These three Port Elizabeth plays, which established South African playwright Athol Fugard's international reputation more than twenty years ago, examine with passion and grace close family relationships strained almost unendurably by the harshest of economic and political conditions. "A rare playwright, who could be a primary candidate for either the Nobel Prize in Literature or the Nobel Peace Prize."--Mel Gussow, The New Yorker.
"These three Port Elizabeth plays, which established South African playwright Athol Fugard's international reputation more than twenty years ago, examine with passion and grace close family relationships strained almost unendurably by the harshest of economic and political conditions. "A rare playwright, who could be a primary candidate for either the Nobel Prize in Literature or the Nobel Peace Prize."--Mel Gussow, The New Yorker."@en
"The brothers of Blood Knot-- one dark-skinned, one light-- betray their dreams of a better future with the impossible wish of passing for white. In Hello and Goodbye, a poor white brother and sister churn their once-promising past to comprehend their bleak present. Boesman and Lena, a black husband and wife, tramp homelessly through a severe and unforgiving landscape, discovering strength and recovering devotion through an encounter with a mysterious old African."
"The brothers of Blood Knot-- one dark-skinned, one light-- betray their dreams of a better future with the impossible wish of passing for white. In Hello and Goodbye, a poor white brother and sister churn their once-promising past to comprehend their bleak present. Boesman and Lena, a black husband and wife, tramp homelessly through a severe and unforgiving landscape, discovering strength and recovering devotion through an encounter with a mysterious old African."@en
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