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http://worldcat.org/entity/work/id/1782133647

I hate to leave this beautiful place

"The events of a single episode of Howard Norman's superb memoir are both on the edge of chaos and gathered superbly into coherent meaning . . . A wise, riskily written, beautiful book." ' Michael Ondaatje Howard Norman's spellbinding memoir begins with a portrait, both harrowing and hilarious, of a Midwest boyhood summer working in a bookmobile, in the shadow of a grifter father and under the erotic tutelage of his brother's girlfriend. His life story continues in places as far-flung as the Arctic, where he spends part of a decade as a translator of Inuit tales'including the story of a soapstone carver turned into a goose whose migration-time lament is "I hate to leave this beautiful place"'and in his beloved Point Reyes, California, as a student of birds. Years later, in Washington, D.C., an act of deeply felt violence occurs in the form of a murder-suicide when Norman and his wife loan their home to a poet and her young son. In Norman's hands, life's arresting strangeness is made into a profound, creative, and redemptive story. "Uses the tight focus of geography to describe five unsettling periods of his life, each separated by time and subtle shifts in his narrative voice . . . The originality of his telling here is as surprising as ever." ' Washington Post "These stories almost seem like tall tales themselves, but Norman renders them with a journalistic attention to detail. Amidst these bizarre experiences, he finds solace through the places he's lived and their quirky inhabitants, human and avian." ' The New Yorker.

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http://schema.org/description

  • ""The events of a single episode of Howard Norman's superb memoir are both on the edge of chaos and gathered superbly into coherent meaning . . . A wise, riskily written, beautiful book." ' Michael Ondaatje Howard Norman's spellbinding memoir begins with a portrait, both harrowing and hilarious, of a Midwest boyhood summer working in a bookmobile, in the shadow of a grifter father and under the erotic tutelage of his brother's girlfriend. His life story continues in places as far-flung as the Arctic, where he spends part of a decade as a translator of Inuit tales'including the story of a soapstone carver turned into a goose whose migration-time lament is "I hate to leave this beautiful place"'and in his beloved Point Reyes, California, as a student of birds. Years later, in Washington, D.C., an act of deeply felt violence occurs in the form of a murder-suicide when Norman and his wife loan their home to a poet and her young son. In Norman's hands, life's arresting strangeness is made into a profound, creative, and redemptive story. "Uses the tight focus of geography to describe five unsettling periods of his life, each separated by time and subtle shifts in his narrative voice . . . The originality of his telling here is as surprising as ever." ' Washington Post "These stories almost seem like tall tales themselves, but Norman renders them with a journalistic attention to detail. Amidst these bizarre experiences, he finds solace through the places he's lived and their quirky inhabitants, human and avian." ' The New Yorker."@en
  • "A memoir details the haunting and redemptive events of the author's life, covering such topics as his con-man father's betrayal, the murder-suicide of a houseguest, and his decade spent in the Arctic as a translator of Inuit tales."

http://schema.org/genre

  • "Anecdotes"
  • "Herinneringen (vorm)"
  • "Electronic books"
  • "Electronic books"@en
  • "Biography"
  • "Biography"@en

http://schema.org/name

  • "I hate to leave this beautiful place"
  • "I hate to leave this beautiful place"@en
  • "I hate to leave this beautiful place : a memoir"@en
  • "I Hate to Leave This Beautiful Place"@en