakespeare's Hamlet, and Milton's Paradise Lost, as the sophisticated and moving works of art that generations of readers have loved. These accessible interpretations also offer exciting new directions for the roles of art and criticism in the contemporary, post-industrial world\"--"@en . . . . . . . . . . "Reading Class through Shakespeare"@en . . . . . . . . . "Electronic books"@en . . . . . . . . . . . . . "History"@en . "History" . . "Reading class through Shakespeare, Donne, and Milton"@en . "Reading class through Shakespeare, Donne, and Milton" . . . . . . . "Reading Class through Shakespeare, Donne, and Milton"@en . . . . . . "Literature and society." . . "Soziale Klasse (Motiv)" . . "Renaissance." . . "Social classes in literature." . . "Literature and society England History 17th century." . . . . "LITERARY CRITICISM European English, Irish, Scottish, Welsh." . . "LITERARY CRITICISM / European / English, Irish, Scottish, Welsh." . "Literatur." . . "England (Motiv)" . . "English literature Early modern." . . "Soziale Klasse." . . "Englisch." . . "Renaissance England." . . "Cambridge University Press." . . "Lyrik." . . "English literature Early modern, 1500-1700 History and criticism." . . "English literature / Early modern, 1500-1700 / History and criticism." . "Klasy społeczne w literaturze." . .