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The art of setting or composing of musick in parts. : By a most familiar and easie rule: in three severall treatises. I. Of making foure parts in counterpoint. II. A necessary discourse of the severall keyes, and their proper closes. III. The allowed passages of all concords perfect and imperfect
- "The art of setting or composing of musick in parts : By a most familiar and easie rule: in three severall treatises. I. Of making foure parts in counterpoint. II. A necessary discourse of the severall keyes, and their proper closes. III. The allowed passages of all concords perfect and imperfect"
- "The art of setting or composing of musick in parts. : By a most familiar and easie rule: in three severall treatises. I. Of making foure parts in counterpoint. II. A necessary discourse of the severall keyes, and their proper closes. III. The allowed passages of all concords perfect and imperfect"@en
- "The art of setting or composing of musick in parts. By a most familiar and easie rule: in three severall treatises. I. Of making foure parts in counterpoint. II. A necessary discourse of the severall keyes, and their proper closes. III. The allowed passages of all concords perfect and imperfect"@en