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Building a character [electronic resource]

A master performer's guide to the external expressions, particularly costume, movement, and speech, which enable an actor to project the character he portrays.

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alternateName

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  • "Rabota aktera nad soboi. Greek"
  • "Building a character"
  • "An actor prepares"
  • "Actor prepares"
  • "O technike aktera"
  • "Sobranie sočinenij v devâti tomah"
  • "Yan yuan zi wo xiu yang"
  • "演員自我修養"

author

contributor

http://schema.org/contributor

creator

description

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  • "A master performer's guide to the external expressions, particularly costume, movement, and speech, which enable an actor to project the character he portrays."@en
  • "Lesmethode voor acteurs van de Russische acteur, regisseur en theatertheoreticus (1863-1938)."
  • "Stanislavski's simple exercises fire the imagination, and help readers not only discover their own conception of reality but how to reproduce it as well."
  • "In this follow up to his most famous book, An Actor Prepares, Stanislavski develop his influential 'system' of acting by exploring the imaginative processes at the heart of the actor's craft. Building a Character deals with the physical realisation of character on the stage through such tools as expressions, movement and speech. It is a book in which every theory is inextricably bound up with practice - a perfect handbook to the physical art of acting. The work of Stanislavski has inspired generations of actors and trainers and remains an essential read for actors and directors at all stages o."
  • "An Actor Prepares is the most famous acting training book ever to have been written and the work of Stanislavski has inspired generations of actors and trainers. This translation was the first to introduce Stanislavski's 'system' to the English speaking world and has stood the test of time in acting classes to this day. Stanislavski here deals with the inward preparation an actor must undergo in order to explore a role to the full. He introduces the concepts of the 'magic of' units and objectives, of emotion memory, of the super-objective and many more now famous rehearsal aids. An inspiration."@en
  • "This work is the first volume of Stanislavski's trilogy on the art of acting; it explains the art of acting in semi-fiction form. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself."
  • "This work is the first volume of Stanislavski's trilogy on the art of acting; it explains the art of acting in semi-fiction form. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself."@en
  • "Studies costume and the wearing of costumes, bodily movement, voice, speech and the use of language, and tempo and rhythm."
  • "This is the first volume of a trilogy on the art of acting. The author describes the system of learning the craft of acting and of developing the actor's imagination and creativeness. His inward process of role preparation has become the standard technical and theoretical method for theater students. Prequel to "Building a Character.""
  • "This work is the first volume of Stanislavski's trilogy on the art of acting. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself."
  • "This work is the first volume of Stanislavski's enduring trilogy on the art of acting. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself."
  • "First Published in 1989. Routledge is an imprint of Taylor & Francis, an informa company."@en
  • "In this second book of a trilogy on the art of acting, the author discusses external techniques. He describes his system for mastering movement, diction, expression, and other means of character delineation."
  • "Simple exercises helping actors not only to discover their own conception of reality but how to reproduce it."@en
  • "Stanislavski's "System" offers both a means of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination. Generations of actors have been inspired by his ideas -- the "magic if," "emotional memory," the "unbroken line"--And by that hallmark of Stanislavski's work, an unwavering commitment to theatrical truth."
  • "At last, Jean Benedetti has succeeded in translating Stanislavski's huge manual into a lively, fascinating and accurate text in English, remaining faithful to the author's original intentions within a colloquial and readable style for today's actors."@en
  • "This translation was the first to introduce Stanislavski's 'system' to the English speaking world and has stood the test of time in acting classes to this day. Stanislavski here deals with the inward preparation an actor must undergo in order to explore a role to the full. He introduces the concepts of the 'magic if' units and objectives, of emotion memory, of the super-objective and many more now famous rehearsal aids. -- Back cover."
  • "The art of acting is explained in semi-fiction form."

editor

genre

http://schema.org/genre

  • "Anecdotes"
  • "Herinneringen (vorm)"
  • "Criticism, interpretation, etc"
  • "Biography"
  • "Electronic books"
  • "Electronic books"@en
  • "Books for the visually impaired"
  • "Ressources Internet"
  • "Records and correspondence"

