WorldCat Linked Data Explorer

Turtle N-Triple JSON-LD RDF/XML HTML Contact Us Home

http://worldcat.org/entity/work/id/1817193168

Interview with Glen Tetley

Cassette 2 (25 min.). Mr. Tetley discusses his first ballet Pierrot Lunaire and Graham's reaction to it; Graham's support of his work; Ted Shawn's disapproval of his work; Shawn's jealousy of Graham's talent; leaving Graham for American Ballet Theatre; Graham phoning him late at night trying to convince him to rejoin her company; Ron Protas inheriting the Graham repertory; Graham's attraction to the jet set; Mary Hinkson; Graham's personality today. (Side 2 blank).

Open All Close All

type

about

http://schema.org/about

contributor

creator

description

http://schema.org/description

  • "Cassette 2 (25 min.). Mr. Tetley discusses his first ballet Pierrot Lunaire and Graham's reaction to it; Graham's support of his work; Ted Shawn's disapproval of his work; Shawn's jealousy of Graham's talent; leaving Graham for American Ballet Theatre; Graham phoning him late at night trying to convince him to rejoin her company; Ron Protas inheriting the Graham repertory; Graham's attraction to the jet set; Mary Hinkson; Graham's personality today. (Side 2 blank)."@en
  • "Cassette 1 (60 min.). Side 1. Mr. Tetley discusses the competitive nature of Graham's dancers; Graham's impeccable appearance; being intimidated by Graham when a young student; joining On the town on Broadway in 1945 and thereafter getting dance training; studying modern dance with Hanya Holm; taking his first Graham class in 1947; Graham's friction with Holm and all modern dance companies; being offered a place in Graham's company but staying with Holm; difficulty of Graham technique for men; classical dancers who studied with Holm for body placement; the Out of this world incident; Graham's theatricality and symbolism; Graham's Herodiade; Merce Cunningham's departure; Frederick Ashton's choreography; Graham's sense of humor; Craig Barton's relationship with Graham -- Side 2 Graham's violent temper; Erick Hawkins; joining Robert Joffrey's company; joining Graham's company in 1957; Graham helping him to recover from a knee injury; spiritual quality of Graham's classes; Paul Taylor's comments on Graham's speeches; Ruth St. Denis' influence on Graham; working on Graham's Embattled garden; Graham's comments on growing old; Graham's anger at critics remarking that she should stop dancing; Pauline Koner's offer to take over Graham's roles; Koner's split from José Limón; Tetley's relationship with Graham."@en
  • "Glen Tetley discusses the formation of Nederlands Dans Theater; working as a guest choreographer with NDT; his own company."

name

http://schema.org/name

  • "Interview with Glen Tetley"@en
  • "Interview with Glen Tetley"

workExample