1. "Schoenberg the romantic", an introduction to Schoenberg's music -- 2. "A last look at the nineteenth century" focusses on Schoenberg's Gurrelieder -- 3." Master and pupils" discusses Schoenberg's move toward atonality and expressionism -- 4. "Expressionism I"--5. "Expressionism II"--6. "The twelve-tone method" -- 7. "Schoenberg the man I" deals with Schoenberg's reception -- 8. "Schoenberg the man II" deals with Schoenberg's religious life and influences -- 9. "Moses und Aron" exposes Schoenberg's opera of the same name -- 10. "Schoenberg in America" traces Schoenberg's emigration and work after 1933 -- 11. "Webern and the future, Schoenberg and the past" -- 12. "More an influence than a closed circle" looks at Schoenberg's influence prior to 1951 -- 13. "The reactionary radical" looks at Schoenberg's influence since 1951.
"1. "Schoenberg the romantic", an introduction to Schoenberg's music -- 2. "A last look at the nineteenth century" focusses on Schoenberg's Gurrelieder -- 3." Master and pupils" discusses Schoenberg's move toward atonality and expressionism -- 4. "Expressionism I"--5. "Expressionism II"--6. "The twelve-tone method" -- 7. "Schoenberg the man I" deals with Schoenberg's reception -- 8. "Schoenberg the man II" deals with Schoenberg's religious life and influences -- 9. "Moses und Aron" exposes Schoenberg's opera of the same name -- 10. "Schoenberg in America" traces Schoenberg's emigration and work after 1933 -- 11. "Webern and the future, Schoenberg and the past" -- 12. "More an influence than a closed circle" looks at Schoenberg's influence prior to 1951 -- 13. "The reactionary radical" looks at Schoenberg's influence since 1951."@en
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Choruses, Sacred (Mixed voices, 4 parts) with orchestra.
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