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http://worldcat.org/entity/work/id/1916815471

J : a novel

Kevern doesn't know why his father made him put two finger across his lips whenever he began a word with a J. It wasn't then, and isn't now, the time or place for asking questions. Ailinn, too, has grown up in the dark about who she is and where she comes from. The past is a dangerous country, not to be visited or talked about.She is new to the village; Kevern has lived here, in half-hiding, all his life. They feel a surge of protectiveness for each other the moment they meet. On their first date, Kevern kisses the bruises under her eyes. He doesn't ask who did it. Brutality has grown commonplace. They aren't sure whether they have fallen in love of their own accord or whether they've been pushed into each other's arms. But who would have pushed them, and why?Nothing in this extraordinary new novel by Howard Jacobson is certain. Time lurches, what passes for memory might not have happened, accidents might not after all be accidental, history itself has been disowned. If this is the consequence of removing your enemies (and disturbing the necessary equilibrium of hate), could it be time to reinvent them? Into these sinister calculations first Ailinn and then Kevern are drawn

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  • "Kevern doesn't know why his father made him put two finger across his lips whenever he began a word with a J. It wasn't then, and isn't now, the time or place for asking questions. Ailinn, too, has grown up in the dark about who she is and where she comes from. The past is a dangerous country, not to be visited or talked about.She is new to the village; Kevern has lived here, in half-hiding, all his life. They feel a surge of protectiveness for each other the moment they meet. On their first date, Kevern kisses the bruises under her eyes. He doesn't ask who did it. Brutality has grown commonplace. They aren't sure whether they have fallen in love of their own accord or whether they've been pushed into each other's arms. But who would have pushed them, and why?Nothing in this extraordinary new novel by Howard Jacobson is certain. Time lurches, what passes for memory might not have happened, accidents might not after all be accidental, history itself has been disowned. If this is the consequence of removing your enemies (and disturbing the necessary equilibrium of hate), could it be time to reinvent them? Into these sinister calculations first Ailinn and then Kevern are drawn"@en
  • "Kevern doesn't know why his father made him put two finger across his lips whenever he began a word with a J. It wasn't then, and isn't now, the time or place for asking questions. Ailinn, too, has grown up in the dark about who she is and where she comes from. The past is a dangerous country, not to be visited or talked about. She is new to the village; Kevern has lived here, in half-hiding, all his life. They feel a surge of protectiveness for each other the moment they meet. On their first date, Kevern kisses the bruises under her eyes. He doesn't ask who did it. Brutality has grown commonplace. They aren't sure whether they have fallen in love of their own accord or whether they've been pushed into each other's arms. But who would have pushed them, and why?"
  • "-- JIndependent ? Man Booker Prize?winner Howard Jacobson?s brilliant and profound new novel, -- From the Hardcover edition."@en
  • ""Esme Nussbaum has seen the distorted realities, the fissures that have only widened in the twenty-plus years since she was forced to resign from her position at the monitor of the Public Mood. Now, Esme finds something strange and special developing in a romance between Ailinn Solomons and Kevern Cohen. As this unusual pair's actions draw them into ever-increasing danger, Esme realizes she must do everything in her power to keep them together--whatever the cost."--"@en
  • ""A profound, darkly comedic parable set in a future where collective memory has vanished following a historic catastrophe, and one young couple's love affair could have shattering consequences for the human race. In a world where the past is a dangerous country, not to be talked about or visited, J is a love story of incomparable strangeness, both tender and terrifying. After the devastation of WHAT HAPPENED, IF IT HAPPENED, all that should remain is peace and prosperity. Everyone knows his or her place; all actions are out in the open. But Esme Nussbaum has seen the distorted realities, the fissures that have only widened in the twenty-plus years since she was forced to resign from her position at the monitor of the Public Mood. Now, Esme finds something strange and special developing in a romance between Ailinn Solomons and Kevern Cohen. As this unusual pair's actions draw them into ever-increasing danger, Esme realizes she must do everything in her power to keep them together--whatever the cost. With a sense of the dramatic sweep of Michael Ondaatje and the dystopian, literary sensibility of Margaret Atwood, Howard Jacobson's J is an astonishing feat of fiction. In this exquisitely written, beautifully playful and imaginative, and terribly heart-breaking work, Jacobson gathers his prodigious gifts for the crowning achievement of a remarkable career"--"
  • ""A profound, darkly comedic parable set in a future where collective memory has vanished following a historic catastrophe, and one young couple's love affair could have shattering consequences for the human race. In a world where the past is a dangerous country, not to be talked about or visited, J is a love story of incomparable strangeness, both tender and terrifying. After the devastation of WHAT HAPPENED, IF IT HAPPENED, all that should remain is peace and prosperity. Everyone knows his or her place; all actions are out in the open. But Esme Nussbaum has seen the distorted realities, the fissures that have only widened in the twenty-plus years since she was forced to resign from her position at the monitor of the Public Mood. Now, Esme finds something strange and special developing in a romance between Ailinn Solomons and Kevern Cohen. As this unusual pair's actions draw them into ever-increasing danger, Esme realizes she must do everything in her power to keep them together--whatever the cost. With a sense of the dramatic sweep of Michael Ondaatje and the dystopian, literary sensibility of Margaret Atwood, Howard Jacobson's J is an astonishing feat of fiction. In this exquisitely written, beautifully playful and imaginative, and terribly heart-breaking work, Jacobson gathers his prodigious gifts for the crowning achievement of a remarkable career"--"@en

http://schema.org/genre

  • "Fiction"@en
  • "Fiction"
  • "Love stories"
  • "Love stories"@en
  • "Romans (teksten)"
  • "Electronic books"@en
  • "Powieść angielska"
  • "Dystopias"
  • "Dystopias"@en
  • "Black humor (Literature)"
  • "Erzählende Literatur"
  • "Black humor (Literature)"@en
  • "Large type books"

http://schema.org/name

  • "J : roman"
  • "J : a novel"
  • "J : a novel"@en
  • "J"
  • "J"@en
  • "J Roman"
  • "J : [a novel]"
  • "J: a novel"@en