"Foreign films." . . "Man-woman relationships." . . "Love." . . "Criterion Collection (Firme)" . . "Feature films, Italy." . . "Triangles (Interpersonal relations)" . . "Cinematografica Associati." . . "Video recordings for the hearing impaired." . . . . . . . . . . . "White nights" . . . . "Le Notte bianche White nights" . . "Le notti bianche White nights" . . "Fiction films" . . . "Drama" . . . "Film adaptations" . "Motion pictures" . . . . "Luchino Visconti's Le notti bianche" . . . . . . . . . . . . . . . . . . . . . "Notti bianche (Motion picture)" . "A chance encounter on a canal bridge results in a series of twilight rendezvous between a lonely man and a sheltered woman haunted by a lover's promise." . . . "Le Notti bianche White nights" . . . "Foreign films" . . "Feature films" . . . . . . "Italian language films" . "Romance" . . "Le notti blanche White nights" . . . . . . "Mario, a young man, lonely because he is a newcomer to the city, attempts to develop a relationship with a shy young woman, Natalia, who has lived in isolation intensified by her love for a man who may not return. A bridge across a canal provides a visual metaphor for the separation of Mario's fantasies from hers. A sense of mediated and reworked reality is deliberately created through the reconstruction of the streets of Livorno in the studio. There are two other film versions of the same story; one by the Russian Ivan Pyriev, the other by Robert Bresson under the title 'Quatre Nuits d'un Reveur'" . . "A humble clerk courts a woman who night after night awaits for the return of her lover." . . . "MyLibraryDV." . . "Italian language films." . . "Intermondia (Firm)" . . "CI. AS.-Vides (Firm)" . . . .