name

http://schema.org/name

  • "Building a character [electronic resource]"@en
  • "Bir aktör hazırlanıyor"
  • "Bir aktör hazırlanıyor"@tr
  • "Building a Character. Translated by Elizabeth Reynolds Hapgood. Introduction by Joshua Logan"@en
  • "An Actor prepares"@en
  • "An Actor prepares"
  • "Näyttelijän työ omakohtaisen luovan eläytymisen saavuttamiseksi : oppilaan päiväkirja"@fi
  • "演員自我修养"
  • "Rabota aktera nad soboi"
  • "An actor prepares. Reprint"@en
  • "Rabota aktera nad soboj : Rabota nad soboj v tvorceskom processe perezivanija : Dnevnik ucenika"
  • "Building a Character"
  • "<&gt"
  • "<&gt"@en
  • "演员自我修养. 上册"
  • "Yan yuan zi wo xiu yang. shang ce"
  • "Building a character : Constantin Stanislavski ; translated by Elizabeth Reynolds Hapgood ; introduction by Joshua Logan"@en
  • "An actor's work a student's diary"@en
  • "An actor's work a student's diary"
  • "Rabota aktera nad soboj : rabota nad soboj v tvorčeskom processe pereživanija : dnevnik učenika"
  • "An actor prepares : by Constantin Stanislavski. Transl. by Elizabeth Reynolds Hapgood"
  • "Building a character. Reprint"@en
  • "Rabota aktera nad soboj: Č. 2. Rabota nad soboj v tvorčeskom processe voploščnija"
  • "Rabota aktera nad soboj : dnevnik učenika"
  • "Rabota aktera nad soboj : cast' 2"
  • "Building a character"
  • "Building a character"@en
  • "Bir aktör hazırlanıyor /K. S. Stanislavski ; çev. S. Taşer"
  • "Rabota aktera nad soboǐ onevnik uchenika"
  • "An actor prepares : +by Constantin Stanislavski. Transl. by Elizabeth Reynolds Hapgood"
  • "Building a Character [Rabota aktera nad soboi]"
  • "演员自我修养"
  • "Rabota aktera nad soboj. Č. 2. Rabota nad soboj v tvorčeskom processe voploščenija : materialy v knige"
  • "Rabota aktera nad soboi : dnevnik uchenika"
  • "An actor prepares by constantin stanislavski.Transl. by elizabeth reynolds hapgood.Introd.by john gielgud"
  • "An Actor Prepares. (Translated by Elizabeth Reynolds Hapgood.) [With a portrait.]"@en
  • "An Actor Prepares. (Translated by Elizabeth Reynolds Hapgood.) [With a portrait.]"
  • "An Actor's Work a Student's Diary"@en
  • "Работа актера над собой"
  • "Rabota aktera nad soboj"
  • "[Работа актера над собой. Второе издание.] Sistem. Teorija glume. (Preveo M. Đoković.) [With a portrait.]"
  • "Building A Character"@en
  • "הדבר על הבמה : פרק 22 מתוך ספרו עבודת השחקן על עצמי"
  • "An actor prepares : Transl. by Elizabeth R. Hapgood"
  • "Enas ēthopoios dēmiourgeitai = Rabota aktera nad soboi. Greek"
  • "ha-Diber ʻal ha-bamah : pereḳ 22 mi-tokh sifro ʻAvodat ha-śaḥḳan ʻal ʻatsmi"
  • "Building a character (Rabota aktera nad soboj, engl.)"
  • "Rabota aktera nad soboĭ"
  • "Building a Character. Translated by Elizabeth Reynolds Hapgood. [With a portrait.]"
  • "Building a Character. Translated by Elizabeth Reynolds Hapgood. [With a portrait.]"@en
  • "Sistem : (teorija glume)"
  • "Building a character : Constantin Stanislavski. Translated by Elizabeth Reynolds Hapgood. Introduction by Joshua Logan"
  • "An actor prepares : Autobiography"@en
  • "An Actor Prepares"
  • "An Actor Prepares"@en
  • "An actor prepares"@en
  • "An actor prepares"
  • "演員自我修養"
  • "Rabota aktera nad soboǐ : onevnik uchenika"
  • "Henas ēthopoios dēmiourgeitai"
  • "Actor prepares"
  • "Sistem (Teorija Glume)"@en
  • "An actor prepares, by Constantin Stanislavski. Translated by Elizabeth Reynolds Hapgood. Introd. by John Gielgud"@en
  • "An Actor Prepares ... Translated by Elizabeth Reynolds Hapgood"@en
  • "An Actor Prepares. Translated by Elizabeth Reynolds Hapgood"@en
  • "Sistem : teorija glume"
  • "Rabota aktera nad soboĭ : dnevnik uchenika"
  • "An Actor prepares ... Translated by Elizabeth Reynolds Hapgood"@en
  • "Building a character : Transl. by Elizabeth Reynolds Hapgood"
  • "Rabota aktera nad soboi; Dnevnik uchenika"
  • "Rabota aktera nad soboj. O technike aktera / M. A. Čechov"
  • "Rabota aktera nad soboj : rabota nad soboj v tvorčeskom processe pereživanija ; Dnevnik učenika"
  • "An actor's work : a student's diary"@en
  • "An actor's work : a student's diary"
  • "ʻAvodat ha-sahkan ʻal ʻatsmo; yomano shel talmid"
  • "演员自我修養"
  • "An actor prepares [electronic resource]"@en
  • "Yan yuan zi wo xiu yang"

workExample

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