"Musikproduzent Popmusik Tonaufnahme Geschichte 1960-2005." . . "Opnamestudio's." . . "populærmusik" . . "Soundverarbeitung." . . "Música popular Producción y dirección Historia." . . "Geluidstechniek." . . "producere" . . "Musique populaire Analyse et appréciation." . . "Musique populaire - Analyse et appréciation." . "Música popular (Canciones, etc.) Grabaciones sonoras." . . "Popmusik." . . "Musique populaire Écriture et édition." . . "Geschichte 1960-2005." . . "Enregistrements sonores Production et réalisation." . . "Musique populaire Production et mise en scène Histoire." . . "Musique populaire - Production et mise en scène - Histoire." . "Popular music Analysis, appreciation." . . "Tonträgerproduktion." . . "Enregistrements sonores Production et réalisation Histoire." . . "Enregistrements sonores - Production et réalisation - Histoire." . "Música popular (Canciones, etc.) Siglo 20o. Historia y crítica." . . "Popular music Production and direction History." . . "Grabaciones sonoras Producción y dirección Historia." . . . . "Popmusik Tonaufnahme Tontechnik Geschichte 1960-2005." . . "Sound recordings Production and direction History." . . "Música popular Historia y crítica." . . "Schallaufzeichnung." . . . . . . . . . . . . . "History" . "History"@en . "\"In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate electicism of George Martin's recordings of the Beatles did not resemble live performances--in the Albert Hall or elsewhere--but instead created a new sonic world. The role of the record producer, writes [the author in this book] ... was evolving from that of organizer to auteur. Moorefield, a musician and producer himself, traces this evolution with detailed discussions of works by producers and producer-musicians including Spector and Martin, Brian Eno, Bill Laswell, Trent Reznor, Quincy Jones, and the Chemical Brothers. Underlying the transformation, Moorefield writes, is technological development: new techniques--tape editing, overdubbing, compression--and, in the last ten years, inexpensive digital recording equipment that allows artists to become their own producers ... [This book] tries to unravel the mystery of good pop: why does it sound the way it does?\"--Publisher description." . . . . "\"In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate electicism of George Martin's recordings of the Beatles did not resemble live performances--in the Albert Hall or elsewhere--but instead created a new sonic world. The role of the record producer, writes [the author in this book]...was evolving from that of organizer to auteur. Moorefield, a musician and producer himself, traces this evolution with detailed discussions of works by producers and producer-musicians including Spector and Martin, Brian Eno, Bill Laswell, Trent Reznor, Quincy Jones, and the Chemical Brothers. Underlying the transformation, Moorefield writes, is technological development: new techniques--tape editing, overdubbing, compression--and, in the last ten years, inexpensive digital recording equipment that allows artists to become their own producers.... [This book] tries to unravel the mystery of good pop: why does it sound the way it does?\"--From publisher description." . . "The Producer as Composer : From the Illusion of Reality to the Reality of Ill" . . . . . . . "The producer as composer : shaping the sounds of popular music" . . . . . . . . . . "The producer as composer shaping the sounds of popular music" . "The producer as composer shaping the sounds of popular music"@en . . . . . . . . . . . . . . . . . . . . . "Geschiedenis (vorm)" . . "musikoptagelser" . . "Musique populaire Arts du spectacle Production et mise en scène." . . "Sonido Grabación y reproducción Historia Siglo 20o." . . "pladeproducere" . . "Klangerzeugung." . . "Rockmusik." . . "Musique populaire." . . "musik" . . "Música popular Análisis, apreciación." . . "pladeproduktion" . .