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Temporal process, repetition, and voice in Bjork's "Medúlla"
Björk Guðmundsdóttir's 2004 album, Medúlla, is remarkable: it originates primarily from human voices, follows her long-standing tradition of collaborative work, and responds to particular events of the three years preceding the album's release. Musically, Medúlla invites an inquiry into the nature of musical events in time, repetition and return, strategic change over the course of entire songs, music-text relations, and vocality.
- "Björk Guðmundsdóttir's 2004 album, Medúlla, is remarkable: it originates primarily from human voices, follows her long-standing tradition of collaborative work, and responds to particular events of the three years preceding the album's release. Musically, Medúlla invites an inquiry into the nature of musical events in time, repetition and return, strategic change over the course of entire songs, music-text relations, and vocality."@en
- "Criticism, interpretation, etc"@en
- "Temporal process, repetition, and voice in Bjork's "Medúlla""@en