"théâtre Tchekhov, Anton." . . "Teater - Iscensättning - Ryssland - 1900-talet." . . "Teater Iscensättning Ryssland 1900-talet." . "Drama." . . "Drama" . "Kunstreceptie." . . "Toneelvoorstellingen." . . . . "Regie." . . "Iscensättning - Ryssland - 1900-talet." . . "Iscensättning Ryssland 1900-talet." . "Théâtre (Spectacle)" . . "Aufführung." . . "Aufführung" . "Theater Čechov, Anton P Geschichte 1880-1995." . . "Theaterwetenschap." . . . . . . . . . . . . . . . . . . . . . "Many now consider Chekhov a playwright equal to Shakespeare. Senelick studies how his reputation evolved, and how the presentation of his plays varied and altered from their initial productions in Russia to recent postmodern deconstructions." . . . . . . . . "The Chekhov theatre : a century of the plays in performance" . "The Chekhov theatre : a century of the plays in performance"@en . . "The Chekhov theatre" . . . . "The Chekhov theatre a century of the plays in performance"@en . . . . . "This is the first cross-cultural study of Chekhov's plays in production. Many now consider Chekhov a playwright equal to Shakespeare, and this book studies how the reputation evolved, and how the presentation of his plays varied and altered from their initial productions in Russia to the most recent postmodern deconstructions of them. In the process, Laurence Senelick analyzes the ways in which the reception of Chekhov's plays reflects social, political and aesthetic attitudes in specific countries. Particular attention is given to the staging of Chekhov in Russia before and after the Revolution, and under different regimes; in the English-speaking world, in Western and Eastern Europe, as well as in Japan. Senelick also includes interpretations of Chekhov by the century's most influential directors and designers with valuable and informative illustrations of key productions also a feature of the book."@en . . . . . "Mise en scène." . . "Geschichte." . . "Geschichte" .