"Cognition and culture." . . "Tyvende århundrede" . . "Culture." . . "Filozofija Spoznavna teorija." . . . . "Philosophie française 20e siècle." . . "Visuele waarneming." . . "Vista." . . "Filosofía francesa Siglo XX." . . "Visión." . . "Vision." . "PHILOSOPHY History & Surveys Modern." . . "Samfundsvidenskabelig diskurs" . . "Geschichte." . . "1900 - 1999" . . "Vida intel·lectual." . . "Filosofia francesa." . . "Kunsthistorie" . . "Sehen." . . "Philosophie." . . "Fransk sprog" . . "Esthétique France 20e siècle." . . "Filosofía Francia S.XX." . . "Widzenie." . . "Samfundsdebat" . . "Phénoménologie et littérature." . . "cognition culture philosophie française vision (psychologie) 20e s." . . "Kunstteori" . . "Cognición y cultura." . . "Poznanie i kultura." . . "Civilization." . . "Filosofische aspecten." . . "Vision, Ocular." . . "Philosophie France 20e siècle." . . "Etnopsicologia." . . "Etnopsicologia" . "Francja" . . "Frankreich." . . "Civilització." . . "Philosophie Sehen Frankreich Geschichte 20. Jh." . . "Kulturforskelle" . . "Politisk filosofi" . . "Sehen Philosophie Frankreich Geschichte 20. Jh." . . "Philosophy, French 20th century." . . "Philosophie France 1870-1914." . . "PHILOSOPHY Political." . . "Filosofia francesa S. XX." . . "Percepcion visual." . . "França" . . "França." . "Philosophie et littérature." . . "S. XX" . . "anno 1900-1999" . . "Cognition et culture." . . "Visió." . . "Livres électroniques" . . . . . . "Downcast eyes : The denigration of vision in twentieth-century French thought" . . . . . . . "Studie naar de rol die visuele waarneming als bron en garantie van kennis speelde in de geschiedenis van de westerse wijsbegeerte, met de meeste nadruk op de Franse filosofie van de 20e eeuw." . . . . . . . . "Downcast Eyes" . . . . . . . . . . . . . . "Downcast eyes : the denigration of vision in twentieth century French thought" . . . "Downcast Eyes the Denigration of Vision in Twentieth-Century French Thought"@en . "Downcast eyes" . . . . . . . . . . . . . . . . . . . "Downcast eyes : the denigration of vision in twentieth-century french thought" . . . . . . . . . . . "Downcast eyes the denigration of vision in twentieth-century French thought"@en . "Downcast eyes the denigration of vision in twentieth-century French thought" . . . . . . . . . . . . . . . . . . . . . "Electronic books"@en . "Electronic books" . . "Long considered \"the noblest of the senses,\" vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance. Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influe."@en . . . . . . . "Long considered \"the noblest of the senses,\" vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics, especially prominent in twentieth-century France, have challenged vision's allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance. Martin Jay turns to this antiocularcentric discourse and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers vision's role in the French Enlightenment before turning to its status in the culture of modernity. From French Impressionism to Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded analyses of thinkers and ideas widely known for their difficulty. His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of \"scopic regimes.\" Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians."@en . "Long considered \"the noblest of the senses,\" vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics, especially prominent in twentieth-century France, have challenged vision's allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance. Martin Jay turns to this antiocularcentric discourse and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers vision's role in the French Enlightenment before turning to its status in the culture of modernity. From French Impressionism to Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded analyses of thinkers and ideas widely known for their difficulty. His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of \"scopic regimes.\" Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians." . . . "Downcast eyes : The denigration of vision in twentieth-century french thought" . . "Ojos abatidos : la denigración de la visión en el pensamiento francés del siglo XX" . "Ojos abatidos : la denigración de la visión en el pensamiento francés del siglo XX"@es . . . . . . . . "Downcast eyes : the denigration of vision in twentieth-century French thought" . . . "Denigración de la visión en el pensamiento francés del siglo XX" . . "Denigración de la visión en el pensamiento francés del siglo XX"@es . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Jay, Martin" . . "Geschichte 1900-1990." . . "Geschichte 1900-1990" . "University of California Press." . . "Kunsthistorie i det 20.århundrede" . . "Frankrijk." . . "Frankrijk" . "civilisation pensée vision (psychologie) France 20e s." . . "Cognició i cultura." . . "Filozofia Francja 20 w." . . "Philosophy, French." . . "1900-1990" . . "Perception (philosophie)" . . "Filosofia contemporanea." . . "Francia" . . "Filosofía francesa Siglo 20o." . . "Intellectual life." . . "France" . . "France." . "Filosofi" . . "Perception visuelle Philosophie." . . "Frankrig" . . "Philosophy." . .