Linked Data Explorer

"A silent celebration of heterosexual lovemaking made also as a counter to the absence of sensuality in pornography. In attempting to reproduce the visual and tactile experience of lovemaking the filmmaker employs an overlay of visual effects, achieved with a variety of techniques applied to the photographic image over several years."@en
"Une célébration silencieuse de l'amour hétérosexuel. Le film unifie les énergies érotiques dans un environnement domestique grâce à la coupe, la superposition d'impressions abstraites et des éraflures sur la pelliculesur, qui font fusionner les corps (de la cinéaste et de son amant) en état de jouissance et la matière filmique, support de cet extase. Avec Carolee Schneemann, James Tenney."
"A silent celebration in color of heterosexual lovemaking. The artist's objective was to make an erotic film that was not pornographic, as well as to give an equal voice to women's eroticism."@en
"A silent celebration of heterosexual lovemaking, featuring the producer and her partner, as seen through the eyes of her cat."@en
"A silent celebration of heterosexual lovemaking. The artist's objective was to make an erotic film, from a woman's point of view, that was not pornographic."@en
"A silent celebration of heterosexual lovemaking. The artist's objective was to make an erotic film, from a woman's point of view, that was not pornographic."
"A silent film by Schneemann, a performance artist, celebrating heterosexual lovemaking, using experimental film techniques."@en
"The filmmaker employs burning, baking, cutting, painting, etching the film and collage techniques to unite the human elements of love-making with elements of the natural environment. Schneemann conceived the film as shot through the impassive gaze of her cat, an "observer whose view of human sexuality is free of voyeurism and ignorant of morality.""
"A silent celebration of heterosexual lovemaking. The film unifies erotic energies within a domestic environment through cutting, superimposition and layering of abstract impressions scratched into the celluloid itself."