Jewish pasts, German fictions : history, memory, and minority culture in Germany, 1824-1955
"Jewish Pasts, German Fictions is a pioneering account of how German-Jewish writers used images from the Spanish-Jewish past to define their place in German culture and society. Jonathan Skolnik argues that Jewish historical fiction was a form of cultural memory that functioned as a parallel to the modern, demythologizing project of secular Jewish history writing. What did it mean for a minority to imagine its history in the majority language? Skolnik makes the case that the answer lies in the creation of a German-Jewish minority culture in which historical fiction played a central role. After Hitler's rise to power in 1933, Jewish writers and artists employed images from the Sephardic past to grapple with the nature of fascism, the predicament of exile, and the destruction of European Jewry in the Holocaust. He goes on to show that this past not only helped Jews to make sense of the nonsense, but also served as a window into the hopes for integration and fears about assimilation that preoccupied German-Jewish writers throughout most of the nineteenth century. Ultimately, Skolnik positions the Jewish embrace of German culture not as an act of assimilation but a reinvention of Jewish identity and historical memory."--Page 4 of cover.
""Jewish Pasts, German Fictions is a pioneering account of how German-Jewish writers used images from the Spanish-Jewish past to define their place in German culture and society. Jonathan Skolnik argues that Jewish historical fiction was a form of cultural memory that functioned as a parallel to the modern, demythologizing project of secular Jewish history writing. What did it mean for a minority to imagine its history in the majority language? Skolnik makes the case that the answer lies in the creation of a German-Jewish minority culture in which historical fiction played a central role. After Hitler's rise to power in 1933, Jewish writers and artists employed images from the Sephardic past to grapple with the nature of fascism, the predicament of exile, and the destruction of European Jewry in the Holocaust. He goes on to show that this past not only helped Jews to make sense of the nonsense, but also served as a window into the hopes for integration and fears about assimilation that preoccupied German-Jewish writers throughout most of the nineteenth century. Ultimately, Skolnik positions the Jewish embrace of German culture not as an act of assimilation but a reinvention of Jewish identity and historical memory."-- Quatrième de couverture."
"Jewish Pasts, German Fictions is the first comprehensive study of how German-Jewish writers used images from the Spanish-Jewish past to define their place in German culture and society. Jonathan Skolnik argues that Jewish historical fiction was a form of cultural memory that functioned as a parallel to the modern, demythologizing project of secular Jewish history writing. What did it imply for a minority to imagine its history in the majority language? Skolnik makes the case that the answer lies in the creation of a German-Jewish minority culture in which historical fiction."
""Jewish Pasts, German Fictions is a pioneering account of how German-Jewish writers used images from the Spanish-Jewish past to define their place in German culture and society. Jonathan Skolnik argues that Jewish historical fiction was a form of cultural memory that functioned as a parallel to the modern, demythologizing project of secular Jewish history writing. What did it mean for a minority to imagine its history in the majority language? Skolnik makes the case that the answer lies in the creation of a German-Jewish minority culture in which historical fiction played a central role. After Hitler's rise to power in 1933, Jewish writers and artists employed images from the Sephardic past to grapple with the nature of fascism, the predicament of exile, and the destruction of European Jewry in the Holocaust. He goes on to show that this past not only helped Jews to make sense of the nonsense, but also served as a window into the hopes for integration and fears about assimilation that preoccupied German-Jewish writers throughout most of the nineteenth century. Ultimately, Skolnik positions the Jewish embrace of German culture not as an act of assimilation but a reinvention of Jewish identity and historical memory."--Page 4 of cover."@en
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German fiction 19th century History and criticism.
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German fiction 20th century History and criticism.
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German fiction History and criticism 19th century.
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German fiction History and criticism 20th century.
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Jewish historical fiction, German History and criticism.
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Littérature allemande 19e siècle Histoire et critique.
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Littérature allemande 20e siècle Histoire et critique.
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