Linked Data Explorerhttp://worldcat.org/entity/work/id/1881931037
Dance on with Billie Mahoney
Open All Close All
http://schema.org/about
- http://id.loc.gov/authorities/subjects/sh00007693
- http://id.worldcat.org/fast/1142970
- http://id.worldcat.org/fast/887581
- http://id.worldcat.org/fast/858596
- http://worldcat.org/entity/person/id/2644903047
- http://id.worldcat.org/fast/1006626
- http://worldcat.org/entity/person/id/2644842705
- http://id.worldcat.org/fast/1482339
- http://worldcat.org/entity/person/id/2641427210
- http://worldcat.org/entity/person/id/2645175649
- http://worldcat.org/entity/person/id/2628565781
- http://id.worldcat.org/fast/1024421
- http://id.loc.gov/authorities/subjects/sh99000396
- http://id.loc.gov/authorities/subjects/sh85132402
- http://id.loc.gov/authorities/subjects/sh85086440
- http://id.loc.gov/authorities/subjects/sh85083525
- http://worldcat.org/entity/person/id/2630883571
- http://viaf.org/viaf/316592981
- http://id.worldcat.org/fast/1142971
- http://experiment.worldcat.org/entity/work/data/1881931037#Event/1900_1999
- http://id.loc.gov/authorities/subjects/sh85024742
- http://worldcat.org/entity/person/id/2641807186
- http://worldcat.org/entity/person/id/2636529761
- http://id.worldcat.org/fast/1204155
http://schema.org/description
- "Alwin Nikolais speaks about beginning his career as a piano accompanist at a dance studio. Seeing Mary Wigman for the first time he realized that he wanted to be a dancer, not an accompanist. Billie Mahoney and Alwin Nikolais discuss his work with other dancers, his travels and his career as choreographer and teacher."
- "Modern dancer Erick Hawkins feels that his dance aesthetics have been influenced by Indian tribes living close to his hometown, Trinidad, Colorado. He did not discover dance until he was in college, where he read works by Isadora Duncan; studied dance in Salzburg, Austria; then came to New York to attend the School of American Ballet; danced with and choreographed for Ballet Caravan; eventually found ballet movements too restrictive, and turned to modern dance. After dancing with the Martha Graham Company for 12 years, he broke away and developed his own dance style, integrating Eastern concepts of body movement, such as those found in the martial art aikido into his own dance vocabulary."
- "Tap dance artist Honi Coles reminisces about his youth, and the origins of his famous nickname "Honi." Although he never attended formal dance classes, he regularly tapped on Philadelphia street corners with his friends. Later, he competed in the local theatre on amateur nights. His first professional experience was with the Three Millers, who performed at Lafayette Theatre in New York City. He discusses the high-quality, "class-acts" of his own performances; the importance of "classy" costuming, promptness, and discipline; partnership with Cab Calloway; his later association with Cholly Atkins (from 1947-1960); his work in numerous Broadway Theatres; from 1960-1976, production manager for the Apollo Theatre; presenting master classes in schools and museums."
http://schema.org/genre
- "Interviews"@en
- "Interviews"
- "Biography"
http://schema.org/name
- "Dance on with Billie Mahoney"@en
- "Dance on with Billie Mahoney"